Mousse

This publication by photographer Giovanna Silva and writer Peter Fröeberg Idling retraces the history of Cambodia, creating a fictional and personal story that looks at the country through the eyes of the two authors. Today's Phnom Penh cityscape photographs take on a singular dimension in comparison to the ruins of Khmer temples, with a sense of emptiness and abandonment that resonates with the invasion of Phnom Penh by the Khmer Rouge in 1975.

First monograph dedicated to the Polish visual artist, designed in close cooperation with graphic designer Krzysztof Pyda, and focusing mostly on Łakomy's sculptures and installations (texts by Jakub Bąk, Martha Kirszenbaum, and Chris Sharp).

Kris Lemsalu by Andrew Berardini; Mitch Speed on the anti-power of the found object; an essay on photography and Instagram by Nick Currie; Sabrina Tarasoff on Beyond Baroque Literary Arts Center; Ana Teixeira Pinto on futurisms; the Women's History Museum; Ericka Beckman, Dara Birnbaum, Lynn Hershman Leeson in conversation with Emily Watlington; Bouchra Khalili; Kate Newby…

A trilogy on the artistic development in Asia from 1998 to 2018.

Publication documenting the eponymous permanent installation by Kiefer at Pirelli HangarBicocca in Milan. First created in 2004, the work features seven “tower sculptures,” now combined with five large-format paintings, made between 2009 and 2013. The book gathers essays, a conversation with the artist, an exhaustive photographic documentation, description of the installation, and a bio-bibliography.

Final chapter of a publication series by Ugo Rondinone, this catalogue presents the artist's exhibition on the occasion of the reopening of the Bass Museum of Art in Miami. The volume also takes a look at the Museum's acquisition of Rondinone's Miami Mountain, which follows his iconic mountain series, recognizable for their brightly colored, fluorescent contrasting palates.

A collection of texts on photography and photographers by Italian gallerist Massimo Minini. The publication also explores relationship between photography and sculpture through sections dedicated to Adolfo Wildt and Mimmo Paladino.

Continuum is a catalogue dedicated to the first group exhibition set in the restored wing “Ala Scaligera” of the Borromeo Castle, on Lake Maggiore. It features an impressive combination of great artists, with Giovanni Anselmo, Vanessa Beecroft, Daniel Buren, Sheila Hicks, Anish Kapoor, Giulio Paolini, and Ettore Spalletti.

The artistic development in China from 1998 to 2018.

Catalogue documenting a recent series of works by the Greek American artist, which blends painting, sculpture, and photography. In his practice, Gerasimos Floratos plays with the idea of site-specificity, and is strongly inspired by the Situationist concept of psychogeography.

This first monograph on Paulo Nimer Pjota, profusely illustrated and collecting several essays and a long conversation between the Brazilian artist and Kiki Mazzucchelli, takes stock at Nimer Pjota's signature condensation of pictorial concerns and life lessons. His layered works, like modern, rough palimpsests, are testaments to the artist's collapsing of high with low, society and history with the personal and the marginal, often told through readymade details and objects that Nimer Pjota corrals in front of the wall pieces.

This catalogue documents the performance and visual arts collective's new body of work—a series of sculptures and a four-act theatrical production imagining the potential of an automated machine or software with the ability to compose tragic and dramatic scripts.

Saâdane Afif, Jacqueline Kiyomi Gordon & C. Spencer Yeh, Pan Daijing, Dominique Gonzalez-Foerster, Forensic Architecture & Metahaven, T. J. Demos, Nicolas Moufarrege by Élisabeth Lebovici, Mounira Al Solh, and Dean Daderko, Lisa Ponti by Hans Ulrich Obrist and Franco Toselli, Dieter Roelstraete, Vivan Sundaram, Lin May Saeed, Post-Performance Future by Marie de Brugerolle…

Place.Labour.Capital. takes a reflective look at the first years of the NTU Centre for Contemporary Art Singapore, and serves as a means to review the parameters of its own position in the present globalised art world and knowledge-production economies.

Catalogue of the second edition of Lulennial, a biennial organized in the small space of gallery Lulu, in Mexico City. The twenty-two artists invited by curators Chris Sharp and Andrew Berardini met around one subject matter: fruit.

The publication is the first comprehensive study of Baruchello's relationship with the moving image from the sixties on.

Rita Mcbride, Julia Scher, Lu Yang, Michael Stevenson, Alexandra Pirici, Martin Arnold, Erika Verzutti, Julia Phillips & Aaron Gilbert, Simphiwe Ndzube, Diego Marcon, Tiona Nekkia Mcclodden, Diamond Stingily, Meriem Bennani, Siri Aurdal, Asad Raza, Lydia Ourahmane…

Sam Anderson's body of work examines the existential conditions of human life on the basis of her own biography and stories from her social milieu. This catalogue documents her first solo shows at SculptureCenter in New York and the Kölnischer Kunstverein in Cologne. It features both new and older works, including sculptures, installations and video works.

