Building on the ground of many of the historic French electroacoustic pioneers connected to studios like Groupe de Recherches Musicales (GRM), while moving into new realms, this electroacoustic composition of sprawling scope weaves a free-standing world of texture and sublimated tonality to produce ambient expanses comprising pointillistic detail drawing on unplaceable generative sources.

Joachim Nordwall proposes for his contribution to the MMXX series a singular gesture built around captured vocalizations: the work's title, spoken by a number of voices, stands as doubling mantra and raw material, increasingly repeated layered, processed, and fed with further tonal and textural interventions over its duration, allowing Nordwall to push the boundaries of his own practice, between musique concrète, sound-art, and experimental electroacoustic music.

Devoted to the late work of José Clemente Orozco (1883–1949), a pioneering artist who founded the Mexican Mural Renaissance with Diego Rivera and David Alfaro Siqueiros, that illustrates the artist's career-long interests in human history and politics, surrealism, symbolism, abstraction and the human form, this catalogue also puts into dialogue the echoes of the painter's influence found in contemporary practices in the city of Guadalajara, where he has left an undeniable mark to our day.

Twenty-two drawings made during four months by the Mexican artist from his own observations of the evolution of a forest landscape written on a single day.

Jean-Luc Guionnet and Claire Bergerault have been working as an organ and voice duo in various churches since 2007. The challenge is, each time, to adapt to the configuration of the building and the organ, and then to stretch their music on the breach of this singularity.

The first volume of a new series of publications by the collective Wages For Wages Against that reports on active research engaged within the artistic professions and institutions since 2017. Its aim is to question the underlying neoliberal logics in the contemporary art world, by orienting its object of study towards the struggles that impact it.

How the organization of time structures the creative process and more broadly our relationship to the world.

A metaphysical poem divided into 21 chapters inspired by a series of researches performed among Iran, Armenia, and Ethiopia.

An off-track, frenetic and exciting improvisation session bringing together musicians who have known each other for many years and are playing together for the first time.

An inspiring album that dissolves the boundary that too often separates live and studio, improvisation and composition.

Created by the author-poet Frédéric Forte, the "Questions obliques" cards, with their three levels of difficulty, question the visitor of an exhibition on his perception of an artwork.

The collection of the Musée d'art et d'histoire de la Ville de Genève revisited by the transversal scenographic interventions of the Viennese artist and performer Jakob Lena Knebl, who turns perspectives upside down and radically renews our perception of the works.

The collection of the Musée d'art et d'histoire de la Ville de Genève revisited by the transversal scenographic interventions of the Viennese artist and performer Jakob Lena Knebl, who turns perspectives upside down and radically renews our perception of the works.

The fiscal cliff according to Erlend Peder Kvam.

Tal R's collages from his eclectic collection of images and objects (artist's book).

The ten years of activity of the international program of research, experimentation, and artistic and pedagogical residencies devoted to questions of artistic community, art in public space, landscape and the political issues of borders, territories and migrations, in Marfa, Texas, a mythical place that has become a veritable artistic laboratory.

The ten years of activity of the international program of research, experimentation, and artistic and pedagogical residencies devoted to questions of artistic community, art in public space, landscape and the political issues of borders, territories and migrations, in Marfa, Texas, a mythical place that has become a veritable artistic laboratory.

Art & microbiology: an essay on the critical, ethical and historical dimensions that result from the entry of microorganisms into the creative process, between art and science.

Winter Family's new album, a composition for a dance piece by Italian choreographer Paco Dècina (pipe organ, piano, voice), partially recorded in St Martin church of Maxéville, France.

The catalogue raisonné of the Frac Île-de-France Collection.

Olaf Holzapfel's textile works made from cactus fibre together with a family of traditional weavers from Argentina.

An artistic project around the secret code of the Incas developed with a system of knotted cords.

Artist's book / monograph.

An artistic and scholarly inquiry into the  work of Anton Wilhelm Amo (c. 1700–after 1753), an outstanding philosopher of the early eighteenth-century Enlightenment, the first African to earn a doctorate in a European university.

A program of performances, sound installations, projections, and conversations, to explore the relationship between sound, movement, and the social and geographic specifics of Marfa, Texas, at the intersection of music, minimalism, and the political.

Monograph based on the research of the London-Lisbon based audiovisual artist around the use of ergot in female history.

A photographic journey through the architecture and history of the capital of Pakistan, built ex nihilo from 1961 to the mid 1970s.

First retrospective monograph: an essential resource for any in-depth critical study of Chiara Fumai's work and thought, including a first systematic analysis of her oeuvre.

First vinyl edition of the 3rd album by Norscq (The Grief / The Atlas Project) that combines ancient texts, oriental singing, post-industrial electronica and dark ambient.

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

The first official monograph project around Ramsès Younan, a major figure and member of the Egyptian surrealists group, this volume gathers an exhaustive catalogue of Younan's paintings, drawings and visual experimentations with an anthology of critical essays about and by the artist.

First monograph.

Kilobase Bucharest A-Z is a publication aimed at describing Bucharest through a sort of experimental primer: for each letter of the english alphabet, 26 artists and collectives have chosen a key term that represents a sliver of the Romanian capital. The resulting portrait conveys the essence of Bucharest from a subjective standpoint that captures the infinite facets of the city's life and culture.

A documentation of new values and new worlds and a guide to them.

The life and work of Maryanne Amacher are as vast as they are as yet unknown. Situated at the very onset of serious study of her papers, Amy Cimini and Bill Dietz offer a heterodox and idiosyncratic selection of largely unpublished documents spanning the bandwidth of the still unprocessed contents of the Amacher archive (new softcover edition).

Two pieces for cello and humming written specifically for Judith Hamann by composers Sarah Hennies and Anthony Pateras alongside Hamann's own “Humming Suite” and “Study for cello and humming.”

Five musicians and producers from Italy and Europe experiment on new sounds together, inspired by a large variety of artistic environments and soundscapes.

With the vinyl recording of a musical, the artist proposes a new chapter in her project on fermentation as a living, palpable theory that blends body, feminism, and community.

An album of “synthetic exotica & pseudo-ethnographic music”.

Discover Richard Tuttle as story teller and writer: first publication of 44 short stories by the artist paired with 22 sculptural works from the "Stories" Series.

Italian pianist, performer and composer Giovanni Di Domenico presents 4 new pieces in collaboration with Eiko Ishibashi, Jim O'Rourke, Joe Talia and Tatsuhisa Yamamoto.