A reflection on the reconstruction of the Berlin Palace and its contradictory use as an ethnological museum.

A narrative of the early modern Indian sculpture known as the Mithuna couple.

A new narrative by Léonora Miano around Mandu Yenu, a throne from the ancient Kingdom of Bamum (present day Cameroon). 

The architecture of disaster: Eyal and Ines Weizman trace the history of the before-and-after image from 19th-century photography to contemporary satellite images.

The posthumous publication of the German philosopher: a major work on the collapse of Western philosophy and on the necessity to rethink the past to build the future.

Artaud's last unpublished work.

An urban investigator has been commissioned by a global corporation to determine how cities worldwide are being engulfed and destroyed by the wastelands that are mysteriously appearing in their heart. They are being "wastelanded," generating turmoil and catastrophic technological meltdown in every global megalopolis.

A publication that directs dialogue and points of exchange among art, science, and environmental justice in the Americas.

A contemporary cabinet of curiosities, comprising the singular collection assembled by Jean Chatelus (1939-2021) over the course of his life: sculptures, installations, paintings, photographs, drawings by the greatest figures of the 20th century, as well as by outsider artists and "enfants terribles", pieces of non-Western art and objects from popular traditions, reflecting diverse aesthetics and voices.

The 2025 Villa Medici residents catalogue.

Jérôme Game, a poet working at the intersection of words, sounds and images, has invited two of his stage partners, Chloé and Jean-Michel Espitallier, to create a duo piece with him for this sound poetry album, between beat inspiration, krautrock motorick and literary glitch.

An artist's book by architect, forester and refuge keeper Wim Cuyvers, examining the changing climate and the very definition of architecture through a photographic investigation of the landscape.

New Environments & Rhythm Studies is a further attempt to re-describe past tropes which laid claims to authentically represent music and sound from beyond the Western world (exotica, ethnomusicology, field recording) as undertakings of the imaginary.

The result of a collective reflection undertaken at the Canadian Center for Architecture, this publication is the second volume of a periodical series wishing to explore urgent issues in today's curatorial practices.

An in-depth look at nearly two decades of artistic output by the Palestinian artist and filmmaker Basma al-Sharif.

A broad survey of the Brazilian artist's work since 2016, dwelling on the recurring motifs and iconographic sources that feed the complex imagery of his painting.

To a Dead Hare collects images from trajectories around photography, created by mentormentor over the past few years for S.M.A.K. Moves, a programme centred around inclusivity, with art as a universal language.

The first total survey of Jef Geys' work.

The first monograph, lavishly illustrated, with a preface by Martin Scorsese and numerous texts, devoted to the work of the astonishing American photographer who resurrects forgotten techniques to revisit the aesthetics of the early days of photography (and capture all its uncanny strangeness).

A moment in bird territory: a musical piece created live in an aviary fitted out with musical instruments, in which visitors are invited to stay in the company of some sixty live Australian finches, hopping quietly (and harmoniously) on 12 tuned electric guitars that have become perches.

A previously unheard recording of a concert by Pakistani vocalist Salamat Ali Khan.

The second album from Nantes-based Ensemble Nist-Nah founded by the Australian drummer/percussionist Will Guthrie, 48 minutes of electrifying music for Gamelan, drum kits, wood and metal percussion instruments, and plucked strings.

The second album from Nantes-based Ensemble Nist-Nah founded by the Australian drummer/percussionist Will Guthrie, 48 minutes of electrifying music for Gamelan, drum kits, wood and metal percussion instruments, and plucked strings.

A meeting of minds and bodies on a heady percussive trip with no clear destination, captured live at Espacio Cultural El Tanque in Tenerife.

Discrepant's chieftain Gonçalo F. Cardoso continues his sonic travelogue on insularity with impressions of Macaronésia: Canary Islands, Açores and Cabo Verde.

Robert Millis' first album with the Discrepant label explores his obsession with hidden sounds and its anomalies.

People Like Us, the project of artist Vicki Bennet returns to Discrepant with a special vinyl release of "Copia". This album marks the first new musical material since 2018, delving into the profound realms of existential collage and sampling, celebrating these forms as expressions of timeless connectivity.

Cross remixes by two emblematic figures of the contemporary electronic and experimental scene.

A selection of previously unpublished photographs from the Bolol project conducted by Eva Diallo since 2018 on the trail of overland migration routes from Africa to Europe.

A dialogue between the creations of two designer partners and friends.

A dialogue between the creations of two designer partners and friends.

The links between feminized labor, technological advancements, and their associated languages: a very special publication including a softcover book and 19 booklets with artists' imagery in a box. Accompanying the exhibition curated by Maurin Dietrich and Gloria Hasnay at Kunstverein München.

Vaginal Davis offers insights into her collaborative practice of making music in art-punk bands in Los Angles and Berlin.

Artist Bruno Zhu's project on the perception of migratory phenomena and the creation of identity and nationalist narratives.

Four texts by Teri Wehn Damisch, attending to the conception of her films on artist Robert Morris, photographer Gisèle Freund and anthropologist Françoise Héritier.

Eight sound pieces delicately handcrafted like a game between inside and outside.

A double CD with Suite blanche, a musique concrète composition by Anouck Genthon (violin, sound recordings) and Lionel Marchetti (synthesizers, electroacoustics, sound recordings), and Angelica, a concert by the duo.

Both an introduction to and an extension of the eponymous exhibition at the Mucem in Marseille, this catalogue offers an accessible and sensitive immersion in the richness of Amazigh culture, from the Neolithic to the present day.

A striking new photobook by Eric Kroll, featuring rare and intimate photographs taken during the shooting of Paul Schrader's cult 1979 film—and much more beyond.

Designers and researchers question the notion of resources (being material, human or intellectual) and our everyday habits to explore the ways in which design can respond to contemporary issues by rethinking production, consumption and innovation (the catalogue of the 13th Saint-Étienne International Design Biennial).