Mustapha Akrim's works mixes at once protest, aesthetics, philosophy and politics. The project documented in this catalogue questions labour and education—two notions symbolized by the recurring motif of the fly. As a work in progress, “Iqraa” also refers to the idea that nothing is fixed—neither aesthetically nor politically.

John Armleder & Fluxus.

An overview of the relation between choreography and exhibition, through the contributions of over thirty international visual artists, choreographers, musicians, filmmakers, theorists, and curators (Kenneth Anger, Jérôme Bel, Boris Charmatz, Kenneth Goldsmith, Pierre Huyghe, Jennifer Lacey, Alan Licht, Malcolm McLaren, Gustav Metzger, Phill Niblock, Hans Ulrich Obrist, Michael Parsons, Claude Rutault, Catherine Wood...).

An inventory of Lutz Bacher's works from 1975 to 2013.

Issue 01 of the zine edited by Jacopo Benassi et Federico Pepe (Le Dictateur): a series of photos taken by Benassi during an evening of performances and concerts at Btomic in La Spezia (Emidio Clementi & Corrado Nuccini, Little Debbie, Khan, Nicole Boitos, Lori Goldston, Z'ev, El Vez, C.J. Ramone...).

Surveying figures ranging from Clement Greenberg to Jacques Derrida, this compendium of 20 short essays by New York-based critic Barry Schwabsky focuses on his reflections on art writing itself.

Nine texts by Gilles Barbier.

Nine texts by Gilles Barbier, accompanied by an unique work, resin and feathers on cardboard.

Grimmuseum looks back on two years of intense production and manifold explorations within alternative curator/artist frameworks.

Theoretical reflections and insights into alternative artistic working models.

The most monumental auto-creative work ever made by Gustav Metzger (catalogue of the exhibition at MAC Lyon, with numerous archive documents, newly commissioned texts and a conversation with the artist).

Crossed interviews with artists and their collectors.

Swiss clubbing.

Retrospective monograph: the first complete publication dedicated to Pierrette Bloch' practice from the 1950s to the 1980s.

Reference monograph.

First monograph.

A collection of original poems Leif Elggren wrote between 1970 and 2013 and translated for the first time into French. With illustrations by the author.

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1975—and a set of original documents (1963-1975), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1971—and a set of original documents (1954-1968), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1977—and a set of original documents (1954-2013), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.

This publication presents a retrospective study on the first contemporary art gallery of Morocco, l'Atelier (The Workshop). It highlights the work of the gallery and help to understand the artistic and cultural dynamics of an era: that of the advent of contemporary Moroccan art on the international scene.

New monograph.

New monograph.

First edition of Eugénie Paultre's Nous Verrons Bien. Etel Adnan has created the six drawings for this book.

A visual anthology (with John Armleder, Andrew Blake, Michael Bracewell, Tom Burr, Dan Graham, Harmony Korine, Malcolm Mclaren, John Miller, Bob Nickas, Walter Pfeiffer, Haim Steinbach, Lawrence Weiner...).

Retrospective monograph of one of the most uncompromising and experimental painters working today (also available in English and Dutch / English editions).

Comprehensive monograph.

Bellamine's poetic painted photographs.

Artist's book.

Art in Turkey.

An overview on Carey Young's works from 2003 to today.

Reference monograph, including a comprehensive selection of Yang Fudong's photographic and film work, as well as newly commissioned theoretical essays.

The Alpine symposium on art and architecture (with Vito Acconci, Doug Aitken, Cerith Wyn Evans, Dominique Gonzalez-Foerster, Philippe Rahm, Tobias Rehberger, Lawrence Weiner...).

MMX is photographer Raphaele Godin's first book. It presents a series of snapshots of her daily life, taken in the 2010s. 

A collection of previously unpublished photographs taken in a strip club in New York in 1976.

The art of filming.

Guillaume Belhomme's first fictional narrative.

Guillaume Belhomme's first fictional narrative (limited edition with a musical piece by Michael Esposito on a mini CD).

The first work in a series of portraits of people with Huntington's disease taken as muses, striving to create a radically new understanding of their experience.

Jonas Kocher, Guy Girard, Tetsuo Furudate, Festival Densités, PaaLabRes, a history of musical destructions by Matthieu Saladin (part 3)...

A multidisciplinary reflection on a new type of engagement of art in democracy, renewing relationships between creation, culture and society: 47 contributions by international thinkers and actors of the art world (with 9 movies on DVD).

The book of the 12th edition of the international exhibition, curated by Icelandic curator Gunnar B. Kvaran.

62 postcards that constitute the collection of the photographs taken and diplayed in the public space in six French regions.

This first volume of complete John Baldessari's writings traces the genesis and development of the artist's understanding of art in the early 1960s.

This second volume of complete John Baldessari's writings traces the genesis and development of the artist's understanding of art in the early 1960s through to the present.

Artists' book history.

Alternately compared to Joyce, Proust, and Döblin, German writer Peter Kurzeck is nonetheless underestimated. Dedicated to Kurzeck's childhood, this autobiographical publication restores the seductive magic of Frankfurt in the late 1950s, through a reflection on the poetic force of memory. The original narrative was released in 2007 as a German audio-book.

After he transformed the whole nave of the CAPC Museum into a mechanical theatre, Markus Schinwald conceives an elegant and sophisticated artist's book that reflects this physical and mental adventure through preparatory prints, film dialogues, and a series of stickers alternating exhibition views and reproduction of works.

Facsimile reprint of the long-unavailable and much sought-after 1974 artist's book by Robert Overby (1935-1993), one of the most fascinating figures of the 1970s Californian art scene.

Artist's book.