Kindling #1: Parazoan Mapping #2 by Taku Unami and Eric La Casa is the first edition of an ongoing series of artist-run digital+paper sound-art releases, only available as a newspaper plus digital file.

An artist's book by Jérémie Gindre with backgrounds taken from The Observer's Book of Weather by Reginald M. Lester (1955): a picture book of meteorological oracles, a wink as much to cinema and comics as to the natural history museum.

The top 100 contemporary artists in the playful and regressive form of a sticker album, modeled on the Panini albums.

Beni Bischof's 2024 calendar.

Over a period of more than ten years, Pascal Goblot undertook a performance based on Marcel Duchamp's The Bride Stripped Bare by Her Bachelors, Even, the first stage of which involved making as exact a reproduction of The Large Glass as possible. This book is the pictorial account of that reconstitution.

Reading acts as a visual treasure trove, compiling an assortment of panels that capture the very essence of Disney's letter-centric storytelling.

A series of photographs of traces of glue on city walls, testifying to what has been posted/hung there (artist's book).

The first book devoted to the late African American writer and actress, Dorothy Dean (1932-1987), one of the few prominent African American women of New York City's bohemian heyday, close to Andy Warhol and Robert Mapplethorpe.

The 15-year history of the production of a "German scotch" Black Whisky, made by Dexter Sinister together with Stahlemühle, a distillery set up by former publisher, Christoph Keller

Wonderflux brings together a group of longtime contributors with graphic artists to collaborate on illustrated essays and develop a new pictorial language around some of the emergent consistencies and overarching issues that defined the first decade of e-flux journal.

Co-editor: Matteo Marangoni; interviews with Budhaditya Chattopadhyay, Kexin Hao, Pei-Ying Lin, Vivian Caccuri; articles: Accessing the Fiduciary Transactions of the Intellect and Imagination, Folding the Past into the Present; reports: Transmediale 2023, KIKK Festival...

Musta Fior; Carla Bley; Amanda Guttiérez by Carole Rieussec & Elena Biserna; interviews with Nadia Lëna, Aude Romary and Audrey Lauro; Bruitisme festival; a survey by Michel Henritzi of three musicians and activists of DIY version 2.0 (Jo Fusiller and his Tanzprocesz label, Claire Gapenne for Accueil Froid in Amiens, and Jędrekp for the Parisian concerts Le Non_Jazz)...

Five pieces of musique concrète recorded in the GRM studios between 1971 and 1974 by the composer and pioneering video artist.

Four purely electroacoustic pieces recorded between 1994 and 2002 by the Argentine composer and theorist.

This first issue of e-flux 's bimonthly publishing project presents the pieces published by e-flux in December 2023 and January 2024. The metadata gives some indication of its breadth, spanning 48 pieces, 52 authors, and over 150,000 words. Following its wider editorial ambitions to co-articulate multiple discourses, the Index removes the identity cards anchoring these pieces to their original provenance, and instead "meta-edits" them into nine emergent thematic strands.

The major influence of Henri Matisse on the work of one of the leading figures of American Pop Art.

An improvised encounter between the two musicians (Jean-Luc Guionnet, alto saxophone / Lê Quan Ninh, percussion): five pieces of different lengths, alternating long periods of subtle restraint with moments of incredible intensity.

Sheet Erosion is the third episode in a series of works based around ideas of audio archaeology and found sounds. The setting this time is the city of Brest in France.

Reference monograph (also available in English edition).

Reference monograph.

The third studio album from the Frenchmen Pointe du Lac offers a deep, catchy and classy dive into kosmische, electronica and jazz.

Reference monograph.

Reference monograph (also available in English edition).

A project exploring the sounds of glaciers, captured in crevasses, glacial torrents or moraine folds using microphones, hydrophones and seismic sensors.

Double Pendulum is a selection of new material from NY-based artist/composer Nickolas Mohanna. Using a varied palette of percussive devices alongside the electric guitar and computer, hammered notes flutter into brushed cymbals to create pulsing and immersive shapes.