The third volume of a five-chapter publication series, this catalogue celebrates a new iteration of the artist's color spectrum series that congregates his art, the architecture of the Cincinnati Contemporary Arts Center, and the public as collaborators in an all-encompassing experience.

The fourth of a five-chapter publication series by Ugo Rondinone, this catalogue documents the iteration of Ugo Rondinone's Vocabulary of solitude at the Berkeley Art Museum and Pacific Film Archive in the summer of 2017.

This unique, small format companion to the exhibition “Revolution Every Day” is inspired by the tradition of Soviet tear-off calendars. The book has 365 calendar pages with daily entries featuring a range of images and texts drawn from primary and archival source materials that explore the historical and experiential dimensions of revolution. It presents short essays and original contributions from curators, artists, and scholars, and illustrations of all of the works in the exhibition.

Artist Michael Fliri investigates concepts such as metamorphosis, mutation and disguise: the protagonists in his work—often Fliri himself—time and again undergo a process of change or transformation. This catalogue offers an extended overview of his practice and underscores his significance on the international art scene.

An overview of American artist Amy Sillman's most recent bodies of work, including diagrams, drawings, animations, sculpture, and large-scale abstractions that combine painting with digital prints on canvas, shown serially in panoramic installations. Layering and dynamic movement pervades these works, whose concerns shift between the tragic-comic and the vexed histories and techniques of painting.

Illustrated catalogue published in conjunction of the first comprehensive overview of Qiu Zhijie, one of the most important Chinese artists of his generation. The publication directly addresses the challenges of conveying the complexity of Qiu Zhijie's practice in the European context. It features essays by Andrea Bellini, Davide Quadrio, and Francesca Girelli, an extensive interview with the artist by Liu Jingjing, and descriptions of the exhibited works.

Special issue dedicated to the relationship between and mutual influence of exhibition display and contemporary art practices. A pool of guest contributors—including Hans Ulrich Obrist, Mario García Torres, Simon Starling, Jens Hoffmann, Kim West, Liam Gillick, Gabriel Sierra, Morgan Fisher, Willem De Rooij, Céline Condorelli, and more—were invited to select illuminating cases of cross-pollination, and to compile extended captions for their chosen images.

Halway between the catalogue and the conceptual publication, Road to Victory presents Pittas' re-reading of exhibition designer Herbert Bayer's 1942 eponymous propagandist show at MoMA. It gathers works by Pittas stemming from his reflection on this historical exhibition, archives, and an anthology of essays by acclaimed authors.

This series of photographs narrates Giovanna Silva's life among the Italian army in Afghanistan, while she worked on a commissioned project in honor of Italian journalist Maria Grazia Cutuli.

Catalogue documenting the Lebanese-born artist's eponymous project, which started as a sonic experimentation project with objects from the Dahlem Museum in Berlin. This work, which was later contucted at the kurimanzutto gallery in Mexico and at the Tate Modern, gave rise to various events and interventions, concerts and workshops.

First major catalogue dedicated to one of the biggest representatives of Polish art and experimental cinema, Józef Robakowski. The publication presents some of the artist's most significant works and his research on the language of film and montage. It includes and interview with Marina Abramović, one of Robakowski's colleague at the time of the Soviet Union.

This monograph offers a rich critical overview of the work of Luca Bertolo from 2012 to 2017, with essays by Craig Burnett and Dieter Roelstraete and an interview with Antonio Grulli.

Catalogue of the eponymous exhibition held at the Chiostri di Sant'Eustorgio museum complex in Milan: the works of Adrian Paci enter in dialogue with the frescoes and the space of the Diocesan museum, and draw on a narrative dominated by stories of migration and the relationship to religion.

Interviews with Frieda Toranzo Jaeger, Rana Hamadeh, Aria Dean, Barbara Chase-Riboud, Beatriz Santiago Muñoz, Lin Ke, Yasunao Tone, Timothée Calame, Sara Deraedt; round-table on the relations between art, dance, and theater; Yann Chateigné's notes on time; Kathy Noble on institutional trauma; Jens Hoffmann, Candice Hopkins, Chus Martínez, and Ingo Niermann on issues related to cultural appropriation; Sofia Stevi by Andrew Berardini; conversation with Liz Craft and Stanya Kahn; the use of augmented reality in arts; round-table on performance studies; Hendrik Folkerts on monumentalization.

