Unveiling the magazine's new graphic identity, this issue of
Flash Art features: 20-page section on Adrian Piper;
Maurizio Cattelan and Marta Papini talk to art-world boundary explorer
Asad Raza; Tenzing Barshee on Margaret Honda; Stephanie Seidel talks to Juan Antonio Olivares about his 3-D animation
Moléculas; Thomas Duncan on
photography and corporeality in the work of Josh Tonsfeldt; David Andrew Tasman on Anna Uddenberg's heterotopic forms; Eli Diner on the captivating and inscrutable
sculptures of
Michael E. Smith; reviews…
Flash Art is a contemporary art and culture magazine (and a
publishing platform) founded in 1967. Within a decade, it became an indispensable point of reference for artists, critics, collectors, galleries, and institutions. In 2020,
Flash Art became a quarterly publication, at the same time increasing its trim size and updating its graphic identity. The magazine offers a fresh perspective on the visual arts, covering a range of transdisciplinary approaches and fostering in-depth analyses of artist practices and new cultural directions. Today,
Flash Art remains required reading for all who navigate the international art scene.
Flash Art is known for it covers featuring artists who subsequently become leading figures in the art world. The magazine includes photoshoots, productions, critical essays, monographic profiles, conversations with emerging and established artists, and a range of ongoing and thematic columns that change every few years. The long history of the magazine is also highlighted by pivotal texts from the archive that are included in the publication time to time. Finally, every issue offers a highly curated selection of the best institutional exhibitions on the global scene.
See also
Flash Art Volumes.
