Ça m'est égal: The Involution of Desire by
Estelle Hoy; Pierre-Alexandre Mateos and Charles Teyssou review the oeuvre of Hervé Guibert; Julien Nguyen by
Mónica Belevan;
Andrew Berardini pens his alliance with artist, writer, and
Semiotext(e) coeditor Hedi El Kholti through his manifold projects;
Dora Budor revisits
Tsai Ming-liang's filmic production; Wendy Vogel retraces the history and practice of artist and writer Rosemary Mayer (1943–2014), one of the founding members of A.I.R., New York's first all-women cooperative gallery;
Carolyn Lazard by
Richard Birkett; Vietnamese-born filmmaker and cofounder of The Propeller Group Tuan Andrew Nguyen converses with Rahel Aima; following her research on Post-Performance Painting,
Marie de Brugerolle focuses on a group of artists whose practices have bloomed in parallel...
Mousse is a bimonthly contemporary art magazine. Established in 2006,
Mousse contains interviews, conversations, and essays by some of the most important figures in international criticism, visual arts, and curating today, alternated with a series of distinctive articles in a unique tabloid format.
Mousse (Mousse Publishing) also publishes numerous catalogues, essays and curatorial projects, artist books and editions (see the corresponding
publisher's page).
