Anthropology / ethnology / social studies

A groundbreaking curatorial proposal by Jean-Hubert Martin, bringing together five galleries with very different specialties (primitive arts, art of the Middle Ages and Renaissance, antiquarian books and incunabula, Surrealism and modern art, Nouveau Réalisme and contemporary art).

An account of the relationships between biology (as education, research, institutions etc.) and capital (in such forms as research grants, industries & corporations).

The inaugural issue of the journal of psychoanalysis and interdisciplinary discussions, around the figure of the fold.

A seminal exploration into screens' crucial functions and profound impact on human culture.

Artists' activity examined through the notion of reparation, from the interdisciplinary perspective of the living arts (theater, dance, performance, mediation, multiple practices).

A history of art in France from the women's perspective.

An unclassifiable classic, precursor of the “material turn” and of media theory, finally reissued.

Both an introduction to and an extension of the eponymous exhibition at the Mucem in Marseille, this catalogue offers an accessible and sensitive immersion in the richness of Amazigh culture, from the Neolithic to the present day.

A set of insights into the mass culture of the Weimar Republic, and its rituals of distraction, which prefigure our present.

Drawing on the notion of “cultural technique”, Bernhard Siegert thoroughly revitalizes posthumanist media studies.

A set of insights into the mass culture of the Weimar Republic, and its rituals of distraction, which prefigure our present.

As part of a wide-ranging reflection on the living environment, addressing design through its various uses and based on concrete cases, curator, urban planner and art historian Jolanthe Kugler explores the historical and societal dimension of emblematic bathroom objects, highlighting the evolution of representations linked to this seemingly banal room.

As part of a wide-ranging reflection on the living environment, addressing design through its various uses and based on concrete cases, curator, urban planner and art historian Jolanthe Kugler explores the historical and societal dimension of emblematic kitchen objects, highlighting the evolution of representations linked to this seemingly banal room.

As part of a wide-ranging reflection on the living environment, addressing design through its various uses and based on concrete cases, curator, urban planner and art historian Jolanthe Kugler explores the historical and societal dimension of emblematic kitchen objects, highlighting the evolution of representations linked to this seemingly banal room.

As part of a wide-ranging reflection on the living environment, addressing design through its various uses and based on concrete cases, curator, urban planner and art historian Jolanthe Kugler explores the historical and societal dimension of emblematic bathroom objects, highlighting the evolution of representations linked to this seemingly banal room.

An ethnographic approach to the zoo, revealing the tensions and contradictions of a cultural institution that inherited nature from the colonial exhibitions and has now entered the paradigm of biodiversity conservation.

From the observation of a society of capuchin monkeys and thought experiments borrowed from theater, Zaven Paré, artist and researcher in interaction design, specialist in theater and robotics, attempts to dismantle the pitfalls of anthropomorphization, in an attention that seeks to preserve the irreducible character of an interspecific copresence.

A groundbreaking, multidisciplinary collection that rethinks our present moment and anticipates the key concepts that will shape and direct the twenty-first century.

What does Bergson bring to the history of the concept of "structure" even before the advent of structuralism? Why is his approach still relevant today? Sébastien Miravete proposes a rereading of Bergsonian philosophy to show how it outlines an other structuralist metaphysics, which can inspire all 21st century thought.

A non-Western way of thinking (a playful interweaving of connections between history and the present and between world regions and disciplines).

Emanuele Coccia analyzes Ernesto Neto's artistic practice and its profound relationship to the body, the senses, the environment and the wider community.

An archeological inventory of the bizarre beauty of art brut, popular gardens and improbable architecture, palaces and tree castles, chapels and converted caves, concrete and matchstick models, rustic furniture and animal sculptures, caravans and flying bicycles, calvaries... and the last homes of creators of all kinds (mental patients, abbots, bistro owners or self-proclaimed artists), most of which now only exist on postcards from the period, around 1900.

Marion Laval-Jeantet's research into therapeutic care continues her work with Benoît Mangin under the name of Object-Oriented Art on microbiota, at the crossroads of scientific art, biology, anthropology, psychology and ethology.

The social, historical and cultural dimensions of the skin in Brazilian art and literature.

An essay that intellectually deepens the historically traced furrows of colonial aberrations, crossing political science, philosophy, anthropology and psychoanalysis.

Two lectures from art historian and curator Griselda Pollock address feminist questions and art education in the 1980s and today.

An education turned around by art: famous English anthropologist Tim Ingold invites us to consider the arts as the very basis of an education in the 21st-century, an education that might begin to address the profound social and ecological crises we face.

The fourth issue of the annual review of the École des Arts Décoratifs takes as its starting point the observation of an incandescent and damaged world, unequal and inhospitable, which can only arouse concern and anger in new generations.

Three perspectives (philosophical, sociological and artist's word) on the meaning of the avant-garde, and its relationship to the counter-culture.

A publication tracing the itinerary of Fiamma Montezemolo's anthropological and artistic research, across Italy, Mexico, and the United States.

Double issue of the journal of popular music studies, with a feature on the sound factories of the global South, and a look back at the 20th anniversary of Volume!.

This collective publication explores the question of Earth rights through the interdisciplinary prism of socio-environmental humanities in relation to contemporary art.

An epistemological reflection on sensitive forms of research writing at the crossroads of art, design, anthropology and ergonomics, based on singular inquiry-creation projects.

A groundbreaking, multidisciplinary collection that rethinks our present moment and anticipates the key concepts that will shape and direct the twenty-first century.

If discourse is the foundation of democracy, how can the design of our cities empower and enable discourse? In 1981, Richard Sennett delivered six lectures about this relationship, and issued a call to action that remains relevant today.

A glossary of themes running through the work of Élisée Reclus (1830-1905), reflecting the contemporary relevance and diversity of the anarchist geographer's thought.

Using an interdisciplinary approach inspired by science and technology studies, and combining museological and sociological perspectives, this groundbreaking study of museum storerooms sheds new light on the world of art and cultural heritage conservation.

The first scientific work to trace the history of female comic strip creators, for the (re)valorization of women's heritage.

A historicist approach of music genres.

Three texts by Michel Guérin on the notions of ornament and decoration, at the crossroads of theological, anthropological, aesthetic and philosophical considerations.

A collective reflection on the question of objects in artistic situations, at the crossroads of art history and theory, social sciences and artistic practices.

Where sounding is understood as an exhibition of activity, vitality, and power, Nina Dragičević proposes that we analyse sonic phenomena in econo-political terms.

How do we perceive and think about the infrastructures that condition the ways in which we perceive, think and experience our world? Four essays by Jamie Allen, whose experiments as artist and researcher cross media, disciplines and borders, that invite us to make visible the backstage work of the digitized world, and to think (post)critically about the very notion of critique.

Charles Fourier or utopia as reality.

The Monadic Age unfolds in thirty-three autonomous—monadic—essays on topics as diverse as environmentalism, terrorism, geopolitics, housing, the metaverse, nonbinarism, language, charity, euthanasia, identity politics, tattoos, ableism, AI, birthrates, war, religion, sex, and art.

Toward a Transindividual Self examines the process of performing the self, distinctive for the formation of the self in Western neoliberal societies in the 21st century. It approaches the self from a transdisciplinary angle where political and cultural anthropology, performance studies, and dramaturgy intersect.