various

The origins of the writing of the history known as the history of modern art (catalogue).

Ten encounters between artists and young audiences between 2011 and 2013.

First publication by visual artist and performer Éric Madeleine: a collection of texts associated with his performance work and drawings.

An investigation on former director of the IMF and the World Bank Jacques de Groote, sued by the Swiss courts for fraudulent privatization.

Artist's book.

A publication based on the typescripts of Hannah Weiner's singular diary.

This composition by Alessandra Eramo shows for the first time a vocal interpretation of eight onomatopoetic words from the Manifesto of Futurist Music The Art of Noises by Luigi Russolo, between sound poetry and noise.

A cheerful hand-drawn cookbook celebrating food as Pop Culture.

Interviews.

Pierre Denan's visual diary (artist's book).

A brief personal history of the radical tendencies of modern and contemporary art in Croatia.

The origins and creating process of the artwork.

A collective work conducted by students and teachers from the Design & Space Master at ESAAA art school that aims to highlight the atypical forms that young designers produce and address to our contemporary societies.

Invece is an art and poetry review directed by Julien Blaine. It gathers contributions based on a specific theme. This second issue is dedicated to Native American warchief Rain in the Face.

Jean Epstein's complete writings.

A replay of the collection of the FRAC Champagne-Ardenne by Swiss graphic design studio Gavillet & Rust.

The place and role of women in performing arts from 1912 to 2012, between performance and dance.

Artist's book.

A comprehensive examination of Robert Smithson's work and creative process.

Since 2010, Sophie Lapalu and Jean-Christophe Norman have worked together in the form of interviews and critical writings focussing on artistic actions and their visibility. De l'action à la conversation (“From action to conversation”) forms part of this reflective approach.

A fictional portrait of Marilyn Monroe.

A raw, powerful and disjunctive pamphlet against our civilization, followed by the author's self-portrait.

A collection of textual and visual essays stemming from a series of lecture-performances in which artists and curators experimented with various strategies of reprise in the fields of publishing, visual arts, animation, new technologies and the law.

The design, construction and reception of all interventions by Daniel Buren in the public space of the city of Istres in 2013.

The catalogue of the Prize for the Most Beautiful Books in Brussels and Wallonia.

Minimalist progressive lofi techno tracks by MACON (Nicolas Murer) for a series of exhibitions by visual artist Lili Reynaud-Dewar.

First monograph, with an essay by Jacqueline Burckhardt.

Collection of poems bringing together French authors on the fringes of literary trends, past and present. Under the supervision of François Dominique and Bruno Lemoine. This edition includes a DVD of video-poems by Isabelle Filleul de Brohy.

A guide for J. G. Ballard's The Atrocity Exhibition, between human sciences and science fiction, between the history of art and the medicine including reproductions of 20s pulps and of 60s independent magazines.

This publication traces two years of a project dedicated to the concept of drift, with theoretical texts, artists' contributions and contributions from educational projects, workshops and exhibitions.

Soun-Gui Kim engages her collaborators—philosophers Jacques Derrida and Jean-Luc Nancy, and John Cage—in conversation about contemporary art and the relationship of artists to the globalized art world and market, from the perspective of Eastern thought.

A critical approach to practices of photographic representation and information.

An experimental novel written by two powerful voices of French experimental poetry. With illustrations by Charles Pennequin.

A photographic encounter between Guillaume de Sardes, Nicolas Comment, Ola Rindal, and Henry Roy, four French photographers who are fond, each in their own way, of the mundane, the insignificant, which they interpret with controlled blur, subtle color palettes and perspectives that make sense.

A photographic encounter between Guillaume de Sardes, Nicolas Comment, Ola Rindal, and Henry Roy, four French photographers who are fond, each in their own way, of the mundane, the insignificant, which they interpret with controlled blur, subtle color palettes and perspectives that make sense (available in English edition).

First release by Yvan Etienne (Serge Modular, field recordings, hurdy gurdy).

Through the notion of ecology of art, Des récits ordinaires (On ordinary conversations), a project by Grégory Castéra (curator), Yaël Kreplak (linguist) and Franck Leibovici (poet and artist), attempts to vizualise the various modes of existence of artworks.

Ten years of artmaking by Martin Beck, at the intersection of art, design, architecture, and historical inquiry.

Compendium of stories, reflections and images conceived by a group of young French Romanis, during their trip to Birkenau for the commemoration of the massacre of the Gypsy camp during the night of August 2nd to 3rd, 1944.

An anthology of the international avant-garde poetry journal created in 1796 by Julien Blaine.

A film by Pascal Goblot that explores an exceptional relationship between two influential figures of contemporary art.

A film, a portrait of Guy de Cointet (1934-1983), a French-born artist based in California who created text and sculptural works, often combining them as props and stage sets in theatrical performance pieces (interviews with John Baldessari, Larry Bell, Morgan Fisher, Paul McCarthy, Christophe Bourseiller, etc.).

Comprehensive new monograph dedicated to the French artist's drawings and sculptures, with an essay by Marie de Brugerolle.

A retrospective.

An innovative examination of Jeff Wall's photography.