Cinema & video art

A selection of Eisenstein's writings (new expanded edition).

First monograph, documenting the filmmaker's work as a whole, at the intersection of independent cinema, contemporary art, photography and installation.

A philosophico-cinematographic journey through Fassbinder's filmic oeuvre, from the avant-garde daring of 1968 to the fallout of the leaden years ten years later.

Cinema as a method of investigating the visible and a journey into the theoretical thinking of images.

Two interviews in which Carmelo Bene exposes his working method and his ideas on television, and opens a reflection on the links between artistic avant-gardism and mass diffusion.

Raphaël Minnesota retraces the career and explores the whole oeuvre of Patrice Kirchhofer (1953-2019), one of the most mysterious and mythical filmmakers of French experimental cinema.

New perspectives for a history of Italian silent cinema.

The film by Charles de Meaux, with Fan Bingbing, Melvil Poupaud, Jin Shi-Jye, Wu Yue, Thibault de Montalembert, Féodor Atkin, in book (texts by Philippe Azoury, Anne Dary, Donatien Grau, Élisabeth Lebovici, Brice Pedroletti, Thomas Schlesser), on Blu-Ray and DVD.

An anthology of the theoretical and critical texts on experimental cinema and moving images written by Yann Beauvais in parallel with his films and his activities as programmer and curator.

The redefinition of the medium through the interrelation between contemporary art and cinema.

A collective and transdisciplinary study of the representation of plants and their powers to reflect on the question of animation, cinema, photography and, more broadly, image, in the Anthropocene era and in the context of the "vegetal turn" at work in the human sciences as well as in contemporary art.

Retrospective monograph of the photographer and filmmaker Paolo Gioli, an active member of the Italian avant-garde of the 1970s: an overview of his work, with a dozen essays, an interview and the artist's writings.

An archeology of Swiss experimental film.

Hans Hartung and the cinema.

Two interviews in which Carmelo Bene exposes his working method and his ideas on television, and opens a reflection on the links between artistic avant-gardism and mass diffusion.

A collection of texts by Soviet avant-garde filmmaker and theoretician Dziga Vertov, including a critical apparatus and visual documents.

A collection of texts by researchers, artists and critics, exploring Morgan Fisher's filmography in relation to his other artistic practices.

A collection of texts by researchers, artists and critics, exploring Morgan Fisher's filmography in relation to his other artistic practices.

First French translation of a pioneering study on Hollywood musicals.

The place of films and moving images in the field of contemporary art.

Reference monograph of one of the most influential modernist filmmaker in British cinema, with twenty texts by Malcolm Le Grice and commissioned essays by Yann Beauvais and Philippe Langlois on his cinema and its relationship with art and music.

Video art history.

A history of film in contemporary art (a witty critical history of artist's films and their inscription into the broader history of art, as well as their impact on their social contexts).

Jean-Luc Godard and art (a return on Godard's controversial project at the Centre Pompidou in 2006).

Digital book.

Art and moving images.

A litterary tribute to Jean-Marie Straub and Danièle Huillet by the director, screenwriter and writer Vincent Nordon.

A litterary tribute to Jean-Marie Straub and Danièle Huillet by the director, screenwriter and writer Vincent Nordon.

New perspectives on Marguerite Duras' cinematographic works and a young generation of videographers / filmmakers.

A journey through pivotal moments of the history of experimental cinema.

An unfinished project by Eisenstein inspired by the deconstruction of traditional architecture and its ideologies.

Complete monograph on a master of experimental cinema, with a general introduction on its œuvre, several essays, texts by the artist and interviews.

The key book about French production company Anna Sanders Films.

Collection of texts.

This volume, published in parallel to Exhibiting the Moving Image, extends the inquiry into the history, theory and practice of exhibiting artists' cinema, video, installation as well as advertising films, by focusing on the domains of performance and of the “expanded arts.”

A film-maker and curator's reflection on moving image and its viewer.

A critical history of VideoArt Festival Locarno.

An overview of the early days of video art in Europe, drawing on a network of some fifty researchers.