This leporello is the result of a collective photographic stream of consciousness based on a project lead by the Bureau d'investigation photographique: In random order, each member of the group opts for an image to which the following member answers by association and according to his own subjectivity.

This publication both documents and extends Martin Beck's cycle of exhibition and residency at the Carpenter Center for the Visual Arts in Harvard. This two-year long project focused on the exhibition histories and academic pursuits of the Carpenter Center, built in 1963 by Le Corbusier.

Italian electroacoustic composers Giuseppe Ielasi and Nicola Ratti reconvene their unique Bellows collaborative project for a new album. Captured live over the course of a four days improvised session, the album floats between ghostly melodies, musique concrète, and analog electronics.

This monograph dedicated to Wyatt Kahn encompasses his painting production from 2011 to 2017, and introduces his recent exploration of photography.

Magali Reus' recent series and new sculptures.

Gathering works from 1994 to 2017, this new monograph focuses on the artist's fictional self-portraits from his lightbox series as well as on his musical production. It includes an iconographic documentation, essays by artists, critics, and curators, and a text by Graham himself.

Taking as a starting point Hamilton's “Reaper” series—inspired by the work of Swiss historian and critic of architecture Sigfried Giedion—this publication brings together seven essays by renowned international scholars, all of whom question the relationships between visual arts, technology, science, and architecture.

Publication dedicated to Noël Dolla's pictorial experiments in nature: this lesser-known side to the artist's work offers a unique insight today on the painter's research on the medium. The book features a chronological documentation exploring in detail these 13 “Spatial Restructurings”, along with texts by Fabrice Flahutez and Rachel Stella.

Handbook documenting a series of site-specific installations in Paris by a pioneer in textile art.

Handbook documenting a series of site-specific installations in Paris by a pioneer in textile art.

The Liberated Page is an international union based in Geneva, Switzerland, which aims to support and promote the critical and intellectual dissemination of artists' books and independent editions across the world. A collective study gatheringthe thoughts of the union's actors on contemporary books and publishing (with Jungle Books, Footnotes, Edition Patrick Frey, Cadrat Éditions, Kodoji Press, edition fink, Nieves...).

An in-depth exploration of the Canadian artist's anthropology-based research method in the form of a conversation with Corinna Ewald, Smaranda Olcèse, and Julie Pellegrin (inaugural title of the “Digressions” series initiated by La Ferme du Buisson in collaboration with Captures editions).

A conversation with French performer Benjamin Seror with Keren Detton, Julie Pellegrin and Eva Wittocx. Together they look at Seror's recent projects and influences, and discuss the notions at the core of his practice (inaugural title of the “Digressions” series initiated by La Ferme du Buisson in collaboration with Captures editions).

First monograph dedicated to the long forgotten German artist Josef Maria Schröder. Starting as a painter during the interwar period, Schröder then developed a ballpoint pen technique with which he produced intensely luminous abstract compositions and portraits of a surrealist/constructivist cast. These late works are featured in this volume, which includes original documents from the artist's estate.

An account of a three-year research program focusing on working women's struggles in Britany: the publication provides an overview of the studies and artworks produced within the framework of the program, as well as extracts of lectures and a set of original archives.

Diaphanes is a new bilingual English-German quarterly magazine with a focus on contemporary art, critical discourse, and multilingual fiction. This first issue features a special section dedicated to the work of Pierre Guyotat, including excerpts, an interview with Donatien Grau and drawings by Paul McCarthy. Also in this issue: Mike Wilson; Ute Holl; Haus Am Gern; Aya Momose; Mário Gomes; Marcus Quent; Julien Maret; Jason Swartz; Julian Röder; Peter Ott; Tyler Coburn; Francisco Sierras Malerei; Yves Netzhammer; Giovanna Marmo; Luc Meresma…

This publication extensively documents the exhibitions and activities of M/2, a local but emblematic example of an artist-run space founded at the end of the 1980s in Vevey, Switzerland.

First comprehensive monograph dedicated to the work of Yael Bartana: a comprehensive overview of the artist's films, installations, performative projects, photographs, and sound works of the past 15 years. The publication highlights her fascination with the ways in which social rituals shape both individual identities and collective memory.

Art Basel's 2016 official annual publication.

A both intimate and political account of the links between artistic practices and activism during the AIDS epidemic of the 1980s and 1990s in France and the United States—featuring monographic texts, interviews, and thematic essays.

Since 2008, Walead Beshty photographs the art people he works with at every stage of his projects. This first volume features a gallery of black and white portraits spanning from 2008 to 2012.

New monograph of one of the most important artists rooted in Eastern Europe.

A tribute to the long collaboration between Franz West and Galerie Eva Presenhuber, this volume offers a comprehensive yet singular overview of the artist's oeuvre, gathering together extensive documentation and rare archive material on the numerous exhibitions they organized together since 1995.

A new electro-acoustic composition by Berlin-based artist Stefan Roigk. The radio play like combination of poetic lectures, vocals treatments, concrete sounds and deep vocal drones is based on several live recordings and performances made between 2012 and 2015.

The magazine dedicated to drawing makes its comeback with nine long-length interviews with Sarah Tritz, Maximage, Ernest T. (Taroop & Glabel), Masanao Hirayama, les éditions Matière, Aidan Koch, Yannick Val Gesto, Stefanie Leinhos, and Galerie 126.

Elise Duryee-Browner / Angela Davis and Gina Dent's conference in Paris / Georgia Sagri at documenta 14 / interview with Ilaria Bussoni / Georges Didi-Huberman at Jeu de Paume / Tobias Madison on the film Two A.M. by Loretta Fahrenholz / Amelie von Wulffen / Yuki Kimura / “The Color Line: African-American Artists and Segregation” at Musée du Quai Branly / Morag Keil / Greg Parma Smith / Carole Boulbès on Picabia's retrospectives in Zurich and New York / Short Story, Jeanne Graff / Weather Report / Jean-Luc Moulène / Bernadette Corporation.

