Music

Reissue of the CD released on the label Chloë (USA) in 2002, recorded in July 2001 in the Paris metro station, during the last two hours of service. A reference, between site-specific improvisation and sound art.

A multifaceted examination of sound as a central feature in urban planning.

Two studies by the pionneer of the popular music studies.

Avant-garde Croatian experimental '70s masterpiece, never reissued before.

Second full-lenght release by German sound-poet and writer Michael Barthel on Tochnit Aleph. A 60-minute piece recited from memory. Recorded April 2018 straight to tape without overdubs. Raw, unsettling, poetically incorrect.

Recording of a sound performance executed in October 2016 in the exhibition space of Berlin record store Rumpsti Pumsti. Using sanding machines and a hammer, the Mexican artist destroyed one copy of each publication ever released by Tochnit Aleph label. Without an audience present, the action was documented with two dynamic microphones.

A 1971 detective audio play based on a real murder trial from the early 20th century. The court records are read out by two girls, accompanied by narrative background sounds and a piano piece. Liner-notes (in English and German) by Gerhard Rühm.

A 7" double groove cut concept-album (2004-2017), including field recordings and ringtones composed by Laura Mello.

Never released before: on the occasion of the 60th anniversary of the GRM, the composer François Bayle introduces us to some of his unpublished archives.

Spanning 1966-1990, Mémoire Magnétique vol.1 is a revelatory collection of commercial and secret music by electronic music pionneer Bernard Parmegiani. The first volume of this compilation allows us to discover some of these lost tapes and unpublished recordings which were composed for the screen or the performing arts.

This publication features a series of 152 paper dolls by artist Klaudia Schifferle, also co-founder of cult punk band Kleenex / Liliput. These collages, created with magazine cutouts collaged on A4 paper, embody a certain vision of modern life, identified by consumerism and commodity fetishism.

A synthesis of the research conducted by the Italian composer since 1987 (new edition).

A collective reflection on the legacy of Max Neuhaus, the pionneer figure of sound installation art.

Acousmatic Striptease, a performative text by Thibault Walter; Musique Action 2018; improvised music in the Netherlands; Ring-Modulation #28 by Kasper T. Toeplitz; interviews with Marisa Andersaon, Peter Ablinger, Christine Wodrascka; carte blanche to Richard Bokhobza and Thomas B.; chronicles and disc reviews…

Issue coedited with Rachel O'Dwyer, media and communications Research Fellow at Trinity College Dublin; interviews with Olivier Sarrouy, Furtherfield (Ruth Catlow & Marc Garrett), Holly Herndon and Mat Dryhurst, Martín Nadal, Ami Clarke, Sarah Friend; A token called ART; How is the Blockchain Transforming the Art World?; reports on the Meta.Morf 2018 – the 5th Trondheim Biennale, and Transmediale 2018.

This recording stems from a collaborative sound experimentation developed as part of a project to create new forms for artistic research within the university. Invited artists, musicians, and researchers produced a series of sound actions focusing on questions of community, creative resistances, sonic agency and the créolité passing between Haiti and Quebec.

Limited edition of a recording confronting the virtuosity of two bassists: Bill Laswell's black trance track Bass Terror Tetragrammaton faces Nik Bullen's hypnotic composition Nocturnal Crawl. The two pieces answer each other strangely, like two sides of the same hidden anxiety.

New compositions for ancient Korean instrument: the Geomungo.

Tarab is the result of live recordings captured during the group's 2017 Al-'An! Tour, which led them to Europe and Canada, and finally Beirut.

The third and final LP report of the Belgian electronic improvised music band from the eighties. Recorded and mixed between 1980 and 1981, Next One's Called… features unreleased songs only. It could be seen as the missing link between their two previous albums—Slaughter in Tiny Place and Europa (limited dark green vinyl LP edition).

New edition of the Belgian band's third album from 1981: inspired by H.P. Lovecraft's universe, Ceux du Dehors is a key release for the band. It sometimes suggests a darker and more complex version of the motorik minimalism of classical music contemporaries Philip Glass and Steve Reich.

For his first record in 6 years, Thomas Ankersmit pays homage to the late legendary Dutch composer, electronic and tape music pioneer, and multimedia artist Dick Raaijmakers. Inspired by Raaijmakers's composition and recording techniques, Ankersmit exclusively used analogue devices, creating three-dimensional and holophonic sound fields.

For his first record in 6 years, Thomas Ankersmit pays homage to the late legendary Dutch composer, electronic and tape music pioneer, and multimedia artist Dick Raaijmakers. Inspired by Raaijmakers's composition and recording techniques, Ankersmit exclusively used analogue devices, creating three-dimensional and holophonic sound fields.

This LP presents two sound works from the German composer's project “the O. theorem,” which focuses on Nikolai Obouhow's revolutionary concept of “total harmony”. Liner notes by Volker Straebel and Hans W. Koch.

3 vinyl LP edition presenting solely unreleased recordings of Panhuysen's famous long string installations. It documents the period 1982-2012, and includes a posthumous track from 2017. With liner notes by Rolf Sachsse and Stephan Wunderlich, and richly illustrated inner sleeves.

