This catalogue traces the trajectory of Warhol's influence on the work of Wool and Guyton. The innovative print processes deployed by the artists operate as conceptual fibers unifying the diversity of paintings oscillating between abstraction and representation. With an essay by Glenn O'Brien.

Constructed around three themes—an essay, a series of interviews, and an exhibition catalogue—this publication studies the links between contemporary art and sport with a specific focus on the notion of game.

Atkinson's most ambitious musical work to date, Hand In Hand combines 80's sci-fi anxious aethetics with today's transparency of digital sounds. Placing the voice at the epicenter of the recording, the French artist and musician convokes fiction, composition and abstraction in the manner of Joan La Barbara, Robert Ashley, or Delia Derbyshire.

First publication to present the work of Italian sculptor Chiara Camoni from the outset until today. It gathers artworks, the artists' writings, and texts commissioned for the occasion.

Halfway between the catalogue and the artist's book, From Some Paintings gathers a selection of still life paintings made between 2000 and 2010. Translated into black and white images, these works represents small everyday objects, alternating full size reproductions and details.

A “man” tells his fabulous past as an ape, from his capture to his adaptation to the world of men, to the members of an Academy of Sciences. This edition of A Report to an Academy, a short story by the great Kafka, is accompanied by a musical piece especially written by Nurse With Wound (here, Steven Stapleton, Colin Potter, Andrew Liles, Matt Waldron, Quentin Rollet, and It could be Worse).

Swedish artist Mamma Andersson is known for her melancholic paintings of private interiors, elegantly executed with her distinctive interplay of textures, and pictorial techniques. This new body of work stages a series of sculptures, whether as part of indoor space, or detailed in closeups.

The Force of Listening explores the role of listening in the contemporary intersection of art and activism and asks what potential for transformation it might facilitate.

Providing a selection of tracks produced during Arel's American years, this compilation puts to the fore a work which occupies a special place in the history of electronic music because of its groundbreaking role and everlasting freshness.

Unreleased recordings composed for the cinema and the television.

Born from the collaboration between the Australian musician Hugo Race and the Belgian violinist Catherine Graindorge, the music of LDO is an intensely atmospheric dreamweave of violins, electronics and Hugo's darkly evocative voice. The duo explores metaphysical lyrics, experimental sounds and retro-baroque orchestrations in a romantic, song-based context.

The music of Swedish-Australian duo Native Instrument graciously mixes vocal experimentations and wildlife field recordings. Their debut release compiles four sound collages moving between tropical ambience, club inspired bug beats and amphibian trance.

Photographic account of the two photographers's automobile trip from Switzerland to Mongolia, through the mystical realms of the East.

Paperback tribute guide to the work of Italian artist Salvatore Mangione (Salvo).

French duo Paradis Noir (Jefferson Lembeye & Olivier Le Borgne) is influenced by both the writings of Malcolm Lowry and the music of PIL, Joy Division and the Velvet Underground, as well as electro-industrial music. Thomas de Pourquery, Black Sifichi and Élise Caron collaborated on this unique album produced by Norscq. The picture disc reproduces two paintings by Tom de Pékin.

This exhibition catalogue offers a thorough examination of the artist's book as both an artistic and editorial medium. Focusing on the collection by Jean-Paul Guy, the publication presents 68 artists' books by the likes of Ed Ruscha, Dieter Roth, Michael Snow, and Robert Barry.

A selection of unreleased or hard-to-locate works from 2003 to 2008, a very prolific and creative period for the Californian artist.

Exploring the relationship between the Situationist International and the museum.

Artist's book focusing on Victor Man's series of paintings first exhibited as part of the 56th Venice Biennale in 2015, and later developed for a solo exhibition at Galeria Plan B, Berlin. The publication includes essays by poet and translator Bogdan Ghiu, curator Mihnea Mircan, and literary critic Laura Pavel.

This publication is the outcome of a research project pursued by a group of artists, architects, and social theorists, who, in the face of exhilarating politics of accumulation and dispossession, explore commoning as the subject as well as the means of their collective study.

Reprint of a 2006 catalogue documenting the series of exhibitions and interventions curated by Hans Ulrich Obrist and Pedro Reyes at Casa Luis Barragán's in Mexico City (with Francis Alÿs, Daniel Buren, Gilbert & George, Dominique Gonzales-Foerster, Joseph Grigely, Rem Koolhaas, Lygia Pape, Anri Sala, Ettore Sottsass, Rikrit Tiravanija, Niele Toroni…).

