The Photograph Looked Back at Me is a series of prose miniatures, each born from an image the author cannot turn away from: a ghostly plant printed in a book about Chernobyl; a miner's face obscured by smoke, hanging in a Kyiv gallery; a picture of Katja Petrowskaja's parents, from an old family album.

A novel about the coming-of-age of a gaze.

Gender is Over is a story about Warsaw's queer art scene at the turn of the 2010s and 2020s, written from the inside.

The first in a series of four books in children's book format, composed as a series of tragic children's stories that Jérôme Zonder knows so well how to write and draw.

The English translation of Matthieu Peck's third novel, in which he confirms his talent as a stylist.

Over a decade’s worth of essays: movies of America in parallax view.

a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.

An artistic inquiry into "future nostalgia".

The first comprehensive and personal look behind the scenes at the architect couple Trix and Robert Haussmann's planning, design and working processes.

The possibility and conditions of a "de-Berlinized" world order that overcomes a 140-year history of colonial violence.

A personal reflection on fragmentation, language, and place.

Fierce Unworking highlights Ko Murobushi's role as an unparalleled pioneer of contemporary paradigms such as body language, the third space or embodied knowledge. Ten years after his death, this volume brings together writings, poems and diary fragments in collaboration with the Ko Murobushi archive in Tokyo, making many of which are available in English for the first time.

A reflection on the autonomy and eternity of art by Canadian writer Madeleine Thien, based on a mural in the Thousand Buddha Grottoes of Bezeklik, China.

The origins, scope, and legacy of Duchamp's revolution in the visual arts.

A transdisciplinary reevaluation of the dialogical character of humanism.

The last writings of Antonin Artaud published in English and brought together in one edition for the first time.

A study of the affects and effects of Russian narratives and their global dissemination.

Sylvia Sasse explores and analyzes subversive affirmation as a critical practice in different political systems.

Pieter Henket presents portraits of young Mexicans challenging strict traditions around expression of gender, sex, sexuality, and religion.

Pivot is an experimental, book-length poem exploring the profound act of "turning", with the Haitian Revolution as its cornerstone.

How plants shape space, knowledge, and hierarchies across historical, ecological, and epistemic terrains.

A portrait gallery of creators on the margins of art brut gardens, houses and environments, of which Francis David has compiled a monumental photographic inventory over a period of fifteen years.

A collection of poetic, dreamlike and synesthetic texts by the Polish writer and artist.

This book explores the secret territories that formed the City of Thelema, from which Rudy Ricciotti—an internationally renowned architect—built his work.

This book explores the secret territories that formed the City of Thelema, from which Rudy Ricciotti—an internationally renowned architect—built his work.

For the first time, Gisèle Vienne presents all the dolls she has staged throughout her career.

An unapproved Wikipedia draft authored under the conceptual label Jeff Wall Production, initiated by curator and essayist Pierre Bal-Blanc.

The definitive publication on Carl Cheng's genre-defying work.

An inquiry into the potential regeneration of democracy: how artists can work towards a sense of collective relevance required to face the future's dark challenges.

An invitation from Mudam Luxembourg to consider the place, role and future of cultural institutions in the twenty-first century.

Leading contemporary artists and thinkers elaborate on how our increasingly networked societies are shaping—and shaped by—exchanges among people and machines.

The third of three projects to engage the resource industries of Vancouver Island, this publication responds to oceanic environments through contemporary art and writing.

This first monograph on Italian artist Emilio Prini (1943–2016), a key figure of Arte Povera, explores his radical approach to art across five decades of work through texts, archival research, and artist interventions.

Through Sinnokrot's agriculture research platform Sakiya, and other ongoing projects that span moving image, sculpture, and socially-engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonial the social, political, economic, and narrative structures that goven relationships to nature in the Occupied Palestinian Territories.

Readers are invited into an immersive, oceanic way of seeing—where the boundaries between body, technology, and environment dissolve into continuous transformation.

The work of Sámi architect and artist Joar Nango, investigating indigenous spaces and their critical value in a contemporary cultural discussion.

Karenna Gore posits a future for the design practices that works within the living and intelligent design of Earth.

How the transition to fossil fuels entailed an intensification of ongoing processes of racialization.

A short story by Victor Segalen (1809-1884), set to music by Nurse With Wound.

A story by Ariella Aïsha Azoulay about traditional crafts and the power of community, in an illustrated children's book in two complementary parts, French and Arabic.

The edition offers a new approach to what Ines Weizman names "documentary architecture," meaning that to write about the history of a building is also to map the world in which it is located.

Invited by Mara Hoberman, a group of artists from both sides of the Atlantic share their views on Joan Mitchell's work.

The first English translation of Alexandra Kollontai's "My Heart Belongs to the Finnish Poor", originally published as "Suomen köyhälistölle kuuluu sydämeni" by the Finnish Trade Union Federation in 1911. The essay is printed in 200 copies as a risographed poster.

A dialogue between the creations of the two designers.

A dialogue between the creations of the two designers.