Eva-Maria Houben's music has somehow always been about perspective. These two new pieces, one for piano and one for organ, are once again prime examples.

A unique example of Amacher's late work.

This book is part of a research project conducted at ECAL that takes a critical look at standards in the field of offset printing. One will find here a collection of texts and images related to colour printing which recount histories, at times unknown, others forgotten, or else, for some, never told.

A 5-disc overview of exploratory works written between 2005 and 2018, including long-form ensemble pieces, idiosyncratic trio combinations and a collection of 10 solos investigating various potential in teractions between instrument and tape.

Archival and live recordings from Australia's premiere prepared acoustic improvising trio.

Two pieces of electroacoustic music and musique concrète, Music Promenade (1964-1969, permanent version for four stand-alone tape recorder) and Unheimlich Schön (made in 1971 in the studios of the Südwestfunk in Baden-Baden).

Three rare pieces by a composer best known for his work for the stage, dance and theater, a perfect introduction to the work of a fascinating figure of 20th century electroacoustic music.

A total alchemy between the texts declaimed by the New York poet Steve Dalachinsky and the loops subtly arranged by the experimental rock band The Snobs.

"Jeu du monde" is a collection of around twenty musique concrète pieces which spreads over more than six hours of music. Each CD has been designed as an audio film which tells a full story.

A pioneer of time-based media.

A children's book conceived by illustrator Adam Higton. It's small square size was inspired by the Pixi children's books and by the Nupuset series from Petomies.

Herewith the Clues continues Boy Vereecken's research into mass-market literary culture, which began with Signature Strengths (2016). The volume includes two text contributions: a contemporary take on the whodunit novel by Shumon Basar, followed by a tour of the history of the Crime Dossiers genre by Laura Herman. The book is illustrated with a photo series from Antoine Begon, who has unpacked and photographed the pieces of evidence that comprise Crime Dossiers such as File on Rufus Ray and Murder Off Miami.

The temporality of curatorial processes and research practices.

A body of research that focuses on the fragility of memory and the potential for its preservation, defying the gradual breakdown of matter through the effects of time.

Prototypes by Doireann O'Malley is a multi-screen film installation, a series of dreamscapes interrogating trans* semiotics through psychoanalytic practices, speculative technologies, and live action role-playing. O'Malley's work references scientific and medical investigations into the human psyche that address wider philosophical concerns relating to biology, gender embodiment, sexuality, utopianism,  and biomolecular advancement in human evolution.

A panoptic cinema.

A series of portraits of performance artist, avowed transsexual anarchist with no place to call home, macho woman, fashion model for Marianne Alvoni, target for the Swiss tabloid: Eve-Claudine Lorétan, alias Coco.

The catalogue of the first exhibition of works by artists and chefs, curated by Nicolas Bourriaud and Andrea Petrini: assembling 25 chefs and 20 artists from around the world, Cookbook'19 explores through a large panorama the relationship between the future art of cooking and the edibleness of art.

A journey covering several episodes of Situationist International.

John Armleder, Fluxus and the Ecart group.

Catalogue raisonné of paintings realized by Peter Halley between 1980 and 1989.

A collective reflection on Paul McCarthy's polemical sculpture Tree installed at Place Vendôme in Paris in 2014, presenting a map of the city's intellectual debates.

This Is Television addresses the increasingly obsolete medium of television by way of the medium of the book, commenting on media's continuous changes of form and format. Through an interplay of theory and artistic research material, the book extends Judy Radul's ongoing investigation of media with an idiosyncratic perspective on television—while still feeding off collective experience. The book thematizes television as a cultural container, both in its format as a box for content and as an ideologically saturated apparatus for reception.

An exchange between artist Sterling Ruby and fashion designer Raf Simons.

Pascal Dusapin's complete work for viola, performed by Vincent Royer (alto), and Brigitte Krömmelbein (violin). A unique artist, Pascal Dusapin continues his musical journey, formal and yet never dogmatic, offering his fiercely emotional music through a great range of diverse forms.

Matali Crasset's wild houses.

The two books by Matali Crasset published by Shelter Press (special offer).

Dokoupil's Leopard Paintings.

The richly illustrated memoirs of 1960-1970s jet-set call-girl/muse Susi Wyss: In 800 pages and 1.000 photographs, this publication tells the sulfurous story of Wyss' first forty years. A true tale of sex, drugs, and rock'n'roll, in which the reader will meet a gallery of colorful socialites and artists like Helmut Newton, Kenneth Anger, Iggy Pop, Dennis Hopper, Brion Gysin…

A book of portraits with a difference, culled from a 2002–2018 photo archive of porn actors who resemble or actually even portray celebrities and public figures. Polish artist Piotr Uklański draws on a stock of hard and soft copies of “dirty” glossy men's magazines like Hustler and Loaded—as well as a plethora of meme culture material dumped on websites and blogs.

Mario Schifano's road trip in the United States.

Cocoon, the solo project of Clair Obscur's leader Christophe Demarthe, publishes his fourth album on Optical Sound.

A panorama of the different cultures that have succeeded each other on the territory of the Kingdom of Saudi Arabia from prehistory to the edge of the modern world.

A panorama of the different cultures that have succeeded each other on the territory of the Kingdom of Saudi Arabia from prehistory to the edge of the modern world.

A courtly tale that takes the form of prose poems, dedicated to Surrealist artist Benjamin Péret. Written by Emmanuelle K., poet, storyteller, video artist, and companion of the Situationist International.

A collective reflection on cooperative and co-creation artistic practices engaged in the social field.

During Spring 2015, Eamon Sprod (Tarab) and Eric La Casa spent one week to record on waste grounds, at the north east of Paris, and along the canal Ourcq. Spaces which are somehow both inside yet apart from the city; waiting spaces from which to listen to the threshold of the city.

Following Skins (1994) and Skins & Punks (2008), hailed as modern classics, Gavin Watson's new monograph is an intimate selection of photographs disrupts the notion of skinheads and council estate residents as problematic figures in an almost endearing manner while still preserving the subversive character of the cult of youth.

New monograph, focusing on the ephemeral sculptures made by French artist Arnaud Vasseux in the context of recent exhibitions, at the end of which the works are destroyed.

How did autonomous art become such an effective tool of the capitalist state? A thorough analysis of the connection between contemporary art and modern biopower.

The first English translation of Hubert Fichte's investigation on New York's African diaspora in the late 1970s. Contesting the stylistic norms of ethnographic studies, Fichte offers an experimental, poetic, and radical reflection on the living conditions, struggles and cultural heritage of New York Africans.

Prints by Jennifer Bornstein gathers together a body of work encompassing her latest projects in printmaking during a recent fellowship at the Radcliffe Institute for Advanced Study at Harvard University. These works are contextualized by earlier projects in drawing, film, and artist books that span the 1990s to the present.

This first monograph on Aslan Gaisumov borrows its title from a video work focusing on the traumatic aftermaths of post-World War II for the Chechen people under Soviet control. The publication documents in text and images this both historical and intimate project.

Giving Voices features documentation on four of Erkan Özgen's video works dealing with war, violence, and trauma—beyond the boundaries of the political, within the dimension of the private and the human. It includes essays and an interview with the artist lead by Hans Ulrich Obrist and Hilde Teerlinck.

This catalogue accompanies three solo exhibitions in which two threads in Amelia Pica's practice are brought together: communication between humans and exchange between species. It includes a series of essays on animal rights and the artistic practice of the Argentine artist, as well as documents and an iconographic ensemble.