Issue 36 of the Palais de Tokyo magazine proposes to explore the multiplicity, hybridity and fluidity of identities and the ways of loving, the plurality and complexity of our affects and our sexualities.

370-page book + CD chronicling of a solo tour through North America in 2022, exploring the state of the DIY experimental music scenes.

The transposition of an exhibition into a book format, spatialising concrete poetry on the page (artist's book).

For countertenor, parrots, different voices & dead electronics.

A collection of poems by French writer, painter and illustrator Jean-philippe Delhomme, accompanied by previously unpublished ink drawings.

Graham Lambkin (of Shadow Ring fame) returns with a long awaited epic double LP, Aphorisms, his first major solo outing since 2016, continuing his synthetic-naturalist approach to sound-making, twisting disparate and unique elements together to create the sensation of a coherent sonic space.

Graham Lambkin (of Shadow Ring fame) returns with a long awaited epic double LP, Aphorisms, his first major solo outing since 2016, continuing his synthetic-naturalist approach to sound-making, twisting disparate and unique elements together to create the sensation of a coherent sonic space.

The very first completely handmade and almost unreleased recordings of Graham Lambkin and Darren Harris under the name of Cat & Bells Club, prefiguring The Shadow Ring.

A publication by artist and teacher-researcher Marie Preston on the alternative pedagogies developed in France during the 1970s-1990s in "open" schools working on the question of the relationship between co-creation and co-education.

An audio time-travelogue, based on found reel-to-reel tapes of pre-recorded slideshow commentaries from the 60s and 70s, collected by Mark Vernon over the past twenty years.

A vast study of the visual culture of industrial music during its development in Europe, the United States and Japan, from the 1970s to the 1990s, a global culture that goes beyond sound experimentation to cross different media (graphics, film, performance, video), in a close dialogue with the heritage of modernity and under the growing influence of technologies.

The second collaboration between Stephen O'Malley and Anthony Pateras, this time entirely acoustic, based around an acoustic guitar and prepared piano: a music that seems suspended, captivating by its almost organic coherence and modal simplicity, behind which resonances and subtle plays of pitch develop.

The 56th issue of the design research journal, devoted to the question of writing in design practices.

A split album as part of the GRM Portraits series bringing together two pieces by Félicia Atkinson and Richard Chartier.

Josh Mason's first vinyl outing since 2019, a pivotal release thoroughly shot through with the humidity, warmth, and "end of the line"-ness of the state of Florida.

More than a decade after the release of "Land Lines", the mythical Humboldt County, California based duo of Brian Pyle and Merrick McKinlay reappears seemingly out of nowhere with "Atheistsaregods".

The first vinyl edition of Let the Darkness Fall, a forgotten corner from the vast discography of Suzanne Langille & Loren Connors, joined here by David Daniell and Andrew Burnes (of the Atlanta-based group San Agustin).

An electroacoustic piece composed between 1984 and 1989, inspired by the ancient theory of the four elements and exploring the notions of matter and its transformation.

Ákos Rózmann's Mass consists of twelve electroacoustic compositions created between 1989 and 2004 in the composer's studio and at EMS in Stockholm. Like most of Rózmann's compositions, Mass is a long-form work with a duration of around seven hours. 

The complete version of electro-acoustic composer Ákos Rózmann's epic masterpiece 12 Stations presented for the first time in its entirety as a deluxe 7CD set.

A split album as part of the GRM Portraits series bringing together two pieces by French sound artist Eve Aboulkheir, and by Lasse Marhaug, a figure from the Norwegian experimental scene.

A split album as part of the GRM Portraits series bringing together two pieces by the French bassoonist and the Norwegian composer.

Simone Hoffmann's films invites us to rediscover one of the world's most important contemporary artists in the context of her retrospective exhibition at the Musée d'Art Moderne in Paris in 2023.

The first novel by Swiss artist Johana Blanc.

This luxurious publication in large format presents 365 collages made by the artist between 2021 and 2022.

A journal gathering texts, posters and extracts of three round-table conversations edited and spatilized by the students and the teachers at ÉNSA Versailles and the editors of the magazine Accattone.

Victoria Shen; contemporary Arabic poetry: Rasha Omran; Anthony Pateras by Delphine Dora; Christina Kubisch in conversation with Carole Rieussec and Elena Biserna; Alexandre Chanoine; Sister Iodine; Léo Dupleix; Jeanne Lee; 80 album reviews...

The fruitful meeting of the rural world and contemporary art within the framework of the collective experiment led by an art center in the forest trails.

The story of a meeting between a woman and a man linked by music for one night, in a nuptial dance of bodies and words doomed to failure: an ode to desire by the Franco-Moroccan poetess.

The debut of the duo Damāvand (Gianluca Ceccarini and Alessandro Ciccarelli), a tribute to the 18th Century Armenian poet and musician Sayat Nova, weaves a sprawling sense of rhythmic abstraction from ancient poetic touchstone, offering further proof that the future of ambient music is now.

First Arabic translation of Virginie Despentes' cult book King Kong Theory.

Occupying a remarkable middle ground between the operatic, the abstractions of experimentalism, and seductive qualities of popular music, Italian berlin-based composer, performer and publisher Claudio Rocchetti has created an entirely singular from of electroacoustic practice, as though Phillip Glass' Operas were tossed into a blender run by Alvin Lucier. Thrilling, deeply engaging, and bordering on the visionary, this transportive wonder taps the melancholic and ecstatic alike.

A collection of poetic, political and ecological stories to be told aloud, in which the natural elements (the melting ice, the volcanic eruption, the hole in the clouds, or the flood) are the heroes, approaching ecology through its sensitive manifestations.

Claude Rutault's entire definitions/methods from 1973 to 2016, in English language.

an essay that opposes the discourses of justification led by artists and other agents in the field of art with a materialist conception of the history of cultural institutions. The author argues for an abolitionist approach towards art institutions against more reformist, corporatist and formalist approaches of emancipation that still prevail in the art sector.

This issue explores the crossroads, contacts and contrasts between two fields of musical knowledge: ethnomusicology and popular music studies.

A collection of photographs from the archives of the icon of underground and alternative Parisian nights Dora Diamant.

A collection of photographs from the archives of the icon of underground and alternative Parisian nights Dora Diamant.

A collection of photographs from the archives of the icon of underground and alternative Parisian nights Dora Diamant.

A collection of photographs from the archives of the icon of underground and alternative Parisian nights Dora Diamant.

The 4 new volumes of the collection of photographs from the archives of the icon of underground and alternative Parisian nights Dora Diamant.

The new album by Material Object reveals a completely new sound for the artist as he combined acoustic and electronic tools to create stunning album of depth and beauty.

First comprehensive monograph, surveying three key series spanning Mungo Thomson's investigations into mass culture and everyday perceptual experience.

An immersion in the creative process of the American painter.

A guided tour to Ana Jotta's most immersive project.

A theater work by Jacques Jouet with "performative" rules for the actors in each play.

The music of "Senzatempo", by Italian duo Ozmotic and guitarist, composer and electronic musician Christian Fennesz, moves in balance between composition and improvisation. It is a symphonic work for an imaginary orchestra in which melodies, counterpoints, dynamics and sonorities define a structural breadth reminiscent of classical music.

A poetic text fragmented into three parts each generating its own handicap in expressing the economy as alienation from life.

Remastered vinyl version of Oren Ambarchi's landmark release, one of his most beautiful records, at once dense, deep and luminous.

The indispensable equine bible by Nils Bertho, illustrator allergic to horses, is back for a third (and final?) edition.