Contemporary art

The first in a series of four books in children's book format, composed as a series of tragic children's stories that Jérôme Zonder knows so well how to write and draw.

Catalogue.

The American photographer appropriates the objects that populate the Italian painter's work.

A portrait gallery of creators on the margins of art brut gardens, houses and environments, of which Francis David has compiled a monumental photographic inventory over a period of fifteen years.

The autobiography, translated into French for the first time, of Ré Soupault (1901-1996), trained at the Bauhaus, photographer, filmmaker, stylist, writer and traveler, translator of Dada and Surrealism, major protagonist of European artistic, literary and intellectual life, and companion of the avant-garde throughout the 20th century.

Le Temps vibré documents Laurie Dall'Ava's long-term research into an organic pigment based on chlorophyll and cyanobacteria, tracing the artist's field of investigation over a period of fifteen years.

A radicant thought extended to modes of cultural production, consumption and use, against the multiculturalist critical model.

The catalogue of the exhibition for the Cyprus Pavilion at the 60th Venice Biennale.

An artistic and research project focusing on issues of travel, exile, migration, welcome and hospitality in a globalized world.

This collection proposes instituting as a potentially critical methodology in curating, art making and organizing as an unsettling process that produces forms and structures.

First monograph.

Looking at the white gaze on Black life, art, and being, Chipo Chipaziwa's first book explores five years of her past performances without any photographic depictions of her body. Instead, she relies on the written word—with texts penned by herself, as well as by Denise Ferreira da Silva and Olumoroti Soji-George—and on art: paintings, drawings, and prints by Margaret Joba-Woodruff, Sophia Lapres, and David Ezra Wang.

First monograph, featuring the artist's long-term research on the colonial and neo-colonial relations between Italy and Libya through a critical engagement with the Italian "archive of coloniality" and its structural violence.

By the Means at Hand offers a look into Vlatka Horvat's eponymous project, presented at the Pavilion of Croatia at the 60th International Art Exhibition—La Biennale di Venezia in 2024.

A book inspired by the artist's research in intersectional environmentalism, deep listening, and decoloniality.

Studies on Squats is an evocative exploration of embodied resistance and political movement that uses the multifaceted posture of the "Asian Squat" as a lens through which broader concepts of migration, illness, and resilience are examined.

The first monographic publication dedicated to the collected works of artist Margherita Moscardini.

This publication is part of Farid Rahimi's eponymous multimedia project, the fruit of long-term research into the memory of Afghanistan, the country of origin of the artist's father.

A transdisciplinary reevaluation of the dialogical character of humanism.

Performance in the United States as told by those who practiced and theorized it (texts by Al Hansen, Allan Kaprow, Anna Halprin, Carolee Schneemann, Emmett Williams, George Brecht, John Cage, Jonas Mekas, Robert Watts, Yvonne Rainer).

Performance in the United States as told by those who practiced and theorized it (texts by Carl Loeffler, Chris Burden, Claes Oldenburg, Jean Toche, Joan Jonas, Jon Hendricks, Lucinda Childs, Merce Cunningham, Meredith Monk, Vito Acconci, Wolf Vostell).

A collection of texts and interviews, some previously unpublished, covering a period of 40 years, with rare illustrations.

Comprehensive monograph.

Reference monograph.

Conceived by American artist Laura Owens, this publication looks back on the Studio of the South residency, hosted in Arles by LUMA and Owens and undertaken by 23 international artists between September 2020 and July 2023.

Documents artist Liam Gillick's process in building a functioning weather station for Fogo Island, Newfoundland.

Through Sinnokrot's agriculture research platform Sakiya, and other ongoing projects that span moving image, sculpture, and socially-engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonial the social, political, economic, and narrative structures that goven relationships to nature in the Occupied Palestinian Territories.

The work of Sámi architect and artist Joar Nango, investigating indigenous spaces and their critical value in a contemporary cultural discussion.

Taking its title from the seminal book by the priest, philosopher, and historian Michel de Certeau, this publication, which accompanies the eponymous Capc exhibition, bears witness to unique ways of being in the world through the transformation of materials, tools, and everyday practices, inscribed directly onto the pages of a regional daily newspaper.

Reference monograph.

An artistic inquiry into "future nostalgia".

This book brings to life the artistic and literary community that flourished in Carona, Ticino, from 1968 to 1978. Centered on Swiss artist David Weiss (1946–2012) and his circle of friends, it explores their works, processes, and the communal spirit that fueled artistic experimentation.

Catalogue of the 2025 Islamic Arts Biennale, combining ancient heritage and contemporary art.

The possibility and conditions of a "de-Berlinized" world order that overcomes a 140-year history of colonial violence.

The origins, scope, and legacy of Duchamp's revolution in the visual arts.

The first in a series of books dedicated to Jean Jullien's paintings, this book uses paper formats to contrast the artist's preparatory notebooks with exhibition views of his paintings of Mediterranean environments.

This book celebrates Radicale1924, a contemporary art residency founded in 2020 by Belgian choreographer Chantal Yzermans.

Donald Judd's formative years and recognition in the Low Countries and Europe between 1965 and 1971.

A groundbreaking curatorial proposal by Jean-Hubert Martin, bringing together five galleries with very different specialties (primitive arts, art of the Middle Ages and Renaissance, antiquarian books and incunabula, Surrealism and modern art, Nouveau Réalisme and contemporary art).

Retrospective monograph.

For the first time, Gisèle Vienne presents all the dolls she has staged throughout her career.

Artist photographer Giasco Bertoli walks through New York, looking for iconic locations of American cinema.

The luxurious annual publication in large format Magma aims to return to the artistic, intellectual, and graphic standards of the avant-garde "revues d'art " from the previous century. The 3rd issue brings together 25 artists, writers, filmmakers, and composers from around the world, and showcases around 100 previously unpublished artworks and texts.

Robert Filliou's last major creation, Eins. Un. One..., embodies the humor, freedom, and radical thinking of a "genius without talent".

The act of translation as a pedagogical tool, a political act, and ultimately a gesture of care in these tense cultural times.

An innovative monograph of conceptual artist Agnieszka Kurant's work, focussed on the phenomenon of collective intelligence, alongside newly commissioned texts by renowned thinkers across science, philosophy, technology, anthropology, and economics.

Echoes, vibrations, transmissions, and shared energies between Sufism and contemporary artistic practices.

a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.

Art and poetry in action as performative power.

The act of translation as a pedagogical tool, a political act, and ultimately a gesture of care in these tense cultural times.