Published several years after the fact, "Exposure" is a catalogue for Patricia L. Boyd's solo exhibition "Hold" at Kunstverein München in 2021.

A comprehensive visual study of the presence of the hand in history and culture.

A massive anthology of photographs made by Ari Marcopoulos between 2009 and 2018, featuring an introduction text by the artist as well as an essay by art critic, curator, and New York figure Bob Nickas..

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

New monograph, based on Saskia Holmkvist's film Margaret (Back Translation), weaving together staged scenes, documentary elements and archival footage, exploring the recent history of Belfast through a series of tonally diverse scenes, by turns comic, elegiac and speculative.

Weekly Planner I & II by Silje Iversen Kristiansen is two individual pocket-books filled with drawings. The drawings records in a fragmented way her subjective experience of life in time and space. Each book covers the span of a year, always starting in May and ending in April. In addition to the drawings, the books contain a text by Jan Verwoert that reflects upon the subject at hand.

This edition by Walter and Jan Verwoert pairs an 7" record featuring 6 pieces of sound poetry with facsimiles of the 6 collages used as scores for the recordings.

A collective reflection on the key role that creative uses (and appropriations) of new technological tools play in the evolution of musical and sound practices and cultures.

French ceramicist Jacques Monneraud's first monograph, So-Called Reality, covers three years of the artist's practice and focuses on his trompe-l'œil cardboard ceramics.

This collective publication sheds light on the still little-known history of the relationship between graphic design and research in the humanities and social sciences during the second half of the 20th century, focusing on the Graphic Design Laboratory of Jacques Bertin, a cartography theorist and pioneer of data visualization.

A book at the intersection of vernacular photography, archival material, and contemporary art, in which Marine Armandin transforms a collection of anonymous images into a unique work of art. By assembling photographs found on online resale platforms and creating new combinations, she brings forth unexpected narratives imbued with a very special kind of poetry.

This extensive monographic publication offers a comprehensive examination of Rómulo Macció's painting, situating his work within the development of modern and contemporary Latin American art.