What defines cultures? How enduring are they over time? And where are the origins of the foundations of what we regard today as European culture? This catalogue examines questions that emerge as soon as the discussion turns to culture. It gathers works by Jonathas de Andrade, Lothar Baumgarten, Yervant Gianikian & Angela Ricci Lucchi, Friedemann von Stockhausen, Clemens von Wedemeyer, and Aimée Zito Lema.

Publication documenting the pilot episode of a series of video works by Invernomuto that avails itself of the structure and production processes of a TV series. This episode deals with the true story of a conflict between natives and settlers in New Zealand during the eighties.

Catalogue of the 15th Geneva Biennial, dedicated to artists' film and video. The publication documents 27 commissionned works through a series of interviews with participating artists by international curators and producers (from November 9, 2016, to January 29, 2017).

Reference monograph surveying ten years of work centered around painting, with forays in other forms of art. The Italian artist's conceptual universe interweaves personal experiences with references to art history, literature, and music as well as to cinema.

The catalogue of the Pavilion of Iraq at the 57th Venice Biennale, this book presents eight Iraqi artists of different generations, together with work made by Francis Alÿs when he was embedded with a battalion of Peshmerga near Mosul, and a stunning collection of artefacts from the Iraq Museum of Baghdad.

The catalogue of the Malta Pavilion at the 57th Venice Biennale takes readers on a poetic journey through the volatile territories of national and cultural identity of Malta. Gathering contributions by authors, artists, and travelogues, the publication presents ample proof of the rich, complex, and continuing history of the maltese people and its diaspora.

This manual accompanies the installation The Aalto Natives realised for the Finnish Pavilion at the 57th Venice Biennale by artists Nathaniel Mellors and Erkka Nissinen. It reveals the full story of Geb and Atum, two terraforming mythical creatures who are floating through space in a vessel shaped not unlike the structure of the Aalto Pavilion.

A comprehensive and focused reader on Wilkinson's output and documents the Glasgow-based artist's practice spanning from 2015 to 2010, including six exhibitions and works produced within that time period, in reversed chronological order.

Published to document a project by the Dagestani artist Taus Makhacheva that consists of the video Tightrope and a series of three performances, this publication is built around a dialogue between Makhacheva and the protagonist of her film, the tightrope walker Rasul Abakarov. It offers insight into the artist's practice and elaborates on the topics she tackles in her works.

First major monograph dedicated to the British artist, bringing together visual documentation, texts addressing the artist's multifarious practice over recent years, and a comprehensive chronology spanning his twenty-year career.

Catalogue of the eponymous exhibition at the Nordic Pavilion at the 57th Venice Biennale, featuring works by six artists from different generations: Siri Aurdal, Nina Canell, Charlotte Johannesson, Jumana Manna, Pasi “Sleeping” Myllymäki, and Mika Taanila.

Monographic catalogue: a selection from the italian artist's most recent works—acrylic drawings, watercolours, and the Mirrors series.

A complement to the project presented by the Vancouver-based artist at the Canadian pavilion for the 2017 Venice Bienniale, this publication includes over two hundred drawings by Farmer, at once perfectly readable and traumatic, and a glossary compiled by curator Kitty Scott.

Kathy Noble on narcissism in recent art; Robert Barry on Erkki Kurenniemi; John Knight; Seth Price; Julia Weist & Nestor Siré; Johannes Paul Raether; Yan Xing; Trix + Robert Haussmann; Kevin Jerome Everson; Leilah Weinraub; Lantian Xie; Basma Alsharif; Duane Linklater; Robertas Narkus; “Let's Make Protest Great Again” by Jens Hoffmann; “Weeping, Dreaming, Fucking, Laughing. This Is How Some Revolutions Get Started” by Andrew Berardini.

This exceptional catalogue follows an exhibition of video works from the La Gaia Collection in Italy. It features documentation of the show and individual presentations of works by the major video artists of the 20th century to nowadays: Marina Abramović, Pierre Bismuth, Mircea Cantor, Rä Di Martino, Ion Grigorescu, Gary Hill, Jonathan Horowitz, Alfredo Jaar, William Kentridge, Adrian Paci, Rosemarie Trockel, Valie Export, Bill Viola…

The work of Austrian artist Christoph Meier examines space as a site of social interaction and interrogates the conditions of contemporary art production and presentation. This exhibition catalogue provides multiple entry points to his practice, with three in-depth articles by Vanessa Joan Müller, Anna Nowak, and Thomas D. Trummer, and an interview with the artist.

Companion book / reader to the eponymous exhibition at MAAT, Lisbon. It features previously unpublished essays on the ongoing transition from the notion of utopia toward its mirror image: dystopia.