Monographic catalogue structured around installations by Vincent Meessen which examine the influence of the Situationist International in Sub-Saharan Africa, notably through figures such as Lungela Diangani eand Omar Blondin Diop. This richly illustrated book documents both the IS's relationship with the African continent and the artist's discursive, collaborative and para-curatorial activity of the past four years.

This catalogue presents documentation and texts from the British artist's first exhibition in the United States, which combines a series of color photographs of hands touching objects with a scale-model freight train and track.

How is the social importance of VIPs defined, and what is an art institution's attitude towards this? The Korean artist Haegue Yang addressed this issue in developing the VIP's Union project, which she started in 2001. This catalogue reviews the work's development over the years, and includes iconographic documentation, genealogy, essays and an interview with the artist.

Text transcript of the speech given by Evan Parker in May 1992 in Rotterdam as part of a series of concerts on the theme “Man & Machine.” Dedicated to Buschi Niebergall, De Motu brings a fascinating insight into the art of the British saxophonist.

Interdisciplinary study gathering critical essays and visual contributions attempting to rethink environmental aesthetics beyond the idea of landscape.

The diary of an insomnia.

The contributions in this reader seek to understand how artists move through the world, and how that movement might necessitate other roles to pursue a project, a position, a politics, or a practice.

The importance of Gordon Matta-Clark's work in a revaluation of architecture after modernism.

Through numerous previously unpublished pictures and essays, this publication explores the history of the playground as it was shaped by education, architecture, art, and politics, and pays tribute to the most important figures, many of them forgotten today (second revised and expanded edition).

This collective publication discusses the renewed encounter between dance and performance and the institutions of global contemporary art, marking one of the most significant set of developments in the art field over the last decade.

American critic Isabelle Graw conducts an innovative genealogical study on the success of painting as a medium. Keeping a close eye on painting's fourteenth century theoretical foundations, Graw analyses the work of artists like Édouard Manet, Jutta Koether, Martin Kippenberger, Jana Euler, and Marcel Broodthaers. It also includes conversations with artists who confront their vision with that of the author.

Ten texts on the architecture of displacement set to music and sung by Albanian iso-polyphonic singers—commissioned for the Albanian Pavilion at the 15th Venice Biennale of Architecture (songs based on texts by Etel Adnan, Mourid Barghouti, Michel Butor, Claire Fontaine, Yona Friedman, Anri Sala, Michael Taussig, Yanis Varoufakis, Ornela Vorpsi, and Finn Williams).

In this lecture, creative director Virgil Abloh takes us behind the scenes of his design process, sharing the essentials of editing, problem-solving, and storytelling.

Monographic study dedicated to director, video artist and photographer Clarisse Hahn. Edited by Nicole Brenez, the publication gathers writings encompassing the variety of her work, from contemporary art to cinema, guerilla groups, and eroticism; conversations with Clarisse Hahn, artists, and art historians; and a series of reproductions of her artworks, photographs, photograms, and videograms.

A collection of visual incursions by Italian artist Emilio Prini in dozens of exhibition catalogues and print publications over the course of five decades. Meticulously researched, and yet necessarily incomplete, this book is a glimpse into the subtlety with which Prini turned each engagement with the world of ideas into a joust for mastery over space, time, and form.

An interdisciplinary analysis of the city of Palermo commissioned by Manifesta 12 and undertaken by the Office for Metropolitan Architecture. The research explores the architecture, archaeology and anthropology of the city, its historical archives and personal stories.

A compilation of Lina Bo Bardi's tenure as director of Habitat, a publication self-dubbed “the magazine of the arts in Brazil”. Between 1950 and 1954, Habitat documented Bo Bardi's early thoughts on Brazilian culture, as well as reflecting her very personal take on modernism. Edited and designed by Julia, with contributions by Tamar Guimarães, Claudia Leisinger, Tony de Marco, Lara Viana and Tuca Vieira.

With exceptional contributions of artists, academics and musicians, Benga, A Kenyan Kaleidoscope investigates the future of East African music and avant gardes in the limelight of a digitalization of artistic practises.

The 2018 edition of the Jahresring, guest-edited and designed by Wolfgang Tillmans.

This catalogue surveys the work of object design creator Ineke Hans.

This compilation features traditional songs that originate from the city of Sanaa, the sheikdom of Lahej, and the port of Aden. The term samar, which is the title of the compilation' second part, describes the delicious, luxury time when people gather for relaxation, refreshment and music. Music performed by the Kawkabani brothers and oudh player Hassan al Zabeede.

This compilation features traditional songs that originate from the city of Sanaa, the sheikdom of Lahej, and the port of Aden. The term samar, which is the title of the compilation' second part, describes the delicious, luxury time when people gather for relaxation, refreshment and music. Music performed by the Kawkabani brothers and oudh player Hassan al Zabeede.

35 years after the release of their critically acclaimed albumVibrant Stapler Obscures Characteristic Growth the British dadaist group Hastings of Malawi have released a new album—an epic sound poem entitled Visceral Underskinnings. It is a 40 minute film without light that reflects on the human condition, on modern society, on the nature of telephony and electricity and an attempt to make sense of the world in which we live that provides no answers.

First-time release of the tapes that are said to have inspired Manuel Göttsching's classic, Inventions for Electric Guitar. Recorded between 1972 and 1976, these revolutionary tracks by M.A.L. aka Daniel Malempré were made using only an electric guitar Fender Stratocaster 1964, a Wah-Wah pedal, and a reel to reel recorder.

