various

A solar music by Joe Jones, performed and recorded early morning April 1, 1984, on the Baltic Sea beach of Sierksdorf in Schleswig-Holstein, Germany.

This improvisational band founded in 1968 by Dutch musicians Paul Panhuysen, Remko Scha and Jan van Riet takes its source and inspiration from the works of George Maciunas. This LP edition features two pieces, both recorded on December 19, 1976, and never released before on any format. Here, the group comprised Leon van Noorden and Hans Schuurman, in addition to the founding members.

Over the past twenty years, Italian-born artist Rudolf Stingel has been expanding and redefining the scope of painting through innovative and radical processes. This catalogue features works from the pivotal Styrofoam and Celotex series and includes an essay by curator Francesco Bonami.

Paloma Lanna narrates the first year of her brand Paloma Wool during which she has collaborated with some of Barcelona's most relevant contemporary artists and photographers.

An audio collage based on an archive of carpentry and hardware recordings from Mads Emil Nielsen's "SoundTales" project, released on limited edition CD with three printed drawings by French, Amsterdam-based visual artist Julie Dassaud.

Catalogue.

If France is a land of immigration, what about its variété genre? This issue of Volume! aims at tracing the French paths of artists of foreign origin—those who integrated the legacy of chanson française, and those who left a mark on their community by singing exile. As a protean form of expression, variété is an ideal object to observe the ways in which immigrant and foreign identities have been moulded in post-1945 popular music.

An original reading of Pier Paolo Pasolini's work and “impulses”, between aesthetic and psychoanalytic reflection.

Noël Dolla's iconoclastic artistic approach defies categories. This book seeks to explore the heterogeneity of Dolla's works to better demonstrate the singular common thread between them.

This book gathers the papers presented at an international symposium on artists' periodicals, organized by academical Marie Boivent and curator Stephen Perkins. It serves as a smart introduction to a broad range of publishing strategies adopted by artists and others who were experimenting across the field of periodical publishing in new and expanded ways from the 1960s onwards.

An interactive book where you are the hero, written by the game designer FibreTigre, edited by Fanette Mellier (a collector's item for graphic art lovers as well as for readers-players).

This luxury monograph focuses on Xavier Veilhan's Architectones project, a series of interventions started in 2012 in which the artist invests major modernist's architectural sites.

First issue of Frédéric Acquaviva and La Plaque Tournante's audio / video hybrid magazine, including a CD with music by Frédéric Acquaviva and Phill Niblock, a DVD with performances by Tomomi Adachi, Bernard Heidsieck, Katherine Liberovskaya, Jacques Lizène, Alvin Lucier, Loré Lixenberg, and Alex Mincek, posters, and documents.

This catalogue, based on works and publications in the Serralves Collection, reconstitutes the trajectory of the KWY group and its members—from Lisbon to Paris, to Munich—, their collaborations with other artists and publications and their links to international avant-garde movements.

Special offer: the two complementary monographs États seconds and Perturbations.

New monograph.

Artist's book presenting a hundred fictional texts based on works from the Fonds cantonal d'art contemporain (FCAC) of the Republic and Canton of Geneva.

This box gathers the three volumes of the publication the Serralves Museum of Contemporary Art began in 2008, in the framework of the major exhibition dedicated to the director, on the occasion of his 100th birthday.

The aim of the volume Exhibited Cinema is to reconstruct the history of cinema in exhibition contexts and to trace its archeology, through original essays by researchers, curators, artists and filmmakers.

The subject of Vertiginous Parallels is landscape, and more precisely, the relationships between its mapping and visual or artistic (especially cinematographic and pictorial) adventures.

An unpublished manuscript, La Ferme radieuse et le centre coopératif (“The Radiant Farm and cooperative center”) describes the country planning project conceived by Le Corbusier and Norbert Bézard in the 1930's.

For this artist's book, Izet Sheshivari used three different photographic technologies to produce this selection of landscape images which play with the codes of classic road movies.

A corpus of contemporary Roman inscriptions, which testifies the importance of language—institutional as well as popular—in the collective space of the streets (artist's book).

Collection of poems by the great Russian poetess Anna Akhmatova.

L'herbier: marcher, classer, nommer le paysage / Où donc est passé le réel? (Valérie Belin, Damien Cabanes, Philippe Cognée, Esther Ferrer, Christian Lhopital, Philippe Ramette...) / Sophie Matter / Linda Sanchez / Myriam Mihindou / Farah Atassi / DVD Galeries Nomades 2014, Institut d'art contemporain, Villeurbanne (four exhibition films): Adélaïde Feriot, Maxime Lamarche, Nicolas Momein, Daniel Otero Torres.

First monograph.

This publication results from Braegger's “The Grateful Dead” paintings series, ink jet prints of colorful psychedelic marching bears on canvas. These bears were used as a logo by San Francisco Sixties rock band The Grateful Dead.

A series of photographs by Izet Sheshivari made on the island of Fårö, where Bergman shot numerous films (newspaper).

Gong!'s second issue is devoted to stylist and occasional photographer Rosa Codina. Rosa decided to devote the issue to her daughter and everything around her, in a project she entitled Autour de Alia and which she decided to base on monographic content rather than time or technique.

Different “augmented” perspectives from a visit of Giorgio de Chirico's flat.

The reprint of two out-of-print artist's books self-published in the 80's by the Japanese artists collective The Play, with a previously unreleased documentation.

Both an artist's book and Kader Attia's reference monograph, “RepaiR” consists of interviews and texts around Attia's oeuvre, documented through about 1000 b/w reproductions, and the notion of repair, by 13 academics and researchers working in various disciplines. The book also reveals the artist's research and creation process, with a selection of archive texts and images.

“Megarave Metarave” considers the historical traces of the futuristic promises of rave culture and the early web.

Three iconic series of photographs by Juergen Teller.

An extreme experience seeking to hear the body's internal sounds. It uses both the medium of drawing and of writing to account for the metamorphoses produced by this sensorial experiment.

Facsimile of a book of drawings made between 1979 and 2010.

Jean Epstein's complete writings.

Jean Epstein's complete writings.

A mapping of ephemeral architecture built during the siege of the Maiden Place in Kiev: a project by Bureau A, Leopold Banchini & Daniel Zamarbide (CH) with Burø, Sergey Ferley (UA), bewteen architecture, design, graphic design and political pamphlet.

12 typescripts of concrete poetry (signed and numbered artist's book).

A new reappropriation of Ed Ruscha's Various Small Fires and Milk (signed and numbered artist's book).

4th issue of the art and research magazine is dedicated to the “realized” utopia of Monte Verità.

Artist's book.

Artist's book.

Twenty-six serigraphs by the Dutch graphic designer.

Capture is such a productive fictitious rock band, that nobody can consume everything. It produces new music, words, images, videos and derived products every hour. Capture reverses the consumerism ideology and the relation between desire and objects. This publication documents the project.

A collection of texts by Voltairine de Cleyre and Emma Goldman, two visionary anarchist women at the turn of the twentieth century.

Recording of Wolf Vostell's happening / Fluxus Concert “Sara-Jevo”, realised September 9th, 1994 at Fundació Pilar i Joan Miró in Mallorca, Spain.