A book-length poem by Berlin based artist and poet Natalie Häusler.

Joint artistic research, between Switzerland and Brazil, around ideas of consumption and exhaustion, the legacies of colonialist expropriation and its monocultural ideologies, besides the infrastructures of export and displacement, across both countries and their intertwined historie.

Without ever giving a lesson in painting, Alain Gunst lists 32 reasons for painting that, “bad” or “not so bad”, take malicious pleasure in mocking an art world.

A look back at the poetic, political and anthropological dimensions of the collective performance initiated by artist Giorgio Andreotta Calò around a mining plant in Sardinia.

An education turned around by art: famous English anthropologist Tim Ingold invites us to consider the arts as the very basis of an education in the 21st-century, an education that might begin to address the profound social and ecological crises we face.

A look back at all Nicolas Trembley's exhibitions over the past 10 years, the cross-fertilization of art and craft, and the various references he has used, both Western and Eastern.

With a documentary approach and in dialogue with elements of scientific and archival research, photographer Matteo de Mayda investigates the long-term consequences of the Vaia storm in Italy.

Documentation on sculptor Edoardo Tresoldi's permanent monumental installation in Venice's Procuratie Vecchie.

Born from the works staged by OHT (Filippo Andreatta), this book revisits the original text written by Mary Wollstonecraft Shelley, incorporating new theoretical and photographic contributions.

A collective story that recounts the history of the representation of natural landscapes and the imaginations that accompany them.

An anthology of texts by Jean-Michel Bouhours on photographer and filmmaker Paolo Gioli, a key figure in the Italian avant-garde of the 1970s.

A booklet containing two musical pieces by artist Grégoire Motte and composer Gabriel Mattei.

Published in collaboration with Harun Farocki Institut, this book unpacks About Narration [Erzählen], a 1975 essay film directed by Ingemo Engström and Harun Farocki.

This artist's book collects the series "All the ambition in the world" (2024) by Ryan Gander, a series of posters for fictitious group exhibitions that never took place, but were imagined by the artist's mind.

John Armleder delivers a series of drawings for his “autobiography”.

Short Circuits features essays, interviews, and documentation that highlight Dubai based artist Vikram Divecha's interest in the often invisible structures of planning, construction, demolition and maintenance. It centres on his long-term collaborations with workers, contractors and decision-makers who shape the cities of the United Arab Emirates and beyond.

Rirkrit Tiravanija's methods for making less.

Amazoom by Luca Trevisani presents two hypotheses of landscape reincarnation, two translations, two strict, entropic protocols of imagination.

An archaeology of the imagination / a new aesthetic of ruin (a sophisticated artist's edition in a box, inspired by the over-exploitation of Carrara marble quarries).

The 22 exhibitions programmed by Philippe Piguet at La chapelle de la Visitation art center in Thonon-les-Bains since 2018, in 400 pages.

The role of jazz as a catalyst in rock, pop, funk, new wave, hip-hop, and techno.

This publication documents artist Leonor Antunes's installation at Lisbon's CAM – Centro de Arte Moderna Gulbenkian.

PhD and postdoc supervisors from Europe and beyond interrogate the existing formal educational pathways for artistic and practice-based research.

First monograph of the Brazilian feminist artist.

30 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments, with new essays and articles, original photos and other documentation.

30 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments, with new essays and articles, original photos and other documentation.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

All the destructive mood of Mark Pauline's Survival Research Laboratories shows: from "Classical" music to intense destructuration, a new form of Avant-garde.

Clara Levy perofms Giacinto Scelsi, Kaija Saariaho, Erika Vega and Eva-Maria Houben.

The first vinyl reissue of this legendary EP, released in 1981 on the Japanese "Chaos International Series" label.

The very first monograph dedicated to the work of Bruno Pélassy (1966–2002), featuring all his works, installation views, and a vast range of materials from his unpublished personal archive.

A dialogue between two avant-garde figures, one poetic, the other musical.

Studio Manuel Raeder's 2025 sticker calendar.

Residencies Reflected looks at international artist residencies with a societal and ecological mind shift.

Elisa Caldana's The Falcon of Karachi investigates stories of the laggar falcon, a species endemic to Pakistan, India, and Myanmar that is slowly disappearing in the wild.

Jagna Ciuchta's first monograph reflects the collective, reflexive and evolving logic of the artist's work.

An overview of the vast production of the Romanian artist Radu Comșa.

73 images by Swedish photographer Louise Enhörning, including new works as well as some significant past pieces never before exhibited, emphasizing the concept of "lost time."

A monograph developing an iconographic apparatus that casts a light on the relationships between Italy and Louis Fratino's oeuvre, with newly commissioned essays and contributions by scholars of art and queer theory (new edition).

First monograph.

A literary bridge between two very different cities through the art and poetry publications edited by Michele Lombardelli between 1991 and 2008.