An inquiry into the potential regeneration of democracy: how artists can work towards a sense of collective relevance required to face the future's dark challenges.

An invitation from Mudam Luxembourg to consider the place, role and future of cultural institutions in the twenty-first century.

The third of three projects to engage the resource industries of Vancouver Island, this publication responds to oceanic environments through contemporary art and writing.

This first monograph on Italian artist Emilio Prini (1943–2016), a key figure of Arte Povera, explores his radical approach to art across five decades of work through texts, archival research, and artist interventions.

Over a decade’s worth of essays: movies of America in parallax view.

Architect Mark Lee presents a body of work on the basis of five considerations: on history, on cadence, on autonomy, on America, and on point.

The new information regimes and document uses created by four major figures in the art world between the 1960s and 1970s—Germano Celant, Lucy R. Lippard, and Carla Lonzi, curators and art critics, as well as Seth Siegelaub

The editorial extension of a long-term art and performance program in Cologne's public space, on and around its seven bridges over the Rhine.

First comprehensive publication devoted to Turkish performance artist Moni (Salim Özgilik).

The prospects opened up for architectural education by the pioneering initiative of the Um Slaim school in Riyadh.

A retrospective tracing seventy years of work by Mario Ceroli (born in 1938), a central figure in 20th-century Italian sculpture.

An overview of the French artist's film remakes over a decade.

The first English-language catalogue dedicated to the Guangzhou-based artist.

First monograph devoted to the explosive and colorful abstract paintings of the Iranian artist.

Reference monograph: a large retrospective of the work of Norwegian painter Leonard Rickhard (1945-2024) spanning more than half a century.

Published on the occasion of the Chilean artist's first institutional survey exhibition in Europe, this monograph is dedicated to Sandra Vásquez de la Horra's experimental practice and focuses on her spatial, energetic, and global thinking.

How does photography depict our environment? How does it contribute to its destruction? This book explores this paradox through the analysis of the work of fifteen contemporary artists.

The catalog of a curatorial project devoted to Wolfgang Tillmans' books and magazines: an inventory as an invitation to literally take a different look at Tillmans' work, in print.

Lina Pallotta's much anticipated Tongue on Flames captures the underground poetic energy that pulsed through New York from the early 1990s to the early 2000s in poetry and performance clubs that have become legendary, featuring Pallotta's immersive photographs and texts by key figures from that scene.

Stéphane Blanquet's new facsimile sketchbook: drawings made on trains, public transport, notes, drawings everywhere.

A spectacular journey through 80 major works of modern and contemporary art (by Picasso, Kandinsky, Joan Mitchell, and Hockney to Manal AlDowayan, Etel Adnan, and Imran Qureshi) in AlUla, an oasis located on the ancient incense route, taking the image of the "garden in the desert" as a starting point for artistic reflection on the evolving relationship between humans and nature.

A wide-ranging series of portraits of women from Lebanon, visually telling their story and their relationship with the country, 50 years after the beginning of the civil war.

Emerging from the curatorial project FUORI! (Bologna, 2022-2023), this book brings together a series of interviews with theorists, artists, and performers. It focuses on the political, social, and community-based role of contemporary art.

Artist's book printed in risograph in a limited edition of 250 copies.

Reflections by Alexandra Midal, Thierry Chancogne, and graphic design duo Syndicat on books and printed surfaces, based on the hundred or so publications produced by MAC VAL over two decades of commitment to contemporary graphic design.

La ville pour tous is a collection of writings by the great architect Paulo Mendes da Rocha, offering an overview of his work and of Brazilian society in the second half of the twentieth century.

22 international architects and architect-researchers collectively question what architecture can do.

A series of short sound interventions, in pairs, in public spaces in Paris, both outdoors (passages, squares, esplanades, parks) and indoors (bridges, tunnels), from the Bois de Vincennes to La Défense, between May and October 2025.

A non-relationalist anthropological approach to singularity.

The catalogue of the manifesto exhibition that seeks to lay the foundations for the conceptualisation of 21st-century extra-terrestrial art.

An in-depth look at Carlos Bunga's multifaceted practice through a number of essays and a rich iconography including previously unpublished photos that reveal his working process.

On the occasion of Seasons, Maurizio Cattelan's exhibition at GAMeC, art historian Lisa Parola, investigates how contemporary art can redefine the idea of the monument.

Comprehensive documentation on the architectural design of the House of One in Berlin, a unique interfaith building housing a synagogue, a church, and a mosque.

Lorenza Longhi unfolds her strategies of subversion/reappropriation of the visual signs and codes of the society of control and consumption in the spaces of the Kunst Museum Winterthur.

"Para- hosting" as a cooperative methodology for arts institutions.

This vinyl record brings together three pieces that play mischievously with the voice as a sound source, narrative source or diverted object: "Huellas Entreveradas" (2018), "La Baballe du Chien Chien à la Mé-Mère" (2001) and "Deux Dents Dehors" (2007).

Jacques Dor delivers a unique poetic work in a book that explores identity, memory, and the transformations of existence.

A long conversation about the work and life of Portuguese artist Ana Jotta, accompanied by 60 previously unpublished photographs of her homes (in Brazil, Morocco, and Zanzibar) and her years in theater in the late 1970s.

A photographic reflection on place and borders (artist's book).

Recorded live at Amsterdam's Oude Kerk during the 2024 Sonic Acts Festival, The Organ is the World's Greatest Synthesizer finds Charlemagne Palestine returning to the Staalplaat catalog. Taking its title and cover from a drawing made by Palestine during the performance, the work expands his singular mythology of sound and spirit (hand screenprited cover).

An artistic stroll with Vanessa Morisset.

The latest, massive volume in the Solution series of collected all-new and most recent landscape paintings by Aleksandra Waliszewska.

Eiscafé Europa is a cartwheeling essay collection by Enis Maci on the culture, media, and politics of Europe. Comprehensive in its targets, the author mixes the personal and political to skewer and expose the media strategies and fascist lineage of the Identitarian Movement.

This book brings together three texts on Arnaud des Pallières' documentary Disneyland, mon vieux pays natal (Disneyland, My Old Homeland), extending the critical thinking engaged by this hybrid filmic object on spectacle and late capitalism.

Created for instrumental ensemble, electronics and film, Castle Terraces in Barry Lyndon is a spacious and quietly enigmatic work by composer and writer Zeynep Toraman, bringing together clarinet, cello, violin, electric guitar and electronic textures with a subtly unfolding visual layer.

The first ever published monograph on Gus Van Sant's paintings brings together a wide overview of his works.