This catalogue revolves around the transcript of a long length conversation between the French artist and art critic Irmeline Lebeer, structured as an illustrated abécédaire.

Belgian artist Carsten Höller has risen to the fore of the international scene with a practice that revolves around the search for new ways of inhabiting our world. This catalogue features 20 large-scale works––installations, videos, and photographs that play with optics and space.

A reference monograph resulting of a 10-year research on Italian sculptor and conceptual artist Paolo Icaro.

A collection of poems describing a post-human Earth. 2018 Swiss Literature Award winner.

In his “Book” George Brecht describes the specific nature of each single page, in a gesture that renders the printed matter a tautological object.

The words of Guillaume Belhomme inspired American musician Daniel Menche to create a 20-minute composition (mastered by Andrew Liles) which recalls the atmosphere of the French writer's text: a train on the move, a glass, the color of blood...

This artist's book gathers an uncompromising collection of 200 found images and original work from Felicia Atkinson, composing a rasterized visual score.

A unique firsthand account of the French underground musical scene since 1968 (with Christian Vander, Richard Pinhas, Daunik Lazro, Albert Marcoeur, Pascal Comelade, Pierre Bastien, Jac Berrocal, Jean-Louis Costes...).

This catalogue brings together works and archival material from Lassnig's New York days. Along with her paintings, watercolors and drawings, the publication gathers documenation on animated films she created in collaboration with the Women/Artists/Filmmakers, Inc. group. It also includes a text by Elisabeth Bronfen, “A Mysterious Point of Certainty: Maria Lassnig's Body-Awareness Painting.”

This two-volume publication consists of an artist's book by Nathalie Du Pasquier with drawings, photographs, and reproductions of her paintings and a publication with photographic portraits of her works from the past decades by Delfino Sisto Legnani.

A book-DVD documenting a commissioned work for which Jean-Michel Othoniel redesigned spaces housing the sacred treasures of the Angoulême Cathedral.

A collection of texts on the various aspects of radio creation, published on the occasion of the twentieth anniversary of the ACSR – the Belgian-based studio dedicated to radio and sound creation.

In September 2015, Japanese legend Keiji Haino played with two of Belgium's most active and valued musicians: keyboardist Jozef Dumoulin and drummer Teun Verbruggen. The Miracles Of Only One Thing is a deep and intense testimony of this meeting.

A collection of sound works by Fluxus artists and affiliates (with Walter Marchetti, Juan Hidalgo, La Monte Young, Ben Vautier, Wolf Vostell, Milan Knižák, Robert Filliou, Alison Knowles, Emmett Williams, John Cage, Joseph Beuys, Yoko Ono, Dick Higgins, Philip Corner, Eric Andersen, Robert Watts, Nam June Paik, and Ken Friedman).

Originally released by Multhipla Records, The Entire Musical Work of Marcel Duchamp is a collection of experimental pieces composed in 1913 by the legendary artist, and executed by Petr Kotik and the S.E.M. Ensemble in 1976. Employing chance operations and non-musical sounds, Marcel Duchamp's musical oeuvre predated some radical concepts developed forty years later by John Cage.

This recording brings together two pioneers in their respective fields, sound artist Christina Kubisch and video artist Fabrizio Plessi. Two and two is the outcome of a Fluxus-oriented multimedia performance inspired by the natural elements.

A collection of works dating from 2012 to 2016, documenting one of the key figures of today american avant-garde at his peak of creativity, nicely remastered by Giuseppe Ielasi.

A meticulous survey of French photographer Valérie Belin's stunning series from Magicians, Bouquets and Lido to Brides, Bob, and Black Eyed Susan and continuing up to recent work including Super Models and All Stars.

Catalogue dedicated to the late American artist: an influential photographer, writer, filmmaker, theorist and critic whose works have been a unique reference in debates and conversations about photography, art and politics for over 40 years. The publication includes a historical and analytical text by curator Marie Muracciole, as well as a 20-page photographic booklet.

A very personal project that brings together a group of forty recent works—twelve oil paintings, twenty ink drawings and eight pastels—dedicated to his companion and muse, Alba, on the occasion of their fortieth wedding anniversary. Includes two original poems by Enrique Juncosa & Vincent Katz.

The portfolio of the exhibition at the Jeu de Paume.