Cinema

Through Sinnokrot's agriculture research platform Sakiya, and other ongoing projects that span moving image, sculpture, and socially-engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonial the social, political, economic, and narrative structures that goven relationships to nature in the Occupied Palestinian Territories.

A selection of Eisenstein's writings (new expanded edition).

68 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists.

An anthology of texts by Jean-Michel Bouhours on photographer and filmmaker Paolo Gioli, a key figure in the Italian avant-garde of the 1970s.

First monograph on cinema duo Caroline Poggi and Jonathan Vinel.

First monograph, documenting the filmmaker's work as a whole, at the intersection of independent cinema, contemporary art, photography and installation.

A tribute to Derek Jarman manifold and vital practice.

A tribute to Derek Jarman manifold and vital practice.

In the spring of 1966, four illustrious travelers cross the United States from west to east, photographing America's architecture at its heyday.

The images shot on Egyptian film sets by prominent photographer Fouad ElKoury over more than a decade capture the essence of Arab cinema.

A very personal essay that provides a clear introduction to Gilles Deleuze's thinking through his relationship with cinema, seen as a field of experimentation (existential, conceptual and aesthetic) to resist death, disaster and the stupefaction produced by the “modern fact”.

76 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists, published by e-flux between April–May 2024, arranged into 11 thematic chapters—ranging from the live question of cultural censorship through to the role of diagrams and notation in contemporary artistic practice.

The new volume of an experimental series on historiography, about toys.

Film Undone presents contributions introducing unmade and unfinished film projects, film ideas realised in non-filmic media, as well as films that remained unseen in their intended form and at their intended time.

An anthology of the constructivist movement, bringing together newly translated or previously unpublished writings by artists and theorists, accompanied by numerous illustrations and an extensive critical apparatus: this reference volume sheds new light on the multiplicity and diversity of the approaches of constructivism and productivism in the 1920s-30, and provides a major contribution to the studies of the Soviet avant-garde.

To mark the centenary of Surrealism, this ephemeral journal, featuring 150 contemporary voices from literature, art, cinema, poetry, theater, and civil society, brings together over 200 unpublished contributions, responding to the surrealist enquiries.

Aboard the lifeboat Ocean Viking; Jérôme Ferrari; Quebec poetry; Florentina Holzinger; Corsican cinema; investigation in the Kodak factories...

First global exploration of contemporary forms of filmmaking from political and cultural self-determination movements of Autochthonous communities and peoples.

Cosmos Cinema combines comprehensive visual documentation of the acclaimed 14th Shangai Biennale with newly commissionned essays reflecting on its themes.

A significant contribution to the understanding of the work of artist and filmmaker Cauleen Smith, by art historian Romi Crawford, who analyzes how Smith recastsfilm history, in a pivotal period of her career.

An extensive investigation on the ecosystem of Europe's largest asbestos quarry in Balangero (TO) and the dense network of relations between human and land.

A large survey of Marc Hurtado's cinematographic, musical, poetic and plastic work, with texts by some thirty authors, artists, critics, poets and musicians from all over the world (Lydia Lunch, Pascal Comelade, Nicolas Ballet, F.J. Ossang, Kris Needs, Nick Soulsby, Nicole Brenez, Vincent Deville, Romain Perrot, Alexandre Breton, Marie Möör...).

A multidisciplinary exploration of the technological devices, the machines, and the objects conceived by the brilliant mind of Philip K. Dick.

The soundtrack to Murnau's Nosferatu composed / improvised / played by the trioof Emmanuelle Parrenin, Quentin Rollet and Jérôme Lorichon. The book accompanying the CD contains four versions of the Nosferatu story by four French artists: Marie-Pierre Brunel, Foolz, Caroline Sury and Alexios Tjoyas.

The far right and culture in Italy; everyday dystopia in Palestine; extraterrestrials and conspiracy; interview with Yolande Zauberman; intimacy coordinators against predatory cinema; meeting with Camila Sosa Villada...

A collection of photographs of couples, as evocative as they are mysterious.

A major archival release from legendary American composer and live electronics innovator Richard Teitelbaum, centred around his soundtrack for Suzan Pitt's cult 1978 animation Asparagus.

