This monograph on French-Caribbean artist Lucas Erin offers the first occasion to encompass an artistic practice rooted in a multicultural exploration of encounters, human interaction and forms of resistance to social normalisation.

A multidisciplinary perspective on illegibility as a cultural phenomenon (new edition).

A volume about artistic processes and practices that do not pursue an explicit political or critical agenda, yet nevertheless have a unique potential for intervention.

Artists, media theorists, scientists, and science-fiction writers explore the reciprocity between ecology, industry, technology and consumption.

An examination by artists, publishers, and scholars of recent publishing concepts emerging from the experimental literature and art scene (new edition).

This array of source material from Peter Wächtler's 2024 show at Simian, Copenhagen, traces a free-spirited voyage towards the outer edges of professional exhibition-making and beyond.

A series of reflections on research and fieldwork that situate the conditions of contemporary exile, refugeehood, migration, and community building at the margins of society.

A selection of critical writings that blend sociological procedure, technological metaphor, visual and theoretical apparition, indexing the material and linguistic problems of making art.

Departing from a series of concrete projects and international exhibitions, this book considers the conditions of artistic research and related discourse via twenty significant concepts.

A critical and multispecies exploration of how plants shape space, knowledge, and hierarchies across historical, ecological, and epistemic terrains. 

Published in conjunction with the 11th Contour Biennial, this book edited by curator Sofia Lemos weaves together curatorial reflection, philosophical invocation, and playful fable, moving between essay, image, and story.

Artist's book.

A wide-ranging investigation into the architectural legacy of the rural utopian communities that settled in California in the 1970s.

This first monograph devoted to the Italian designer Valentina Cameranesi Sgroi, structured along the lines of an auction catalogue, the volume, edited by Felix Burrichter, explores the inexhaustible ambiguity that defines the artist's creative universe.

A project by Francesco Bertocco dedicated to the cultural legacy of Franco Basaglia, a key figure in the transformation of modern psychiatry and a champion of a radical critique of total institutions.

Andrea De Fusco captures, through Polaroid photographs, the boat crossings from Naples to the Aeolian Islands, as the seasons and years go by.

The script (with drawings) for Peter Greenaway's film tells of a 19th century Chinese love affair and its consequences, based apparently upon a real historical situation taking liberties with history to make an extravagant fantasy.

A labyrinthine collection of 100 short stories written by Peter Greenaway throughout his career, serving as sources of inspiration, provocations, or ideas for unmade films, paintings, or exhibitions, illustrated by the strange fairy-tale characters of Italian filmmaker and stop-motion animator Stefano Bessoni.

A labyrinthine collection of 100 short stories written by Peter Greenaway throughout his career, serving as sources of inspiration, provocations, or ideas for unmade films, paintings, or exhibitions, illustrated by the strange fairy-tale characters of Italian filmmaker and stop-motion animator Stefano Bessoni.

This publication presents the full orchestral score of Naked Blue, composed by Devonté Hynes, alongside stills from the eponymous short film by Mati Diop and Manon Lutanie.

The dangerous liaisons between art and oil: the question of artworks and the postcolonial power dynamics shaped by the oil industry, in the era of global warming and of our civilization burning.

This catalogue examines how the act of "making" can restore a different sense of time and physical perception within an increasingly accelerated society, through the work of ten Japanese artists with material-driven, craft-based approaches.

This posthumous work is the first monograph devoted to the Franco-Palestinian artist and activist Amal Abdenour (1931–2020).

Leszek Brogowski continues his search for milestone markers (artist's books).

Through a dated diary and film photographs, a young woman explores her Algerian and Kabyle roots: a sensitive account of a language that was never passed down, family memory, and personal decolonization.

Mathilde Roman explores contemporary video installation practices through the lens of theater and the performing arts.

This first book by Valentin Fleuret presents his 2025's iconographic research among books destined for pulping at the Rennes 2 University Library. Comprising 30 iconographic plates containing more than 200 images, this book follows in the tradition of appropriation while renewing it through the subject it addresses.

The first book devoted to the late writer and actress Dorothy Dean (new expanded edition).

The second volume of the sdvig series, dedicated to translingual avant-garde writing, brings together the writings of the Ukrainian modernist poet Maik Yohansen from the 1920s and 1930s, translated into English.

The third volume in the "EKES (EarthKeeping EarthShaking)" series, this collective work—a forum for dialogue among artists, curators, and experts in the humanities and environmental sciences—sets out to explore "ecological vitality."

A book that builds on the curatorial work developed by Elvan Zabunyan around the archives and correspondence of Angela Davis, Audre Lorde, and Toni Morrison.

The first volume in a series dedicated to the photographic work of Peter Christopherson, co-founder of the highly influential band Coil, documents his work in the working-class neighborhoods of Glasgow in the 1970s.

Comprehensive monograph.

Reference monograph on the Anmatyerre Aboriginal artist Emily Kam Kngwarray (c. 1914–1996).

The most comprehensive publication on Ser Serpas' work to date, Loogie traces the first decade of the artist's multidisciplinary practice anti-chronologically, bringing together 650 illustrations alongside newly commissioned texts.

Comprehensive monograph.

Reference monograph on the Anmatyerre Aboriginal artist Emily Kam Kngwarray (c. 1914–1996).

Le Temps vibré documents Laurie Dall'Ava's long-term research into an organic pigment based on chlorophyll and cyanobacteria, tracing the artist's field of investigation over a period of fifteen years.

A series of previously unpublished interior paintings by Karen Kilimnik.

The new edition of the cult bestiary by Amsterdam-based artist and graphic designer Rop van Mierlo.

A companion to Kosovar artist Brilant Milazimi's exhibition for the Republic of Kosovo Pavillion at the 2026 Venice Biennale that reflects on waiting, clenching, sovereignty, perseverance, and teeth.

A meeting of Hervé Zénouda's musical world and Anne Van Der Linden's visual one (set includes a vinyl record, a CD, 10 numbered risograph prints, an 8-page booklet, and a postcard).

A philosophical perspective on photographic images.

The first major poetry collection by Jesse Feinman, a graphic designer known for his work on numerous books and album covers, founder of the photography publishing house Pomegranate Press, and a remarkable poet.

Photographer Julie Glassberg documents the misunderstood alternative culture based around brightly-coloured and neon-lit decorated trucks in Japan.

In the staccato, nervous, vivid and even resonant language of the flea markets that Oriol Vilanova frequents, Le prix des choses discusses economics as a flow—that is, the exchange of goods for monetary value.

A journey through the musical avant-garde movements of the 20th century, covering 200 seminal albums.