The culmination of the American artist's assemblage project.

An artist's book by Berlin-based sound artist Stefan Roigk, documenting acousmatic compositions, sound installations, musical graphics and text-sound compositions of the years 2005 to 2023 on 144 pages and 2 audio CDs.

A trans-theoretical essay: Arnaud Labelle-Rojoux explores the arcana of artists' cult status through a kaleidoscopic series of portraits of "banished" visual artists, filmmakers, writers, musicians and architects, from William S. Burroughs to Jean-Luc Godard via John Cage.

The first major work on the history and current importance of the Biennale of Young Artists, known as the "Biennale de Paris", which took place between 1959 and 1985, bringing together thirty-five texts by international authors, including some testimonies from actors who took part in the Biennale.

The first English language translation of Robert Linhart's The Sugar and the Hunger, originally published in 1980. Includes afterword by Luiz Renato Martins, and other materials.

Carroll Dunham's "Green Period."

Poems presents four unpublished poems by American writer and actress Zoë Lund (1962–1999), written in the 1980s. An incandescent voice emerges, revealing the might, sincerity, and precision of her expression, as well as her vulnerability and defiance in the face of death. This is the first publication dedicated to her work.

Comprehensive monograph.

A reflection on the notions of catch and data.

Four works based on four performances.

Francisco Meirino; Mona Kareem; Peter Brötzmann; Les Arènes du vinyle by Carole Rieussec & Elena Biserna; interviews with Limpe Fuchs, Quentin Conrate, Mayuko Hino, Yuki Fuji & Wamei...

An object book (with CD) featuring 29 concert reviews from the Parisian noise and experimental music scene in 2011 and 2012. It provides insights into a dynamic, radical, and deeply communal music scene (with a selection of photographs by Steeve Bauras, an experimental sound piece by DJ Fusiller created from concert recordings compiled by the author, and period flyers).

Issue 36 of the Palais de Tokyo magazine proposes to explore the multiplicity, hybridity and fluidity of identities and the ways of loving, the plurality and complexity of our affects and our sexualities.

370-page book + CD chronicling of a solo tour through North America in 2022, exploring the state of the DIY experimental music scenes.

The transposition of an exhibition into a book format, spatialising concrete poetry on the page (artist's book).

For countertenor, parrots, different voices & dead electronics.

A collection of poems by French writer, painter and illustrator Jean-philippe Delhomme, accompanied by previously unpublished ink drawings.

Graham Lambkin (of Shadow Ring fame) returns with a long awaited epic double LP, Aphorisms, his first major solo outing since 2016, continuing his synthetic-naturalist approach to sound-making, twisting disparate and unique elements together to create the sensation of a coherent sonic space.

The very first completely handmade and almost unreleased recordings of Graham Lambkin and Darren Harris under the name of Cat & Bells Club, prefiguring The Shadow Ring.

A publication by artist and teacher-researcher Marie Preston on the alternative pedagogies developed in France during the 1970s-1990s in "open" schools working on the question of the relationship between co-creation and co-education.

An audio time-travelogue, based on found reel-to-reel tapes of pre-recorded slideshow commentaries from the 60s and 70s, collected by Mark Vernon over the past twenty years.

A vast study of the visual culture of industrial music during its development in Europe, the United States and Japan, from the 1970s to the 1990s, a global culture that goes beyond sound experimentation to cross different media (graphics, film, performance, video), in a close dialogue with the heritage of modernity and under the growing influence of technologies.

Graham Lambkin (of Shadow Ring fame) returns with a long awaited epic double LP, Aphorisms, his first major solo outing since 2016, continuing his synthetic-naturalist approach to sound-making, twisting disparate and unique elements together to create the sensation of a coherent sonic space.

The second collaboration between Stephen O'Malley and Anthony Pateras, this time entirely acoustic, based around an acoustic guitar and prepared piano: a music that seems suspended, captivating by its almost organic coherence and modal simplicity, behind which resonances and subtle plays of pitch develop.

The 56th issue of the design research journal, devoted to the question of writing in design practices.