Photography

The glass as a listening device.

Photographer and filmmaker Manuel Wetscher brings together in an artist's book a unique archive of photographs by his father Richard Jenewein, discovered years after he died of AIDS. A universal family album documenting childhood, which questions the evocative power of an altered narrative and deals with the effects of a taboo and the poetic force of images.

A photographic investigation with around 50 New York artists still benefiting from the "loft" law, intended to protect financially troubled artists living illegally in the city's commercial and industrial lofts from eviction.

A picaresque memoir written from inside the heart of the revolutionary twentieth century by one of its most crucial witnesses.

Eight Seconds: Black Rodeo Culture, the first book by Ivan McClellan, offers an inside look at Black cowboy culture across the United States in the 21st century, creating a bridge between present and past through sports, community, and love of the land.

The first monograph by New York-based Chilean photographer Sebastian Sabal-Bruce.

A series of works-in-progress that continue an exploration of contemporary portraiture, instinct and abstraction.

An immersive book experience: with numerous special printing features, this luxurious accordion-fold volume documents and embodies Aitken's exploration of mirrored surfaces in architecture.

Combining archive material with a wide selection of photographs of body paintings produced by the duo in the 1970-1980s, this publication retraces the evolution of gender identities and the treatment of the female body in visual culture from the 1950s to the present.

Ukrainian American visual artist Yelena Yemchuk's sixth photobook: a series dedicated the Malanka Ukrainian folk holiday celebrated on Old Year's Day.

A complete documentation on a multimedia exhibition by Berlin-based artist Ixmucané Aguila, giving voice to voiceless descendants of victims of genocide in Namibia.

A shift in perspective on passive tourism in Italy

Through more than 500 images by 95 photographers, the Musée de Grenoble's collection of photographs from Antoine de Galbert's collection and his foundation offers an impressive panorama of our times and the decisive role played by photography in shaping our perceptions and contemporary mythologies.

A series of photographs of traces of glue on city walls, testifying to what has been posted/hung there (artist's book).

Kahlo/Modotti – Forty Years Later is the result of a visit by Laura Mulvey to the Department of Film Studies at the University of Zurich in November 2022. The booklet contains two texts: Mulvey's evening lecture at the Cabaret Voltaire, revisiting hers and Peter Wollen's exhibition and film on Frida Kahlo and Tina Modotti, and Wollen's 2003 essay on the phenomenon of "Fridamania."

A large-format board-book sequel to Homma's seminal photobook Tokyo Suburbia.

Grand Illusion is a photographic series of screenshots from Google Cultural Institute's "Museum View" of Baroque European palaces—objects of beauty and manifestations of power whose gold encrusted ornamentation points to the colonial activities abroad that made this kind of wealth possible.

A photographic exploration of the architecture, history and people of Naples at the time of the fervent Scudetto celebrations.

The challenges of the library and the photographic collection founded by Aby Warburg in the 1920s, as a "laboratory" for collective research on the forms of transmission of images since Antiquity, and an intermedial device of knowledge. An exceptional case study, driven by the question: what was the impact of photography in Warburg's turning point in the history of art and culture?

The first photo book by Zurich-based photographer Noah Noyan Wenzinger.

Photographer and writer Carla Cerati (1926-2016) captures the architectural, social and political upheavals of 1960-70s Milan.

The portfolio of the exhibition at the Jeu de Paume: a selection of little-known or unpublished prints from two photographic collections belonging to the French Ministry of Foreign Affairs, covering China from the 1930s to the 1950s.

A photo report in an photo lab (artist's book).

The first issue of the biannual magazine offering an heterogeneous and multifaceted exploration of approaches to modern and contemporary photography through 12 large-format wall posters, folded and detachable, with Julia Andréone, Roman Cieslewicz, Marie Quéau, Stig De Block, Area Of Work, Aurélien Froment, Fabio Mauri, Thomas Demand, Marie Deteneuille, Simon Menner, Kuba Ryniewicz, and Deborah Turbeville.

