Pauline Oliveros surrounded by Belgian Ensemble Musiques Nouvelles, performing 2 long pieces for orchestra.

A Step Towards the Sea tells the relationship between the artist and Italy through a selection of installation views and video works. The accompanying DVD includes an unreleased film and a documentation on every actions carried out in Italy by Signer since the 1990s.

An examination by artists, publishers, and scholars of recent publishing concepts emerging from the experimental literature and art scene.

A dialogue between the works of contemporary artist Amie Siegel and the historical spaces of the Villa Stuck in Munich (monographic catalogue).

Part monograph, part artist's book, a publication accompanying Ulla von Brandenburg's eponymous video work—a “danced film” dedicated to color.

A hybrid publication beween a catalogue and an artist's book, articulated on two different registers: a flip-book consisting of the frames of the two videos shown in the exhibition at MAXXI, published on all of the right pages in the book; and a section of critical texts and images documenting the exhibition, on the left.

The catalogue of Metzger's first extensive overview: divided into sections—each of which is accompanied by a critical text—corresponding to those presented in the exhibition, the publication provides systematic insight into an artistic oeuvre considered as one of the most important in the 20th century (with texts by Mathieu Copeland, Hans Ulrich Obrist, Yoko Ono, Hermann Nitsch…).

Initiated by filmmaker Raya Martin and critic Antoine Thirion, UNdocumenta is the catalogue of the eponymous film festival revolving around the lost accounts of cinema (through material destruction, acts of censorship, political, economic or human contingencies) and condemned histories of nations (by social displacement, cultural annihilation or deliberate disappearance).

A series of seven silk-screen prints depicting close-up images of Antunes's sculptures inspired by the works of Anni Albers and Lina Bo Bardi (artist's edition).

The artist's own archive of phantasmagoria: a unique collection of objects and ephemera relating to magic, the paranormal, occultism, pseudoscience, technology as well as their cultural and media portrayals (new edition).

Over 300 watercolors inspired by the film Rambo II (artist's book).

The fictional diary of Gabriel Krampus, an artist who has been living with his artist wife on a deserted island of the Indian ocean for 44 years.

Comprehensive catalogue focusing on the ongoing series of monolithic stone figures the artist has been modelling since 2013.

A selection of radiophonic works from 2003 to 2011, completed with a 36-page booklet and 4 essays by Bosetti himself, Gregory Whitehead and Ksenija Stefanovic.

This richly illustrated monograph documents a series of sculptural works engaging with the histories of 20th-century architecture, design and art—particularly the heritage of the Black Mountain College and the international Modern Movement.

A comprehensive monograph, including preparatory documents and two essays by Jens Hoffmann and Alessandro Rabottini to better understand the delicate paintings of Dutch artist Maaike Schoorel.

Taken at the height of the Assad days, the images of the photographer Giovanna Silva overlap in this publication with Syrian tourist guides' images and texts, creating a net of intended and unintended relationships and time interconnections.

Recordings from Riehn's student years, including two versions of the composer's electronic translation of Lautreamont's masterpiece.

A collection of 70 penis drawings inspired by the borough of Manhattan. Made in one day in 1978, this early work forms a singular, ecclectic and playful guided tour of the city—including drawings and series such as Phallic buildings form 7th Ave., Drawing Penises in front of Tiffanys, Penis with doors – Carnegie music hall, The best place to draw penises, Self portrait at home…

This catalogue presents an art-historical angle on Chen Zhen's unique way of questioning his experience of globalization through art.

Ten years of ceramic work by an important figure among post-war artists.

The book documents a mixed-media installation by Sam Falls where the artist explores ways of faithfully representing time and understanding it through art. For Falls, time is elusive and the future is “filled with meaning” only when it becomes “now”. The present, divided between past and future, has the optimism of production and the melancholy of aging.

A collection of unpublished or rare texts by architect and theoretician Frederick Kiesler written between 1927 and 1957.

