One year in the art world: Art Basel's official annual publication captures and documents the exhibitions in Basel, Miami Beach, and Hong Kong, and goes beyond them, featuring interviews, portfolios, essays about contemporary art, and personal highlights from artists, curators, collectors, and museum directors.

The republishing, in the form of a palimpsest, of the prefaces published in the various editions of the catalogue of the Damascus National Museum, from 1919 to the end of the last century.

Bruce McClure / Contemporary Arabic-language poetry: Soukaina Habiballah / Isabelle Duthoit / Jacques Brodier / Kazuo Imai / Evan Parker...

52 short poems, written in a nervous prose during periods of trance. A response to the “disease of globalization.”

Artist's book stemming from a performance by the Swiss feminist artist, featuring newspaper cut-outs evoking the female sex (limited edition).

This photographic publication documents the ecological and human devastation caused by the construction of the Belo Monte dam in the Amazon.

Exhibition catalogue of the sixth Triennal 50JPG – 50 Days for Photography in Geneva, exploring the relationships between eros and cosmos.

The fifth volume in Jack Pierson's famed Tomorrow's Man series associates archival material and works by contemporary artists in a collage-like design to produce an exploded vision of the current visual landscape, draped in vintage homoeroticism and glamour.

A limited-edition box set documenting the seventh and penultimate episode of COCO, the project that brings together video art and music by artist and designer Federico Pepe and artist and photographer Jacopo Benassi.

Gathering found visual material, this publication retraces the story of an artistic failure: that of a joint project by Federico Pepe and his father Antonio, a cabinet of curiosities featuring latex sculptures of fetuses looking like Mickey Mouse.

Dominique Grimaud makes you listen to the The Beatles, The Rolling Stones, Pink Floyd, and many more artists from the 1960s, like you never hear before.

A highly psychedelic electroacoustic piece from 1981 built on fractal patterns in the studios of the Groupe Musiques Vivantes de Lyon, and another one composed almost four decades later, based on birdsong and forest sounds.

A retrospective look at the work of our contemporary art godfather.

Four compositions by the electronic musician from Quebec, conceived during his studies at the Conservatoire de Musique de Montréal, from 2017 to 2019.

First monograph.

The Canadian artist's second album features two immersive pieces that explore ideas of compositional drift: The Nonsuch is inspired by nocturnal hallucinations while In Praise of Blandness builds on sinologist François Jullien's concept of “blandness”.

Revised and expanded edition of the playful fanzine-manifesto for a rebellious art, presenting 66 more or less subversive artistic movements, to become a rebellious artist in less than a year...

Artist and teacher-researcher Marie Preston speaks with Nora Sternfeld and Julie Pellegrin about her practice as a crossroads for art, education and cooperative working.

A previously unreleased concert recording from 1983 by Das Moabiter Duo (Sven-Åke Johansson and Thomas Kapielski). An eclectic improvisation associating drums, electronics and concrete music, offering a snapshot of the experimental Berlin scene of the 1980s.

An anthology of texts on contemporary art during the second decade of the twenty-first century.

Olivier Mosset's reference monograph offers a complete panorama of the work of one of the central figures in post-war abstract painting, and a pivotal reference for generations of European and American painters, covering six decades of practice, from the first experiments to the monumental recent works.

A transdisciplinary discussion on the influence of computer-based technologies on the conditions of biological research.

Co-editors: Nicolas Maigret and Maria Roszkowska, intervioews with Špela Petrič, Tega Brain, Joyce Hinterding, Kat Austen, Thomas Thwaites, Melle Smets; The Sound of Disappearance and The Sonic Sublime; reports of ISEA 2019 Lux Aeterna, 58th Venice Biennale and Liechtenstein Brunch, 18th Media Art Biennale WRO “Human Aspect”.

How can we today situate the artist or, more broadly, the act of creation using artificial intelligence?

Frédéric Acquaviva's new record—A QR code record without record limited to 100 copies: a 69 minutes opera for voices (with Joël Hubaut, who also wrote the text, Dorothy Iannone and Loré Lixenberg), dead electronics and video.

A story, between myth and reality, of Caravaggio, by parodic artist Arnaud Labelle-Rojoux.

Limited edition, numbered from 1 to 20, with an original artwork signed by the artist.

Stemming from the Master Fine Arts at the Zurich University of the Arts, this publication promotes the art school as a place for pedagogical, civic and political implications.

Conceived for the 12th Edition of the Bamako Encounters this book captures thoughts and responses of writers, poets, and artists to the curators' proposition to think the practice of photography in Africa and its diaspora through the notion of the “stream of consciousness.”

Retrospective monograph.

Catalogue conceived for the 12th Edition of the Bamako Encounters, the principal event dedicated to contemporary photography and new imagery in Africa.

Vast cross-composition by Jean-Yves Bosseur and Benjamin Bondonneau created for the Bordeaux ensemble le Un. A wild thought towards Claude Lévi-Strauss and his notion of "bricolage".

The research and series of exhibitions that this publication grew out of, is part of an ongoing project exploring the significant work of individuals, collectives and institutions in the field of alternative art and publishing practices, past and present.

A wide-ranging collection of texts on contemporary painting, by one of its most finest observer today.

The new issue of the magazine dedicated to drawing, with height long-length interviews with Linus Bill, Adrien Horni & Joseph Allen Shea, Acacio Ortas, Olivier Lebrun, Éditions Peinture around Saeio, Hélène Bertin, Étienne Périn, Son Ni, Daniel Dewar & Grégory Gicquel.

Diaphanes #8/9 looks into curious loops of reproduced present, the integral of circular I-effects, the other side of the social Möbius strip. Is the self nothing but an echo? An effect without cause? The human being a message, an autoreply in the jargon of social-memes? Who or what massages the backchannel so astoundingly self-similarly, like an invisible hand?

This issue proposes to examine some of the points of contact between music and hacking.

This new album by the American cellist offers an appreciation of her talents as both a composer and performer, in a unique and elegant style reflecting her many inspirations, from baroque music to Americana and experimental music.

Artist's book.

A 4-hour work recorded at Steamroom (composer's studio) between 2017 and 2018: a hypnotic, multi-faceted, labyrinthine piece which flows as slowly as a river while speeding back through memory, and shows all the talent of Jim O'Rourke.

A collection of colorful paintings inspired by science fiction and classical Antiquity. A prequel to the artist's ongoing Megalith series of publications that acts as a PH sample of his broader painting, collage, and print studio practice.

A platform for discussions between some of today's leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today.

A platform for discussions between some of today's leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today.

Reference monograph on the singularly radical work of Michel Parmentier—an important addition to the history of painting in the second half of the 20th century.

The seminal tale of Iannone's advocacy for sexual liberation.

The complete writings of an influential figure.

A very subjective and alternative cartography of Luxembourg (a social design, publishing and bottom-up creation project led by Dutch graphic designer Annelys Devet).

Res·o·nant documents the namesake light and sound installation created by conceptual artist Mischa Kuball for the Jewish Museum Berlin. The catalogue comprises contributions by a prestigious ensemble of international thinkers, artists, and writers.