An exploration of the role of writing in the artistic practice of Huguette Caland (also available in English edition).

The edition offers a new approach to what Ines Weizman names "documentary architecture," meaning that to write about the history of a building is also to map the world in which it is located.

A text by the Swiss artist, imbued with highly personal reflections on her relationship with creativity, notions of gender, motherhood, and the place of parenthood in the world of work (more specifically, the tensions inherent in the dual role of mother and artist).

The first French translation of Giorgio Grassi's 1967 text, La construction logique de l'architecture [The Logical Construction of Architecture] takes a strong stand in favor of an architecture that thinks for itself, against the current of experimental excesses that mark both his era and ours.

In this essay, Alexandre Gérard recounts his discovery and interpretation—which was not entirely straightforward at first—of the work of his great-uncle, the artist Jean Dupuy (1925-2021).

Monograph dedicated to the famous designer's early work.

A retrospective of the London-based Dutch artist's work over two decades.

27 features 27 recent works from two series titled Clementine and Merlin (2023–24) by London-based artist Magali Reus. This book, in its beautifully crafted materiality, format and typography, mimics a diary or romantic novel.

Comprised of two expansive, sidelong pieces composed entirely on the Serge Modular synthesizer, The Dip signals a subtle yet significant shift in the Berlin-based artist and composer Thomas Ankersmit's trajectory, imbuing the hyper-physical, psychoacoustic intensities of his live performances with introspective, atmospheric, and even melodic elements.

Retrospective monograph.

Edited, designed and printed by Matrijaršija, this riso-printed book is the first in the Tehnika series and is based on research into the left-wing union of typographers and printers active in Yugoslavia in the 1920s and 30s.

The first English translation of Alexandra Kollontai's "My Heart Belongs to the Finnish Poor", originally published as "Suomen köyhälistölle kuuluu sydämeni" by the Finnish Trade Union Federation in 1911. The essay is printed in 200 copies as a risographed poster.

Two new pieces highlighting the incredible voice of Amelia Cuni (1958-2024), the great Italian singer, based in Berlin in later life, whose mastery of the classical Indian dhrupad developed in parallel with a commitment to contemporary experimental approaches.

The Vestige is the first fruit of a new intergenerational collaboration between Giuseppe Ielasi, a quietly prolific key contributor to the European experimental music scene for over twenty years, and Jack Sheen, a young composer-conductor-sound artist from Manchester whose recent projects have seen him moving seamlessly from enigmatic chamber music composition and installations to conducting the London Symphony Orchestra.

Black Truffle presents a new edition of Kassel Jaeger's "Fernweh", returning François J. Bonnet's electroacoustic project to the label five years after the acclaimed "Meith".

Easily one of the most striking and memorable releases by either artist to appear in recent years, Sergio Armaroli and David Toop's "And I Entered Into Sleep", issued as the tenth and final album in Die Schachtel's Decay Music series, traverses uncharted realms at the borders of literary reference, sound art, ambience and abstraction through delicately musical sounds, revealing new depths at every turn.

An aural bridge between two distinct generations of Italian experimental and electroacoustic musicians, "Liminale" is the debut collaborative outing from the creative partnership of Luigi Turra and Elio Martusciello.

"I hate all the words" by Luca Scarabelli and Michele Lombardelli's Untitled Noise, the eight instalments in the celebrated Die Schachtel's "Decay music" series, is a concept album composed of three tracks designed to explore the remote and hidden depths of psyche.

This intimate documentary delves into the Seattle music scene from the late 1990s into the 2000s, capturing a transformative era through photography and personal stories as the world shifted from celluloid to digital, grunge to indie.

A collective artists' book based on a fictional character by Natascha Sadr Haghighian.

"Native ball" is a collection of four bodies of works set in Kerala. A compendium on various phenomena, it brings together moments from alternative histories of a culture and region, some of which are based on commonalities that may be odd but significant.

Fifteen pieces by Jason Kahn, based on field recordings made during an artist residency in Taiwan in 2023, composed in Zurich in 2025.

For her long awaited second monograph, Liz Johnson Artur follows the legendary London club scene PDA and the community that created it.

Atelier E.B (Edinburgh Bruxelles) is the company name under which designer Beca Lipscombe and artist Lucy McKenzie develop their joint projects. Atelier E.B's 2026 calendar is dedicated to the duo's spectacular window displays (2019-2025). These exhibitions feature garments from their fashion label arranged by professional window dressers—integrating the shopping experience into the exhibition context.

"The architect is an intellectual who draws": drawings made “by hand” by 24 contemporary architects, collected by Bernard Quirot.

A photographic project by Luc Boegly on architect Luigi Snozzi's exemplary urban development project in the rural municipality of Monte Carasso in Ticino.

As part of a series of publications on singular architectural bodies of work, this volume highlights Pierre Lajus' pioneering hedonistic wooden constructions of the 1970s, and gives his work its rightful place in the history of architectural experimentation.

New monograph by Paris-based British artist Charlotte Moth, conceived as part of her exhibition at MAMC+ Saint-Etienne.

The definitive Babs Santini book: the complete graphic work of Steven Stapleton (Nurse With Wound), covering his entire visual output over five decades, on nearly 600 color pages.

In The Infinite Now, Taras Gembik crafts an intimate meditation on solitude, faith, and the search for meaning, ten years in the making. Moving between Ukraine and Poland, these twenty-five poems trace a decade-long journey of self-discovery.

A short story by Xavier Forneret (1809-1884), set to music by Nurse With Wound.

A tribute to the cultural legacy of Louisiana's Francophone and Creole songs, shaped by African, Native American, French, and Caribbean influences.

A tribute to the cultural legacy of Louisiana's Francophone and Creole songs, shaped by African, Native American, French, and Caribbean influences.

A tribute to the cultural legacy of Louisiana's Francophone and Creole songs, shaped by African, Native American, French, and Caribbean influences.

A series of vases by Ronan Bouroullec made in Murano in collaboration with the Maestro glassblower Simone Cenedese.

Artist's book.

Artist's book, produced in limited print run in the Palais de Tokyo's risography micro-publishing workshop.

A retrospective of drawings, sculptures, installations, and performances by the Portuguese artist, with five essays.

The Trial is an extensive publication chronicling the decade-plus-long evolution of one of Rossella Biscotti's seminal works, focusing on the trials of members of the revolutionary left-wing movement Autonomia Operaia in the early 1980s, an emblematic judicial drama of Italy's Years of Lead.

A record-cum-publication that unfolds through sound and text by transposing and transforming the soundtrack, dialogues, and images of Salomé Lamas' film Ouro e Cinza / Gold and Ashes (2025); featuring text by Frédéric Neyrat, Isabel Pettermann, Isabel Ramos, Lucas Ferraço Nassif, Salomé Lamas. The experience is intended to be intimate and meditative as it resonates between the spoken and unspoken, between sound and silence.

First monograph on the Swiss artist.

The encounter between sculptor Giulia Cenci and photographer Jacopo Benassi.

An artist's book of images and words—an exploration of Piero Golia's imagery and an articulation of his personal understanding of art.

18 collages which pit boxers against musicians (Morton Feldman, Luciano Berio, Bill Evans... and countless other instrumentalists whom years of conservatory training had not prepared for the confrontation).