Some of the earliest works by American composer Phill Niblock, including three never before released pieces: "Index" (1969), "Tenor," and "Boston III" (both from 1972). Until now, it's been impossible to encounter Niblock's compositions from earlier than the 1960s, a reality thankfully rectified by the long overdue publication of this LP on Alga Marghen.

An "ABC of the arts in transition" examining the ecological turn of the arts, the outcome of long-term collective research into the fundamental elements running through the art world and, more generally, the aesthetic and social universe in the current ecological crisis.

ToiletAlex PaperPrager is the new edition of Toilet Paper magazine, born from a collaboration with american artist Alex Prager: a vibrant dialogue between visionary minds, where the ironic style of Toilet Paper meets the dark humor of Alex Prager, a parade of familiar yet strange images, suggesting a timeless world placed somewhere between dream and reality.

A philosophico-cinematographic journey through Fassbinder's filmic oeuvre, from the avant-garde daring of 1968 to the fallout of the leaden years ten years later.

An adaptation of the eponymous Christophe Lemaitre's film: a hypothesis, that of language considered as a parasite for the bodies which give birth to it.

The 13th issue of the biannual magazine of the ECAL (Lausanne University of Art and Design), with interviews with Paul Hirsch, Sébastian Strappazzon, Matthieu Gafsou, Lorenza Longhi, Gabriele Garavaglia, Loucia Carlier.

Artists in exile; Algiers, capital of politicized soccer; on the human trafficking route in Sierra Leone; the theft of Russian novels from European libraries; interviews with post-punk band Fat White Family and director Sean Price Williams; ecofeminist philosopher Émilie Hache on possible "matriarchies"; Kim Noble; Taysir Batniji; Wonwoo Kim...

This publication by avant-garde artist and cultural icon Yoko Ono combines never-before-published texts and invitation pieces written in 2016–2018 with drawings from the “Franklin Summer” series she started in 1994 (new edition).

Massa Confusa is a combinatorial codex cataloguing João Maria Gusmão's recent material transformations in the studio, featuring an accompanying text by the artist and faithful reproductions.

Dreaming Alcestis is an artist's book by artist and filmmaker Beatrice Gibson, conceived as an accompaniment to her holographic film installation of the same name.

A cinephilic, emotional and memorial journey: page after page of cinema tickets—exhumed from the past, preserved until now and published here for tomorrow—retrace fragments of artist Marie-Douce St-Jacques' cinephilic itinerary, and tell the story of a discreet struggle against oblivion and indifference.

The first book devoted to the late African American writer and actress, Dorothy Dean (1932-1987), one of the few prominent African American women of New York City's bohemian heyday, close to Andy Warhol and Robert Mapplethorpe.

Cinema as a method of investigating the visible and a journey into the theoretical thinking of images.

Kahlo/Modotti – Forty Years Later is the result of a visit by Laura Mulvey to the Department of Film Studies at the University of Zurich in November 2022. The booklet contains two texts: Mulvey's evening lecture at the Cabaret Voltaire, revisiting hers and Peter Wollen's exhibition and film on Frida Kahlo and Tina Modotti, and Wollen's 2003 essay on the phenomenon of "Fridamania."

Ireland-Palestine united against apartheid; "dark romances": the problematic new publishing business; the breakdown of French cultural diplomacy in the Sahel; infiltration into armed survivalism; reportage in the dormitory town of Kiev; Alice Rohrwacher; Carolina Bianchi; Ben Rivers ; Taiyo Onorato & Nico Krebs, Hugo Pernet...

B for the birds is a singular book that aims to rethink the film-form as an open cartography of its lines of enquiry, desire and fabulation.

An overview of John Akomfrah's work, with contributions by Julia Grosse and Nelly Y. Pinkrah, an interview with the artist, along with a foreword by Sebastian Baden.

A trans-theoretical essay: Arnaud Labelle-Rojoux explores the arcana of artists' cult status through a kaleidoscopic series of portraits of "banished" visual artists, filmmakers, writers, musicians and architects, from William S. Burroughs to Jean-Luc Godard via John Cage.