LP featuring a recording of the search for a lost tape by musician Ben Patterson, with the help of editor Stefan Fricke and composer hans w. koch. This 1960 lost tape acts a symbolical archive, since it documents Patterson's pre-Fluxus period. Having failed to find it, tehy decided to recreate the recording with a score from this period. The reconstructed track is on the record's B side. This edition includes liner notes, and selected documents chronicling the search.

Originally conceived for live context employing high volume playback and extended duration, Conduit pushes the parameters of musical composition and perception. Minimal in construction, applying high frequency staccatissimo that gradually turns in on itself, Kaori Suzuki's latest output delivers a striking twenty-six minutes of intoxicating computer music. A remarkable statement.

A collaboration between Andrea Neumann (composer, inside piano, mixer) and Mads Emil Nielsen (composer, electronics).

A 7" vinyl based on an music/audio made by Mads Emil Nielsen made for a dance performance.

The first publication ever dedicated to the musical works of American painter Louis Michel Eilshemius: Halfway between romantic tradition and futurist audacity, these sound pieces which prefigure the use of sampling are interpreted with virtuosity by the young pianist Imke Lichtwark in the accompanying CD. The book also includes texts by Roberto Ohrt, Sven Daigger, Stefan Banz, and by Eilshemius himself.

Opened to the public since 2005, Codalunga is a section of Nico Vascellari's studio in Vittorio Veneto devoted to experiments in visual and sound art. This publication documents a project which has been going on for a decade now, gathering artists from all around the world.

Nina Garcia, Clark Gable, the music of Jacob Ullmann, the end of musical boundaries by Kasper T. Toeplitz, a text by Jean-Léon Pallandre, interviews with Thomas Bonvalet (Ocelle Mare) and Emmanuel Lalande (PiedNu), chronicles and disc reviews…

Struggle Artist by Justin Meyers, the Minneapolis-based composer, artist, and head of the Sympathy Ltd. label, expresses the incompatibility of neoliberalism and non-commercial artistic practice through melancholic sonorities and the meticulous narrativity of the synth-based compositions.

Edgar Varese, Francois Tusques, Tristan Tzara, Thomas Bonvalet, Nick Cave, interview with saxophonist Harutaka Mochizuki by Guillaume Belhomme, 90 book and music reviews.

Photographer Olivier Degorce brings together a series of fridge photographs shot from 1993 to 2017: Beyond the obsessive nature of the project lies the sheer diversity of individual eating habits in the form of contemporary still lifes.

This publication is a literary narrative depicting radio projects on the landscape of French rivers Somme and Rance. It includes notes documenting the making of the two radio plays, as well as a series of 23 photographs.

With exceptional contributions of artists, academics and musicians, Benga, A Kenyan Kaleidoscope investigates the future of East African music and avant gardes in the limelight of a digitalization of artistic practises.

A visual overview of 40 years of concerts, exhibitions and events at l'Oreille est Hardie / le Confort Moderne in Poitiers: 512 pages of photographs, flyers, and clippings, superimposed in colorful layers to compose a hallucinatory anthology of images.

J.G. Ballard, Nicolas Ballet, Alexandra Bircken, Jimmy Desana, James Horton, Ana Jotta, Martin Laborde, Jonathan Martin, Sibylle De Laurens, Pascaline Morincôme, Clément Roussier, Catherine Roudé, Marion Scemama, William J. Simmons, Sabrina Tarasoff, Cosey Fanni Tutti, Charles Veyron, David Wojnarowicz.

An essay by Frédéric Valabrègue on the American avant-garde artist, one of the main actors of the Fluxus movement.

120 true and oxymoronesque scores-instructions composed by Frédéric Acquaviva between 2015 and 2017 in Berlin.

120 true and oxymoronesque scores-instructions composed by Frédéric Acquaviva between 2015 and 2017 in Berlin. Luxury limited edition, signed, including an original artwork and the sound artwork “Oxymoron Music” on CD.

Exploring the potentialities of virtual reality: with Björk VR experiments; sound and VR; Michel Chion; interviews with Molleindustria, Viktor Timofeev, David Guez, Boštjan Čadež, Naotaka Fujii + Grinder-Man + Evala, WonJik Yang; reports on Temblor – 13 Bienal de Arte Mediales, and Gamerz 13 – Techno-esoteric visions…

This compilation features traditional songs that originate from the city of Sanaa, the sheikdom of Lahej, and the port of Aden. The term samar, which is the title of the compilation' second part, describes the delicious, luxury time when people gather for relaxation, refreshment and music. Music performed by the Kawkabani brothers and oudh player Hassan al Zabeede.

First-time release of the tapes that are said to have inspired Manuel Göttsching's classic, Inventions for Electric Guitar. Recorded between 1972 and 1976, these revolutionary tracks by M.A.L. aka Daniel Malempré were made using only an electric guitar Fender Stratocaster 1964, a Wah-Wah pedal, and a reel to reel recorder.

This album by Ultraphallus lead singer is a combination of his different forms of music, from ambient-drone, electro-acoustic, sampling and field recordings to free-jazz. Phil Maggi has invited a few generous collaborators (Oren Bloedow, Maja Jantar, Radwan Ghazi Moumneh, Tom Malmendier, Gabriel Séverin and Ludovic Medery) on these eight tracks inspired by Henry Corbin's writings, Nico, Scott Walker and traditional music.