A photographic artist's book focusing on a former cement factory in Sweden. Kriemann's concern with archaeology, archival materials, and lost narratives is once again affirmed in this publication which came as the result of a residency program in Gotland Island and for which she collaborated with poet Maria Barnas and writer Kirsty Bell, among others.

Recording of Hermann Nitsch's mighty pipe organ concert in Berlin, January 22, 2016.

For Bunita Marcus is a piano piece recorded in 1986 by contemporary composer Morton Feldman. Guillaume Belhomme revisits the singular relationship he shares with this track and gives a sharp analysis of it. This reeissue is completed with a fictitious letter from Feldman to American painter Philip Guston entitled Une minute, une seule.

The reference monograph on the work of artist Agnes Denes, this profusely illustrated book aslo gathers an extensive selection of the artist's texts and manifestos.

French artist Félicia Atkinson teams up with New York-based experimentalist Jefre Cantu-Ledesma with Comme un seul narcisse—an epistolar conversation of post-modern times.

In 2015, musicians Urs Leimgruber, Jacques Demierre and Barre Phillips gave a series of concerts on both sides of the Atlantic with their band LDP as part of the “Listening” Tour. Listening is their tour's logbook and gathers memories, anecdotes, thoughts and pictures.

The nocturnal strolls of the Italian photographer in the empty streets of Venice

An attempt to define the spirit of an age: exploring how today's myths, identities, and cosmologies relate to current advances in technology—through reference to the material basis to our most developed weapons and tools; a class of seventeen rare earth elements from the periodic table—Rare Earth challenges the rhetoric of immateriality associated with our hypermodern condition.

An artist book juxtaposing text and image, history and its revision, The Blind Merchant provides the reader with alternative written and drawn narratives to Shakespeare's The Merchant of Venice adopting the point of view of Jewish moneylender Shylock.

The first monogaphic study dedicated to French-Lebanese filmmaker and photograph Jocelyne Saab and her works from 1970 to 2015.

An audio recording of the American artist performing a German folk song while masturbating.

Andrew Berardini journeys into the heart of the work of conceptual artist Danh Vo to discover how historical forces find form in our individual lives.

Devoted to the graphic practice of the artist, Giorgio Griffa – Works on Paper points up the singularity and importance of drawing in Griffa's creative process while introducing a rare selection of drawings and watercolours.

Animals questions through a poetic approach the modernist apprehension of time and locomotion, in the realm of today.

This volume gathers interviews with 25 prominent musicians focusing on the influence of spirituality in their works.

ECAL – University of Art and Design Lausanne is recognized as a world reference in terms of graphic design. This success is largely based on a strategy of workshops that allow students to learn from the best Swiss and international designers on the school premises. This book retraces projects conducted in the Bachelor's Graphic Design and Master's programs between 2010 to 2015.

Foregrounds, Distances aims not only to offer the first comprehensive overview of Hohn's work, but also to contribute to a history of painting-based practices, which occupy a marginal place in the established narratives of the art of the 1980s and 1990s.

An exegesis of My Bloody Valentine's noisy pop masterpiece Loveless.

Cut-up, lectures, incantations, soundworks recorded by the American writer himself in hotel rooms in Paris, London & New York, in the early 1960s (one of Sub Rosa's absolute classics, officially re-released).

This seventh and penultimate installment in the series Henri Pousseur had programmed around his experimental and electronic music features his earliest works—his first steps—starting in 1954, when at twenty-five he composed his first piece of electronic music in the studios of the Cologne radio, where Stockhausen had created most of his famous pieces.

An historical account of Ben Kinmont's bookstore, from the structure's origin, the events and publications it has generated. Kinmont also demonstrates how this activity has contributed to his independence as an artist vis-à-vis the commercial art circuit.

A decade (1969-1978) of observation, classification and illustration of the abusive vegetation infesting the grounds of the international railway station in Chiasso, Switzerland, by botanist Ernesto Schick.