Companion book / reader to the eponymous exhibition at MAAT, Lisbon. It features previously unpublished essays on the ongoing transition from the notion of utopia toward its mirror image: dystopia.

An examination of recent cases of boycotts by artists, presenting their political, ideological, and economic contexts, timelines, statements, as well as interviews.

Original soundtrack of the eponymous “musicfilmdream”, in collaboration with video artist Makino Takashi. Created in tribute to late filmmaker Derek Jarman, this musical score was influenced by the early electronic recordings of pioneers like Terry Riley and Morton Feldman. The two artists first presented this work during the 2016 BFI London Film Festival.

This issue dedicated to documenta 14 addresses themes, artists, and projects spanning between Athens and Kassel. Including: Moyra Davey by Quinn Latimer; Vivian Suter & Elisabeth Sussman; Roee Rosen; “Preliminary notes for a Black manifesto” by Rasheed Araeen; Khvay Samnang “; The Globalised Museum?” by Bonaventure Soh Bejeng Ndikung; articles by Kirsty Bell, Irena Haiduk, Pierre Bal-Blanc, Neni Panourgiá, Dieter Roelstraete, and more.

Spike #51 raises the question of the social role of art, and many more, with: Grzegorz Kowalski; Bob Flanagan's Visiting Hours; Angela Bulloch on Damien Hirst; Cyprien Gaillard's Desniansky Raion; a roundtable with Chus Martínez, Michaela Meise and Dieter Lesage; Dorothea Von Hantelmann; Kenny Schachter; Daniel Baumann; the portraits of Dorothy Iannone, Tetsumi Kudo, and Marie Angeletti; an interview with Josef Strau; an essay by Jan Verwoert; the TV series The Crown; Andrew Berardini on Jimmie Durham's retrospective in LA…

This issue dedicated to Jamaican music studies presents and analyses the main characteristic features of these musical forms—from riddims to sound systems—and their associated issues—from culture to slackness. The publication features nine articles and twelve book reviews written by leading world experts (including 7 Jamaican researchers). Watch out Babylon!

A collection of texts by artist and designer Olivier Peyricot, documenting his research and experiments since 1997. For twenty years, Peyricot has been questioning the political and social dimensions of design.The publication also features a rich iconographic documentation.

This book is the first compilation of the history of the Mamco; it offers a diachronic path through the institution's first 22 years of existence, from its foundation in 1994 up to 2016, and presents some one hundred exhibitions via illustrations, as well as a brief introductory text describing the characteristics and formats of the shows, and some of traces they have left in the collection.

Since 1991, Robert Milin has created artworks with guests invited to participate because of a practice they adopted in their daily life—as gardeners, cyclists, inhabitants of a village… In 2015, he decided to meet again with these people to give them the floor about this experience. The booklet features an interview with Robert & Delphine Milin and a chronology of the artist's works.

The avant-garde of the 1990s.

A collection of original essays focusing on the specific interaction of dance and drawing during the second half of the 20th century.

A collection of original essays focusing on the specific interaction of dance and drawing during the second half of the 20th century.

A series of four geometrical and minimalist patterns drawn in red, blue, and black, inspired by a cognitive ability test, a quote from Guy Debord and the publications of Fluxus artist Emmett Williams. This artist's book is printed on light paper sheets so the patterns can be traced and used as a decoration for elbow pads and knee pads.

Eight slogans from the May 68 events in France, in duplex printing (artist's book).

10th anniversary box set gathering the complete collection of Sans niveau ni mètre (43 issues), the newspaper dedicated to the exhibitions showcased at Le Cabinet du livre d'artiste, a French-based space dedicated to artist's books since 2007.

Quoting excerpts from Keller Easterling's 2014 essay Extrastatecraft: The Power of Infrastructure Space, this coloring book tells the story of two characters, a fox (the artist) and a cat, and their special relationship, made of exotic travels, dreams and nightmares, struggles and desires.

Sixth Issue of the fanzine-like review published by éditions Supernova. It includes poetry, photography, literature, illustrations, and essays.

Published to celebrates the 30-year anniversary of transmediale, this reader aims to use the critical and artistic knowledge gained at the festival over the years to reframe the question of the role of media today. In a world where technology increasingly operates independently of humans, where does the power to act and mediate lie?

“Space and utopia” issue.

Dean Daderko, Arthur Jafa and Sondra Perry on blackness, technology and Alien ontologies; Stefanie Hessler exchanges oceanic ideas with Heidi Ballet; Puppies Puppies talk to Tenzing Barshee; Hannah Black as seen by Rahel Aima; essays by Alexander Provan, Orit Gat and Jens Hoffmann; William Pope.L and Mia Locks; Sam Thorne with Marianna Simnett; Anna Gritz and Eric Baudelaire; Luke Willis Thompson; Basel Abbas & Ruanne Abou-Rahme; Raúl de Nieves, and more.

This monographic publication delivers an in-depth exploration of Liz Magor's sculpture and installations produced over the course of 40 years.

Swiss-based artist Raffael Waldner is obsessed by car culture: its gloss, glamour and erotic undertones. In Salon, he focuses on motor shows, photographing—with superficial coolness––the hundreds of female models who act as car company ambassadors.

The museum of contemporary art in all its paradoxical characteristics.

The words of Guillaume Belhomme inspired American musician Daniel Menche to create a 20-minute composition (mastered by Andrew Liles) which recalls the atmosphere of the French writer's text: a train on the move, a glass, the color of blood...