This album by Ultraphallus lead singer is a combination of his different forms of music, from ambient-drone, electro-acoustic, sampling and field recordings to free-jazz. Phil Maggi has invited a few generous collaborators (Oren Bloedow, Maja Jantar, Radwan Ghazi Moumneh, Tom Malmendier, Gabriel Séverin and Ludovic Medery) on these eight tracks inspired by Henry Corbin's writings, Nico, Scott Walker and traditional music.

Deriving from an eponymous audiovisual performance, this electroacoustic project by Sote (Ata Ebtekar) blends traditional music from Iran with hardcore electronics.

A panorama of the world of do-it-yourself fanzines.

A multidisciplinary approach of ecosocial design.

Juillet features a small selection of Ronan Bouroullec's recent drawings.

An history of graphic design before modernity: this first volume is a transdisciplinary collection of documents recording the existence of graphic design before the development of the written form.

Limited special edition, signed and numbered by the artist with a custom seal. Also included is a card of the 50th and final lifecast self portrait of Edmier made on the exact minute of his 50th birthday and the day of the exhibition opening at Petzel Gallery. Special editions come in a set of 2 books: one first edition copy & one sealed and signed by the artist with the final card.

This publication examines the new paradigms of creation, dissemination and teaching of photography in the digital age. Resulting from a research project by the Master Photography at ECAL/University of Art and Design Lausanne, the publication includes a series of essays and interviews, productions done by the Master's students, together with a selection of representative works.

Will Sweeney's new graphic narrative is set in a retrofuturistic England ruled by a twisted elite who exploits a population inhabiting decadent urban centers. Monsters populate this strange world, and humanity's last chance lies in the power of the Vorpal Sword—a metaphysical blade of vital creative energy…

During his exhibition at Westfälischer Kunstverein in Münster, artist Zin Taylor invited musicians Christina Vantzou and John Also Bennett to interpret a 90-meter panoramic wall drawing as a musical graphic score. This vinyl edition gathers the recording of this minimal music performance, along with a 180 cm leporello reproduction of the wall drawing.

The first monographic publication dedicated to one of the foremost artists of his generation and a key figure in the development of Bucharest's artistic community in the early 2000s.

Collector's edition box set including the soundtrack realised by the great Russian composer Edward Artemiev for the Andrey Tarkovsky's masterpiece film Solaris (1972). The box comes with the soundtrack in the vinyl and CD formats, an exclusive luxurious photo book with unreleased images of the movie set and essays about music and cinema of the duo Artemiev/Tarkovsky, and the Blu-ray version of the film, in original language with English subtitles.

Originally resealed in 1975, Poesia Sonora is one of the first international compilation of sound poetry. Edited by Maurizio Nannucci, the anthology gathers pieces by some of the most important pioneers of the Sound Poetry movement: Bob Cobbing, François Dufrêne, Henri Chopin, Ernst Jandl, Franz Mon, Arthur Petronio, Arrigo Lora-Totino, Brion Gysin, Bernard Heidsieck, Sten Hanson, and Paul De Vree.

A compendium of essays, scripts, poems, and proposals compiled by the anonymous collective Studio for Propositional Cinema for their eponymous show at the Kestner Gesellschaft in Hannover. It investigates notions of script and staging in exhibition display. It features reknowned contributors such as Paul Chan, Keren Cytter, Irena Haiduk, John Miller, Cally Spooner, Lawrence Weiner et Christopher Williams.

An historical account of walking as an artistic practice inside Surrealism, the Situationist International, and Fluxus.

Exhibition catalogue documenting the eponymous sculptural project showcasing silicone impressions of Berlin's bullet-ridden facades from the Second World War. These architectural traces embody trauma and time, from the war to nowadays. The publication catalogues these facades and focuses on the making of the project. It features a text by writer Deborah Levy.

This catalogue surveys the literature on our relationship to a world of machines, new technologies, and electronic devices. It brings thoughts on automation and its promises, primarily the end of labor. The publication unfolds a bibliography and chronology on the subject.

This catalogue is conceived as a continuation and circulation of Saraceno's eponymous sound project: The artist uses spider webs as musical instruments embodying the incredible structural properties of the spider's silk, but also the spider's sophisticated mode of communication through vibrations. Saraceno recorded jam sessions between arachnids and musicians, included in this publication, as well as documentation, essays, and a manifesto.

This the very first LP of the new collection “Contra Naturam”, a collaboration between Brussels-based contemporary music ensemble Ictus Ensemble and music label Sub Rosa. This audio recording presents a percussion-based composition by Pierluigi Billone, performed by Tom De Cock. Booklet features an unpublished essay by Laurent Feneyrou (in English, Dutch, French).

Never released before recordings from Logos Foundation live sessions in Brussels, on May 7, 1977. Toop and Burwell's association, which ran during the seventies, was a good mixture of musical decomposition through free improvisation, bioacoustics, environmental sound, raw musics, anthropology, and esoterism.

Fascinating and unreleased before music by Otto Sidharta, pionneer of Indonesian electronic music. Electronic compositions from 1979 to 1992 that integrated natural sounds and urban sounds to this extent were extremely rare at the time, which gives them a unique form of intensity.