The fourth volume in a series that documents Tarek Atoui's project Waters' Witness, created in collaboration with French photographer and Atoui's long-term collaborator, Alexandre Guirkinger, is intended as a visual embodiment of the work's development for Museum of Contemporary Art Australia.

23 photographs of chicanes taken between 2013 and 2016 on the roads leading to the Notre-Dame-des-Landes ZAD, France (with an interview with philosopher Marie José Mondzain).

A retrospective of Georges Rousse's "circles."

A photographic essay on the abandoned project of a suspension bridge between the Calabrian and Sicilian coasts and on the coastline of the Strait of Messina, documenting the transformation of suburban coastal areas and the daily life of the inhabitants.

The second and final installment of FUTURE, a series of publications by Taiyo Onorato & Nico Krebs, explores the deep watery world.

A series of astonishing photographs by the Italian architect and designer, discovering China at the end of the Cultural Revolution, between millenary traditions, openness to the world and forced modernization.

A visual attempt to index photographic images.

In five chapters, the photographer reflects on the multiple "correspondences", influences and interactions at the heart of his artistic work.

This artist's book reflects Eva & Franco Mattes' continued interest in the condition of displacement to be sensed in Fukushima. Borrowing the format of wrapping-paper catalogs, it contains twenty large pre-perforated sheets, each of which features a photographic texture—a seamlessly repeating motif captured by the camera amid the radioactive ruins of the contaminated towns and countryside.

A sound postcard by eRikm: an instant composition recorded on CD, somewhere between sound performance and radio creation, accompanied by a booklet of photographs.

A parallel dive into the images of filmmaker Andrei Tarkovsky and photographer Sophie Ristelhueber.

The challenges of the library and the photographic collection founded by Aby Warburg in the 1920s, as a "laboratory" for collective research on the forms of transmission of images since Antiquity, and an intermedial device of knowledge. An exceptional case study, driven by the question: what was the impact of photography in Warburg's turning point in the history of art and culture?

The third volume of the artist's book series dedicated to prehistoric cave painting mostly features photographs taken in everyday life and on trips, as well as found illustrations from scientific publications in various disciplines.

An artist's book expanding on Tiane Doan na Champassak's iconographic research on the former king of Thailand (and amateur photographer).

The portfolio of the exhibition at the Jeu de Paume, first retrospective in Paris in almost forty years devoted to the famous Victorian photographer Julia Margaret Cameron (1815-1879), pioneer of the photographic portrait, presents a selection of some forty of her landmark photographs.

At a time when refugees in Europe are caught between a "return" policy and the rise of far right governments, this book combines photography and philosophy to examine the representation of refugees.

Writer Inge Bondi sheds fresh light on the life of her close friend and colleague, the Austrian American photographer Ernst Haas (1921–86), an early innovator in color photography, whom she first met in New York's Magnum offices in 1951.

Through powerful portraits and incredible surf scenes, Brown W. Cannon III's book NORTH chronicles the lives of surf people—and the community around them—along the North Shore of O'ahu, Hawaii.

The first retrospective volume on the photography of the internationally acclaimed Nigerian filmmaker, photographer and music-video director Andrew Dosunmu: a sensual and kaleidoscopic celebration of the world's cultural diversity.

The American and Parisian photographer, member of Magnum Photos, known for his street and everyday life photographs taken on the spot, celebrates the public use of the written word through a series of images of graffiti and inscriptions on signs, clothing, banners, gravestones, etc., produced over more than 50 years.

The first monograph by Swedish-Greek-American photographer and artist Florence Montmare showcases images made in 2021–22 while traveling across the United States from east to west (and back), to meet the minorities who make up today's America.

A photographic tribute to the LGBTQ creative youth who is currently contributing to Mexican culture.

Artist, photographer and filmmaker Aradhana Seth's photographic archive of painted signs in India: a visual itinerary through the historical-economic changes of Indian society over the years.

New monograph.