Facsimile reissue of the original graphic poetry book self-published in 1975 by Guy de Cointet.

An inventory of the best products developed within one of the leading European art schools, the Ecole cantonale d'art de Lausanne.

First monograph of the artist "hacking" the video game imagery..

This small monograph shows the realization of Liam Gillick's designs in conference rooms, corridors, and offices of a bank, coinciding with his sustained interest in the negotiation of a middle ground between corporate culture and contemporary art. The volume is accompanied by an artist's essay discussing the dissolution of the public/private dichotomy into a grey zone of semi-public/semi-private spheres.

First monograph of the activist-artist.

When the personal becomes political.

New drawings, designs and an essay by American graphic artist and filmmaker.

Written in seven chapters and seven styles, this book constitutes the first novel by the Israeli artist and filmmaker Keren Cytter.

Fully illustrated monograph, with three essays and a chronology.

The 1990s in eleven "Date Paintings" As one of the most important Conceptual artists, On Kawara features in most of the surveys on post-war art. This book, conceived in close collaboration with On Kawara himself, takes a very intimate form in comparison to many monographs published recently. This seems an appropriate manner in which to discover eleven paintings created over a decade, letting the viewer complete their reading with personal associations, historical events, or academic interpretations. “Perhaps,” writes Thierry Davila in his text, “art is simply a particular way of taking time … So the work, the on-going creation is essentially a question of using time … ” Seen from this perspective On Kawara has invented a simple and striking way to make art, by taking time, taking his time. He found a way to use the calendar to make a kind of “non-individual” art work. In his Date Paintings, time itself has become a piece of art. The work is pure realism, the existence of time put in painting, thus rendering it—up to a certain point—viewable and readable.

First monograph.

First monograph on Irish artist.

The most comprehensive monograph on Oehlen's paintings.

Documentation of the O-ist religion created by Shaw.

Original invitation cards of the independent contemporary art space based in the cultural alternative center Usine in Geneva.

A monograph that imitates a jewelry catalogue, dedicated to Kelley's most recent body of works.

A re-edition of the original cult book of well known Swiss photographer.

John Armleder's 404 Team yellow pages.

Conceived by the artist, this book gathers unpublished manuscripts, well-known as well as unshown works from his personal collection, erotic cartoons, fan's photographs, photographs of “white trash” suburbs and studio shots.

An exemplary look at the work of Bernhard Willhelm, the German fashion designer whose sartorial skills have been hailed by both the fashion industry and the art world.

A comprehensive overview of the artist's body of work.

This publication documents new works by artists such as Olafur Eliasson, Isa Genzken, Sarah Lucas, Aleksandra Mir, Mathilde Rosier, Eva Rothschild or Gary Webb, invited to develop projects on the theme of nuclear war.

A set of drawings and two series of photos by Anna Gaskell: a journey through the dreamlike and strange universe of the American artist.

The third volume of the experimental and electronic music anthology (1952-2004).

A source book of graphic design by one of the leading European art schools.

An album of the “best images” gathered from the Visual Communication Department of ECAL, the dynamic art institute of Lausanne.

This book is the first to be dedicated to the British artist's work.

Site Specific Sound documents a series of sound installations from 1998 to 2002 by sound-artist and writer Brandon LaBelle, exploring the relationship between sound and space.

Erotic drawings of the 60's and 70's in Leningrad.

This anthology aims to exploit the psychological associations of space and the psychological reactions to it.

The moving image in art and culture.

First monograph on the Swiss artist.

A project by the Swiss artist for his exhibition at Pasqu'Art in Bienne.

Artist's book: a series of bank notes brought together, lying on the floor.

For a reassessment of the function of art in late capitalist society (contributions by Bernadette Corporation, Will Bradley, Claude Closky, Dejanov & Heger, Liam Gillick, Lars Bang Larsen, Daniel Pflumm, Superflex...).

Reflections of a major figure of contemporary abstraction on her pictorial and graphic work.

Badge in reference to the artist's work entitled C'est selon, ORDONNER.

At a time when questions of “place” are active in dialogues around globalization, cultural identities, and the loss of public space, how are artists, theorists, and architects imagining space? “Surface Tension” examines the conversations that occur as negotiations between cultural production and the place of its reception.

Monograph dedicated to the post-impressionnist painter's landscapes.

The second volume of the experimental and electronic music anthology (1936-2003), including unreleased material (Laibach, Alan R. Splet, Kim Cascone, Autechre, Tod Dockstader, Scanner, Morton Subotnick) and rarities (Captain Beefheart, Sun Ra, SPK, Luc Ferrari...).

159 minutes of minimal electronic music, readings, soundtracks from the archives of Angus MacLise 1963-1976.

An punk anthology of texts.

A minimalist interpretation of Wittgenstein's Tractatus (artist's book).

Walsh has produced many artist's books and prints that function as an experimental field for his paintings. The first documentation on this body of work.

The format of the Eternmale duplicates Pirelli's famous calendars, while subverting its codes. The artist's book reproduces a serie of collages based on Playboy magazine's features of « bachelor pads » in the ‘60s. With an interview of the artist by beatrix Ruf.

The book constitues the first « exhibition » of the drawings by the artist.

Haaning's project consists in a wall calendar similar in format and lay-out to the colorful ones you can buy in bookstores an shops. Instead of using popular images, it presents photographs of refugees, either alone or in small groups.

First monograph of the conceptual American artist.