Remastered edition of Sydney trio Triosk and Jan Jelinek's loop-based jazz project.

The first publication of a lost 1978 text by Peter Gidal—one of the most influential experimental filmmakers ever.

A small selection of Ronan Bouroullec's ballpoint pen drawings.

A small selection of Ronan Bouroullec's recent drawings.

The complete edition of Takashi Homma's acclaimed homage.

The necessary new paradigms to invent in architecture and design in the context of the environmental crises.

Everything Passes Except the Past takes an artistic and discursive approach to coming to grips with a colonial past that remains present in ethnographic museums, public space, and image archives.

Julius Eastman's Four Pianos (1979-80), performed by Melaine Dalibert, Stephane Ginsburgh, Nicols Horvath and Wilhem Latchoumia.

An electronic interpretation of the works of Phill Niblock by the Prague-based group Opening Performance Orchestra.

A “minimal encyclopedia” for ideas and visions beyond the pandemic, that also contributes to a polyphonic and polysemous vision of contemporary Italian artistic production.

A polyphonic evocation of the American saxophonist through the testimonies of some forty international musicians.

Electric Brine is a volume of poetry and critical essays by women voices from diverse fields such as literature, geography, media studies, history of life sciences, sociology, and poetics of science and fiction, each of them central to the independent curatorial research entity The World in Which We Occur (TWWWO, 2014-ongoing) and its associated online study group Matter in Flux.

An anthology.

Deluxe boxed set of Graham Lambkin's remastered first four solo records, including an expansive 42-page book with unseen photos and reproductions of artworks as well as essays and anecdotal recollections.

An exquisite corpse (four pieces resulting from a process of musical exchange between Jean-Philippe Gross and Jérôme Noetinger).

The iconic everyday objects, “soft” sculptures, ceramic pieces and collages by the Swiss duo.

Retrospective monograph.

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

Drawing on the borders of abstraction: first monograph, conceived as an artist's book, produced in close collaboration with Léa Belooussovitch, as close to the aesthetics of her felt pen drawings.

A collection of iterative cello performance that foregrounds shaking as a generative subject and explores the harmonic pulses of the instrument.

Two contrasting pieces by French composer Michèle Bokanowski, recorded a decade apart, which nevertheless demonstrate her unique style.

An industrial and psychedelic sound piece recorded at the opening of CM von Hausswolff’s solo exhibition “INSNITT” at 3:e Våningen, Gothenburg, in 2018, with John Duncan, Leif Elggren, Jean Louis-Huhta, Joachim Nordwall, and Henrik Rylander.

One of Andrée Putman's latest home designs, from the plans, drawings, and pictures of an amazing apartment in San Sebastián (Basque Country, Spain).

This collection presents the first five issues of Everything: reports on the studio of the same name led by Kersten Geers, Fabrizio Ballabio, Jelena Pancevac and Guido Tesio at the Accademia di Architettura in Mendrisio.

The misappropriated notion of care and the paths for its rehabilitation.

This publication brings together photographs taken by Marion Scemama during a trip through the American desert with David Wojnarowicz, shortly before his death. It features documents from Scemama's personal archives and notes from Wojnarowicz's diary, along with texts by Thibault Boulvain and Elisabeth Lebovici.

An inventory of the research of the designer Samy Rio, which attempts to account for the rich and open process of his work towards a more sustainable design practice.

A comprehensive record of the London-based art collective BANK's notorious project from the late 1990s, a fierce critic of the language elements of the art market.

The relationship between art and cybernetics and their intersections in the past and present.

Newly remastered by Rashad Becker for this vinyl edition, “Echo” finds Félicia Atkinson synching her feelings into a watercolour suite of solo keys, voice and field recordings, unfurling 40 minutes of new breathtaking music.

10 year anniversary edition of Jefre Cantu-Ledesma's landmark album originally released in 2010 on TYPE records, remastered by Stephan Mathieu.

Asmus Tietchens' Hematic Sunsets shut down the Aroma Club with a final release. The album "Aroma Club Adieu" features 12 exquisite pieces of death lounge electronic pop performed on electronic organs and entertainment devices of various kinds.

A collection of essays and honest conversations with practitioners around collaborative practices, at the intersection of art, education, and activism.

A photo book by Jacopo Benassi that brings together images in which the artist portrays and documents his own intimacy over a 25-year period, from the day he announced his homosexuality: a human journey comprising meetings that have left an indelible sign on his personal story as an artist. 

An analysis of four museums by architectural historian Orietta Lanzarini, built between the 1940s and 1960s, and set up by four of the most groundbreaking Italian architects of the 20th century.

The Milanese photographer and long-distance traveler captures the light (and visual contrasts) of Rome while walking through the city.

Michel Henritzi's collection of interviews provides a rich portrait of the experimental music scene in Japan.

A selection of works on paper by Swiss visionary outsider artist and healer Emma Kunz (1892-1963), close to geometric abstraction.

Julius Eastman's major yet long-forgotten ensemble piece from 1974, dense and hypnotic, played by Ensemble 0.

Issue dedicated to the iconic Parisian club Les Bains Douches.

A curatorial project about concepts of hospitality and the triggers of hostility in hospitality.

Four essays and one conversation with contemporary artists and curators from different backgrounds and origins (Jerusalem, Lebanon, Kuwait, USA, Egypt) discussing their experience of becoming mothers as professionals in the arts, its reality and effects.

Anne Dressen talks about her curatorial practice (and more broadly about the world in which it takes place); Nick Mauss, with whom the curator exchanges regularly, intervenes in her text, by insertions and echoes.

A rereading of the work of the great Franco-Swiss graphic designer, pioneer of minimalism and precursor in terms of typography.