Shelter Press

The artistic and pedagogical experimentations and the alternative networks developed in California from the late sixties.

A record of experimental electronic music that explores possible relationships between voice and modular synthesis.

The first album in eight years for the Angelenos duo starring former Axolotl drummer William Sabiston and guitarist Jon Almaraz.

The second volume in Gabriel Saloman's “Movement Building” series, continuing the release of original compositions commissioned for contemporary dance works.

Mottled sausages, icy landscapes with worms that seem to have died trying to make it over hurdles, portals to impossible lands: welcome to the accidental world of ceramist and drawer Anne Brugni.

This new monograph gathers 42 images documenting 3 years of photographs taken between 2011 and 2014 during the Purim holiday in the neighbourhood of Stamford Hill, London.

A concrete / post-digital oratorio in 5 parts.

Alice Dourlen' new EP stands has a condensed document of a 18 months non-stop tour, melting experimental and oriental sounds with a strong theatrical aesthetics.

Nine possibilities for a cat tree (artist's book).

First monograph.

“Marigold and Cable” marks an indelible new phase in the trajectory of Alex Cobb's solo recordings and prior missives as Taiga Remains.

Monograph / artist's book dedicated to Davide Balula's "Burnt Paintings".

New monograph / artist's book based on a series of paintings realized between 2012 and 2013.

Ben Vida's new LP, based on a concrete poetry score / text piece.

A double exhibition, a mirroring situation or a splitting divergent show between Helsinki and Brussels.

The first poetry book wrote by the visual and sound artist Felicia Atkinson.

Abstract paintings and erotic-mystical photo-collages by French artist/musician (first monograph).

A split album as part of the GRM Portraits series bringing together two pieces by French sound artist Eve Aboulkheir, and by Lasse Marhaug, a figure from the Norwegian experimental scene.

A split album as part of the GRM Portraits series bringing together two pieces by the French bassoonist and the Norwegian composer.

The third issue of the annual publication dedicated to sound and music experimentation, co-published by Shelter Press and Ina GRM – Groupe de Recherches Musicales, around the topic of artificial intelligence (contributions by Keith Fullerton Whitman, Steve Goodman, Florian Hecker, Robin Mackay, Bill Orcutt, Akira Rabelais, Lucy Railton, Jean-Claude Risset, Sébastien Roux...).

The debut full-length resulting from the collaboration between composer/producer Britton Powell and two Berlin-based artists, the British composer/cellist Lucy Railton and the electronic artist Brian Leeds (Huerco S), who fell into alignment in December of 2018 amid a handful of immersive and improvisatory recording sessions held at Gary's Electric Studio in Brooklyn, New York.

The most complete and complex manifestation of Australian composer Lisa Lerkenfeldt's craft to date.

A score for 51 human voices intended to mimic the sound of the sea, displayed as loose sheets slipped in PVC sleeve. David Horvitz's hommage to Pauline Oliveros.

This catalogue is a visual journey through the artist's show at Mudam Luxembourg. It centers on Almond's series of cosmos-inspired abstract paintings Timescape. Produced in conjunction with the publication, the record All Things Pass highlights the musical dimension of the artist's eponymous video installation. The soundtrack embodies both the tradition of music in Northern India and an experimental approach, expressing links between cosmic and human existence.

The Japanese sound artist's second album is the result of a ten-year investigation on the sound properties of water, in line with her previous LP in 2009. Based on the use of waterbowls—porcelain bowls filled with water and amplified via hydrophones—her musical practice is now enriched with experiments with the environment and hydrophonic feedback.

Ricocheting quietly between photographic landscapes, drawn abstractions and poetic recollections, this artist's book assumes the form of a deferred performance. Serving as a kind of response to the French artist and experimental musician's recent sonic and visual output, the book comprises a series of film stills shot during her travels to New Mexico and Arizona, overlaid with a collection of at once crude and delicate drawings made in Australia.

Italian electroacoustic composers Giuseppe Ielasi and Nicola Ratti reconvene their unique Bellows collaborative project for a new album. Captured live over the course of a four days improvised session, the album floats between ghostly melodies, musique concrète, and analog electronics.

Atkinson's most ambitious musical work to date, Hand In Hand combines 80's sci-fi anxious aethetics with today's transparency of digital sounds. Placing the voice at the epicenter of the recording, the French artist and musician convokes fiction, composition and abstraction in the manner of Joan La Barbara, Robert Ashley, or Delia Derbyshire.

This artist's book gathers an uncompromising collection of 200 found images and original work from Felicia Atkinson, composing a rasterized visual score.

This artist's book contains a collection of recent collages assembled from found book pages, in which the artist specifically seeks a relationship between the abstract and the figurative, and thereby creating new narratives.

French artist Félicia Atkinson teams up with New York-based experimentalist Jefre Cantu-Ledesma with Comme un seul narcisse—an epistolar conversation of post-modern times.

Animals questions through a poetic approach the modernist apprehension of time and locomotion, in the realm of today.

An electroacoustic meditation on memories and on the persistence of the aura in a particular place, inspired by Thomas Mann's The Magic Mountain.

An acoustic portrait of the Salton Sea in the Southern California desert developed as part of a joint project by Bonnetta and photographer Ron Jude.

A subjective compilation by David Le Simple and Vincent Romagny concluding the three exhibitions cycle “Doppelgänger” at CEAAC curated by Romagny.

Twenty-one collage works by Swedish artist Malin Gabriella Nordin, between painting and sculpture (artist's book).

A concrete / post-digital oratorio in 5 parts.

The long awaited documentation of the score of Paris based choreographer Gisèle Vienne's eponymous artistic ice skating choreographic piece.

Alberto García del Castillo's first novel is a comedy-science-fiction novelette about “faggotry” and the art world; depicting a retour-au-passé in contemporary painting and waving to some of the most beautiful homosexuals on Earth.

First of two volumes of the “Movement Building” series, dedicated to Gabriel Saloman's music for contemporary dance.

First monograph.