The first English language translation of Robert Linhart's The Sugar and the Hunger, originally published in 1980. Includes afterword by Luiz Renato Martins, and other materials.

Black Truffle label's first release from Swedish-Finnish sound artist and electro-acoustic composer Marja Ahti: four lengthy pieces, partly inspired by the image of the senses and mind as membranes allowing for the passage between inner and outer spaces, sensation and its causes, creating a world.

An ideal introduction to Lucier's late music.

Double Pendulum is a selection of new material from NY-based artist/composer Nickolas Mohanna. Using a varied palette of percussive devices alongside the electric guitar and computer, hammered notes flutter into brushed cymbals to create pulsing and immersive shapes.

The fourth volume in a series that documents Tarek Atoui's project Waters' Witness, created in collaboration with French photographer and Atoui's long-term collaborator, Alexandre Guirkinger, is intended as a visual embodiment of the work's development for Museum of Contemporary Art Australia.

The artist record Call and Response brings together pieces created in connection with performances and exhibitions by Jimmy Robert, including a booklet wrapped around the record.

This publication presents research conducted by choreographer Mor Demer over two years, in the frame of the exerce MA in choreography and performance (National Choreographic Center of Montpellier / Occitanie). Against the backdrop of her artistic process, Mor Demer unfolds a reflection on the production and configuration of choreographic materials, as well as on the body and the practices and fictions of which it is composed.

This publication presents research conducted by Berlin-based choreographer and performer Jule Flierl over two years, in the frame of the exerce MA in choreography and performance (National Choreographic Center of Montpellier / Occitanie). This text manages to maintain a sense of orality, of vocality, within a written format. It is at once a description, an analysis, a score, a piece of music, a voice, etc.

This publication presents research conducted by visual artist and choreographer Clarissa Bauman over two years, in the frame of the exerce MA in choreography and performance (National Choreographic Center of Montpellier / Occitanie). Here, writing becomes movement, a weaving of words, gestures, images, and drawings that rub against each other in a dialogue articulated from page to page.

A project exploring the sounds of glaciers, captured in crevasses, glacial torrents or moraine folds using microphones, hydrophones and seismic sensors.

The third studio album from the Frenchmen Pointe du Lac offers a deep, catchy and classy dive into kosmische, electronica and jazz.

This album retraces ten years of practice by the contemporary mixed choir of sighted and blind people founded by vocalist, improviser, composer and researcher Natacha Muslera, which explores compositional modes distanced from the visual field, drawing inspiration from ecosystems and biotopes and blending ancestral and experimental vocal practices.

Charismatic Spirals is for an America circa 2024, where poetry—the art of developing new means of speaking—has never been of such artistic, technological and political consequences.

A sound project by Mattin operating a radical critique of the era of social media, which proposes to free oneself from it by reappropriating its own tools.

Carroll Dunham's "Green Period."

Comprehensive monograph.

Sahara: A Thousand Paths Into the Future is devoted to the ideas, images, poetics, politics, fictions, and movements of this vast desert and its myriad voices.

Three-volume catalogue raisonné of the work of Alain de la Bourdonnaye.

23 photographs of chicanes taken between 2013 and 2016 on the roads leading to the Notre-Dame-des-Landes ZAD, France (with an interview with philosopher Marie José Mondzain).

A retrospective of Georges Rousse's "circles."

Paradis is a continuation of the eponymous exhibition conceived by artist Marie Angeletti in Marseilles in 2021. The exhibition brought together 56 artists of different origins and generations. More than just a transcription of this event, this catalogue brings together some one hundred contributions, combining critical texts, poetry, artists' writings and new translations, alongside an equally large number of visual contributions and ad hoc works, most of them previously unpublished.

Site Sketches n°1-500 is the first volume of the catalog raisonné devoted to the Site Sketches series, works on paper made from recycled scrap wood by Japanese artist Tadashi Kawamata.

Four artist's posters.

An overview of Studio Marconi's publishing activities since the 1960s, tracing the studio's history.

The most comprehensive publication to date on Korakrit Arunanondchai's practice.

The very first book of Swedish film director, artist, and artistic researcher Ester M. Bergsmark.

A project by artist Fatma Bucak that considers the relationships between political violence, environmental destruction, and climate change.

The first major book by the Lisbon-based French artist Mattia Denisse.

First monograph of the Spanish artist Eva Fàbregas.

The first-ever comprehensive overview of Maude Léonard-Contant's universe.

A photographic essay on the abandoned project of a suspension bridge between the Calabrian and Sicilian coasts and on the coastline of the Strait of Messina, documenting the transformation of suburban coastal areas and the daily life of the inhabitants.

The second and final installment of FUTURE, a series of publications by Taiyo Onorato & Nico Krebs, explores the deep watery world.

A dialogue between Camille Henrot's images and Estelle Hoy's texts, a visual and verbal exploration of melancholy, failure, injustice, and hope.

A series of astonishing photographs by the Italian architect and designer, discovering China at the end of the Cultural Revolution, between millenary traditions, openness to the world and forced modernization.

The first book to unveil the main pictorial works (drawings, paintings and collages) of the British film director, the source of his entire cinematic oeuvre (new edition).

Poems presents four unpublished poems by American writer and actress Zoë Lund (1962–1999), written in the 1980s. An incandescent voice emerges, revealing the might, sincerity, and precision of her expression, as well as her vulnerability and defiance in the face of death. This is the first publication dedicated to her work.

A rethinking of the conceptual approach of Ludovic Chemarin©, artist turned fictional and polycephalous, who continues to redraw the figurative boundaries of the artist and the work, the exhibition and the institution.

Interviews with artists and researchers on the issues of catch and data.

Contemporary art and degrowth.

A study of "spectral" (rather than ghostly) cinema, starting with the film Ringu by Hideo Nakata, as well as a philosophical essay on the haunting of images.

A mysterious hybrid manuscript ("rediscovered", edited and presented by Alessandro De Francesco) whose prose, oscillating between poetry, philosophy and conceptual art, ingenuously explores the great unresolved questions of humanity and nature.

A visual attempt to index photographic images.

A reflection on the notions of catch and data.

In five chapters, the photographer reflects on the multiple "correspondences", influences and interactions at the heart of his artistic work.