In the form of a conversation with filmmaker and artist John Akomfrah, this book sets out to explore how his work with montage can be understood to articulate contemporaneity in sensuous ways.

The question of the voice and its prominent role in our postindustrial society.

Dirty Ear Report #3 documents a collective workshop by sound artists and researchers working in the fields of experimental dramaturgy, sonic social engagement, and voice studies.

A sound composition based on a workshop focusing on questions of sound, listening, collaboration, and community.

A photographic journey with a documentary and sensory approach in the center of the ice giant Aletsch, the biggest glacier in Europe (a series of 60 negative photographs taken on the Aletsch glacier, with four texts by interdisciplinary authors on the glacier: glaciologist Jean-Baptiste Bosson, art historians Federica Martini and Joël Vacheron and writer-researcher André Ourednik).

First monograph.

A village, its people, nine characters, some children, a forest. Three seasons : winter, lockdown an spring. Bruissons is the tale of a motionless journey, slightly disrupted. An exhibition – pictures, sounds. And a book.

The “chronicle of a sideration” written during the lockdown between March and June 2020, accompanied by a textual contribution by Julien Coupat et alii.

Release of conceptual and perfomative pieces by Christina Kubisch composed & realised between 1974 and 1984, during Kubisch's years in Italy.

Unlike previous Gerhard Rühm editions on Tochnit Aleph which portrayed his phonetic poetry and longform radio-plays, the pieces on this edition are more conceptual, actionistic and (mostly) sound-based works recorded between 1962 and 1987.

Double-CD collecting five of Schmicklers key-works composed & recorded between 2006 and 2016: Richters Patterns (2016), Kemp Echoes (2013), E-UROPAS (2006), Fokker Bifurcations (2014), Ata Oto (2016).

A work Andrea Tippel started in 1993 and finished in 2009, consisting entirely of three-letter-words (two CDs in fullcolour six-panel DVD-sized digipak, with a biographical text, a chronology of the work and a text by Dorothy Iannone).

Six films around six exhibitions by Cécile Bart, closer to the aesthetics of an artist's film than a documentary, introducing the viewer to the proximity of the works.

A panorama of the contemporary art scene in Italy (exhibition catalogue).

This book surveys the work made in the last few years by Portuguese artist Ana Manso.

Artist's book.

This volume outlines the multiple trajectories that led to one of Mario Merz's most significant bodies of work: the igloos. Essays by Germano Celant, Lisa Le Feuvre, Pietro Rigolo, and Mariano Boggia complement a lavish array of illustrations and hitherto unpublished documents, including a 1974 interview with Merz conducted by Harald Szeemann, and a photographic reconstruction of the Igloos exhibition at the Pirelli HangarBicocca.

Giovanna Silva explores the architectural heritage of the Philippines, illustrating the relationship between architecture and history, through the architectural exuberance of a power long marked by corruption and nepotism.

A collector's declaration of love for his collection (the transcription of a performance by Oriol Vilanova).

Charles Pennequin is an unconventional poet who tells us here the sidereal aggression of a Martian who has not yet cut the cord. On the CD contained in the book, he interprets his text three times: twice in the company of the guitarist Jean-François Pauvros, and another time alone, but with a megaphone.

A study of clouds through photographs, drawings, essays, and interviews.

The catalogue of Stéphane Blanquet's evolving exhibition in the whole space of the Halle Saint-Pierre, Parisian temple of art brut and outsider art: a vast retrospective in 1.9 kg of images (drawings, photographs, tapestries, sculptures), with also the works of invited artists: Keiichi Tanaami, Bruno Richard, Samplerman, Jan Švankmajer, Dr. Karayom, etc.

An essential anthology of studies on music as it is played and lived throughout the world, from France to the United States via South Africa, which underlines Denis-Constant Martin's crucial role in the sociology of popular music. His works, which since the 1970s have questioned recorded and mediatized music by going beyond established musical categories, are striking in their contemporaneity.

The account of a collective study around the question of the irreversibility of the damage caused by extractivism and accumulation for common spaces and living conditions, in their political, social and aesthetic dimensions.

This publication explores the key tenets of artist Nicoline van Harskamp's research and practice, such as the contemporary use and modification of languages, a treatment of names as spoken language rather than spelled identity markers, and the practice of self-naming.

This luxurious monograph presents a wide selection of works by Izumi Kato, Japanese painter and sculptor known for his mysterious representations of human figures with primitive aesthetics, alongside exhibition views. It is accompanied by four original critical texts and a poem by the artist.

Rethinking cosmopolitanism without its exploitative grip through alternative traditions and practices of the cosmopolitan from across the globe.

David Graeber's interviews (with Mehdi Belhaj Kacem, Nika Dubrovsky, and Assia Turquier-Zauberman) redefine the contours of what an anarchist morality could be today.

Sans Grace is the book by two actresses, one from Geneva, the other based in Paris. It takes up the first improvisational exercises that they carried out before conceiving the stage diptych Sans Grace / Avec Grace, on tour in Switzerland and Belgium.

Architectural shape is the interface where form and meaning meet and communicate. In this perspective the research addresses the decoding of the shape of buildings, cities and landscapes.

A compilation of photographs of Mexican vigils, "casetas de control" or "casetas de vigilancia", taken from February to June 2018. These control booths, which were captured in the residential areas of Mexico City, govern free movement. This book is a true repertory which reveals an aesthetics of urban space and architectural functionalism.

A photographic alphabet.

The current state and future of painting in the digital age.

Artist's book.

The first publication to provide an overview of Kusama's early performative activities, with unpublished photos and forgotten works from private collections.

Jim O'Rourke's masterful abstract contribution to the MMXX series.

Quentin Rollet lays his mini tape synthesizer and saxophones on drum tracks recorded by Kim Giani in 2015, that is to say in the world before confinement. A humorous and energetic project, realized in a period of global boredom.

A slice of 1970s Americana in the suburbs of Long Island, from one of the era's most iconic documentarians.

A journey through the life and way of thinking of the French intellectual, medical biologist, philosopher and writer.

This film by Gilles Coudert, narrated by Charles Berling, depicts the dialogue between contemporary art and heritage fostered by the Domaine de Chaumont-sur-Loire, Centre d'Arts et de Nature, which encompasses the château and its contemporary sculpture park.

Based on the author's artistic research on migration, contemporary urban experience, and sonic alienation, The Nomadic Listener is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai, and New York, among others.

Drawing upon traditions of socially engaged poetics, Brandon LaBelle's The Other Citizen presents narratives of contemporary crisis and exclusionary politics—from American teenagers in the maze of neoliberal privatization to those caught between borders of nation-states—outlining the force of a planetary citizenry.

The “catalogue dé-raisonné” of all the printed matter produced by tThe independent publishing house Beau Geste Press, that federated visual poets, neo-Dadaists and international artists affiliated with the Fluxus movement from 1971 to 1976.

Between an artist's book, an essay and a catalogue, this publication explores the notion of “installation” in the appropriation strategy developed by the now fictional artist Ludovic Chemarin©, through the conceptual figure of the Kentia palm.

Émilie Notéris focuses her analysis on artworks created by women in the twentieth and twenty-first centuries, in a book that is at once literary, aesthetic and political.

First comprehensive monograph.