First monograph devoted to the work of the Italian-Senegalese artist Binta Diaw.

The series of portraits of African heads of state unveiled by Kehinde Wiley at the musée du quai Branly – Jacques Chirac in Paris, an exploratory project around the representation of power on which the painter has been working confidentially since 2012.

A dialogue between two dress sculptors who, each in their own way, have strongly influenced the world of creation, between art and haute couture.

The heyday of New York's underground and alternative cultural scene in the 1980s: a look back at the history of the Pyramid Cocktail Lounge, a primary hub for the burgeoning East Village drag, gay, feminist, punk, and art scenes.

A lesbian and queer re-reading of Albertine, a central character in Marcel Proust's In Search of Lost Time. A group show constructed as a portrait of lesbian identity.

The continuation and culmination of a vast project, articulated between an exhibition and a symposium, imagined by South African curator Ntshepe Tsekere Bopape (Mo Laudi), inviting 17 artists from Africa and its diaspora and a group of researchers to evoke black aesthetics and propose an alternative vision of a world without borders.

The continuation and culmination of a vast project, articulated between an exhibition and a symposium, imagined by South African curator Ntshepe Tsekere Bopape (Mo Laudi), inviting 17 artists from Africa and its diaspora and a group of researchers to evoke black aesthetics and propose an alternative vision of a world without borders.

The new adventure of the Musée Mobile (a traveling museum aimed at making contemporary art accessible to those who are far from it, from the earliest age, that has been touring France, Europe and Africa since 2011), in partnership with the Centre Pompidou: the first museum truck dedicated to Europe's largest collection of modern and contemporary art, designed by architect Isabel Hérault and artist Krijn de Koning, travelling to various regions and villages.

This monograph presents the visual language inseparable from the higly influential sound project of Sam McKinlay, pioneer of the "harsh noise wall" with the multidisciplinary entity The Rita.

A zine and exercise book about the applied art of questioning, by the writer Cordula Daus and the choreographer Charlotta Ruth.

Where sounding is understood as an exhibition of activity, vitality, and power, Nina Dragičević proposes that we analyse sonic phenomena in econo-political terms.

This anthology brings together rare documents pertaining to so-called occult phenomena, most of them taken from little-known archives. In the course of three volumes, this series traces an audio history of parapsychology. The second volume si devoted to musician mediums.

This anthology brings together rare documents pertaining to so-called occult phenomena, most of them taken from little-known archives. In the course of three volumes, this series traces an audio history of parapsychology. The first volume is an exploration of spiritualism and haunted houses. It features records of spiritual séances and medium trances, haunting spirits and haunted places, audios of Sir Arthur Conan Doyle, Harry Houdini...

This anthology brings together rare documents pertaining to so-called occult phenomena, most of them taken from little-known archives. In the course of three volumes, this series traces an audio history of parapsychology. The second volume si devoted to musician mediums.

The twelfth album by DAAU is the soundtrack to a series of short, abstract animation films by Rudy Trouvé, who also acted as a creative director during the recording process.

This second project released on Sub Rosa by the Japanese artist Kaoru Tashiro, manages to create a subtle dialogue between four composers, and four musical pieces, mixing a delicate blend of Japanese and European sensibilities. Those different approaches convergence thanks to the highly recognisable sensibility of Kaoru Tashiro's way to play.

Those recordings of Gongs Orchestras were made during Funeral Ceremonies in two Kung villages and one Jaraï village in Ratanakiri province, Cambodia by Laurent Jeanneau (Kink Gong) in 2003 and 2004, at a times when jungle had not been replaced by rubber plantations. Focusing on funeral's ceremonies, those hypnotics pieces are intense and haunting harmonics sonic experiments.

The album includes Milan Knížák's 1973 private recording BROKEN MUSIC, released as a multiple of forty copies by Armin Hundertmark in 1983 on Edition Hundertmark, and a live version of BROKEN REBROKEN, performed in January 2020 at the Museum of Czech Music in Prague by Milan Knížák, Petr Ferenc (aka Phaerentz) and Opening Performance Orchestra.

Gérard Berréby looks back at the first publishing experience of the man who was to become the director of Allia publishing house: the decision, in the early 1980s, to produce a pirate edition of Aragon's book—at the time opposed to any reprinting—, an unprecedented gesture that provoked numerous reactions in the literary world, and raised a number of questions linked to appropriation and self-publishing.

A collective approach, from a decolonial perspective, reflecting on worldviews, technologies, territories, and the reconfiguration of gender subjectivities.

A comprehensive insight into the images of landscape by the Ethiopian-born artist Robel Temesgen.

A hybrid between travel chronicle and studio process notebook, this artist book tracks the construction of a failed modernist fantasy in the island of La Palma and the hallucinogenic properties of wild plants that grow across the Canary Islands.

A considered examination of ability in our pseudo-post-pandemic era, Interdependencies: Perspectives on Care and Resilience approaches the intersection of artistic practice, accessibility, and activism with heightened cultural nuance and urgent self-examination, focusing on the mutual dependencies that exist between people, societies, and institutions.

An analysis of contemporary artistic practices among artists from Estonia, Latvia, and Lithuania in the context of evolving global networks and art production.

New monograph, featuring a cohesive body of new work, with large-scale paintings and watercolours.

A strange hybrid of Teletubbies and Videodrome in the age of algorithms, Telebodies is a techno-somatic, multifaceted endeavor referring to the ever-growing entanglement of our bodies with epistemic, cybernetic, and kinetic materialities.

A book about active mythic thinking and scientific storytelling, about fright, trauma, and potentials for transformation.

The first comprehensive monograph devoted to artist Bea Schlingelhoff.

The catalogue of Lisa Tan's first institutional show in Sweden tenders its own spatial logic through the metaphor of neurological disorders.

Emblematic works by the Belgian-Polish sculptor and textile artist produced in the 1970s, revealing Tapta's attention to the tactility of her materials, the suppleness of structures, individual and collective practice, and the interaction between artwork, space, and viewer.

The glass as a listening device.

Spanning a pivotal time in Arab art, from the 1950s through to the 1980s, this book celebrates the lives, careers, and personas of some of the region's pioneering artists (from Huguette Caland to Hamed Nada and Etel Adnan) and features archival material, images of artworks as well as of the artists themselves.

The story of the Galerie Janine Rubeiz, a major venue on Beirut's cultural and artistic scene.

A selection of the artist's work from 2020 to 2023, accompanied by a text by Glenn Adamson.

A selection of the artist's drawings and paintings from 2019 to 2023, accompanied by a text by Jennifer Higgie and an interview with Éric Troncy.

A collection of early texts by Reiner Schürmann, on religion, Zen, language, Eckhart and Heidegger.

In the long interview that forms the body of this publication, Éliane Radigue talks about her work, her reflections and underlying research, as well as her historical context. The publication also contains a commented list of works and Radigue's programmatic text on The Mysterious Power of the Infinitesimal (new expanded edition).

Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.

Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.

Two mesmerizing works for carillon, the keyboard-controlled bell tower derived in the 16th century.