Creating Bob: a food truck with a living, warm and hospitable public purpose, set close to Lille-Europe Train Station and commissioned as part of the “New Patrons” program.

The new organic soundtrack creation by Francisco López inspired by trance rituals.

In 1987, Michel Redolfi hit the California Desert road during the Fall, to catch those hypothetical poly-sensorial desert tones. He visited the Mojave Desert, Death Valley, Palm Canyon and came back with an extraordinary album of early electronic music, sparse and bright to express the crude light and the divine silences.

In 1987, Michel Redolfi hit the California Desert road during the Fall, to catch those hypothetical poly-sensorial desert tones. He visited the Mojave Desert, Death Valley, Palm Canyon and came back with an extraordinary album of early electronic music, sparse and bright to express the crude light and the divine silences.

Reconstitution of a comic book appearing at the beginning of the film Fahrenheit 451 by François Truffaut. With this publication, Spanish artist Francesc Ruiz also questions the status of the comic book at the time the film was made and also within the dystopian universe originally created by Ray Bradbury.

Two-volume catalogue of the Fifth Rennes Biennal (France): twenty-nine international artists were invited to construct an exhibition based on the particular issue of shaping emotions in a world which formulates them in terms of markets.

A mystery tale illustrated with artworks by twelve contemporary artists.

Ben Vida's new LP represents the conclusion of one body of work, Damaged Particulates, and the beginnings of a new long form project titled Reducing the Tempo to Zero, in which the american artist return to the durational drone based forms that he first experimented with in his early days.

Writer Emanuele Trevi and photographer Giovanna Silva recount, each in their own manner, their journey with artist Luigi Ontani in Bali at the time of the preparation of the Ogoh Ogoh carnival procession. With original illustrations by Ontani.

Marocco 1971 offers an intimate, social, and aesthetical portrait of Morocco by Italian photographer Gabriele Basilico. Set during the Summer of 1971, the series also brings back the distinctive spirit of this era.

50 black & white photographs of post-war Italy taken by director Luigi Comencini shortly before his debut behind the camera. With a series of writings establishing connections between his work as a photographer and his cinematographic oeuvre.

An analysis of the posthumous interpretations of Brancusi's life and work, and of the political use of the Romanian sculptor as a nationalist figure.

Companion book to Basim Madgy's eponymous video: a dreamlike tale about the ocean and its secrets.

This publication gives an overview of a series of signs stemming from Hungarian dance artist Rudolf Laban's notation system for human movement.

Transmitting specific technical skills in contemporary dance (an educational booklet).

The musical education of the dancer (an educational booklet).

This publication gives an overview of a series of signs stemming from Hungarian dance artist Rudolf Laban's notation system for human movement.

A presentation of Pierre Conté's notation system and research on dance and movement.

An introduction to the art of Stephen Felton, with an essay by Jill Gasparina, “On the uselessness of sophisticated discourse,” as a guiding thread to better understand a work relying on simplicity and narratives.

Signature Strengths reproduces in full the four books in the series “No-Frills” published in the early eighties. Inspired by the unadorned packaging of a grocery brand, the series editors designed genre fiction books with similar straightforward and experimental approaches. The volume is completed with enlightening notes on genre writing and mass-market publishing.

A publishing survey of the diagrams produced by Ricardo Basbaum in recent years. Both autonomous pieces or elements from installations, these diagrams act as interventional tools and visual poems that connect the literary and plastic spaces.

This publication presents five architectural environments that have been conceived through auditory and literary practices.

Publication dedicated to the Versos series, in which Philippe Gronon photographs the verso side of paintings by ancient and modern masters. With a foreword by Hubert Besacier.

Élodie Lesourd's first retrospective monograph provides a complete overview of her work since 1993, highlighting her inclination toward Rock culture and hyperrealism.

The illustrated chronicle of the personal and aesthetic journey of Brazilian artist Maria Bonomi (reference monograph).

Reference monograph: the illustrated chronicle of the personal and aesthetic journey of Brazilian artist Maria Bonomi, with an original xylograph, numbered and signed, entitled The Key.

Selected from Bernstein's entire body of work, a compilation of graffiti-inspired charcoal drawings involving male external genital organs.

Photographic essay featuring pictures of inactive TV sets: a powerful semiotic reflection on the medium and its design.

Monograph offering a collective literary and poetic rendering of Alan Reid's works.

Fully Fueled brings together pictures taken from 2012 to 2014 documenting the life of Emiratis through the lense of cars.

First monograph dedicated to artist and filmmaker Martin Le Chevallier: a thorough introduction to his entire body of work (films, site-specific interventions, interactive pieces, performances and processes).

This catalogue gathers works from different periods of the artist's career, though giving particular prominence to his drawings in analog and digital form—the Pixel-Bildli and Hice for Weiss series, or his plastic mosaics. A foreword by Salvatore Lacagnina and a contribution by Arthur Fink introduce the reader to Bruhin's multifarious work, while a conversation with the artist helps unfold his eclectic strategies.

The first monograph ever published on the work of Roman Stańczak: an incredible opportunity to discover the work of this influential and yet under-known artist. The publication includes an interview with Stańczak conducted by Zuzanna Hadrys & Michał Lasota and essays by Jan Verwoert, Zofia Krawiec, Łukasz Ronduda in addition to an extensive portfolio of images.

François Boutonnet's Mnemosyne offers the first consideration of the “Arts of Memory” from antiquity to contemporary art, connecting it to mind mapping in digital culture.

De Sardes' photographic wanderings in and around Beirut: an impressionist two-sided journey between day and night, dream and documentary.

De Sardes' photographic wanderings in and around Beirut: an impressionist two-sided journey between day and night, dream and documentary.

A novel on the life and times of Janis Joplin.

This publication is part of an artistic and performative project conceived by artist Raphaële Bidault-Waddington and critic Sylvain Menétrey. Part poetic neologism, part scientific concept, the semiospace, as a linguistic creation, seems to mirror Bidault-Waddington's practice—the creation of hybrid objects at once cognitive models borrowed from science, and exuberant fictions.

The first major monograph on Piffaretti: a journey through contemporary painting.

Collection of 657 “definitions/methods”—the emblematic pictorial statements first created by Claude Rutault in 1973.

The Futures of Screen: an aesthetic and technical analysis.

Dirty Ear Report reviews the activities of the Dirty Ear Forum—a research platform focusing on contemporary sound studies and sound art, and the diversity of approaches surrounding its practice and thinking. Drawing on from the researches carried out during the first edition held at Errant Bodies Project Space in Berlin, this first issue gathers contributions investigating sound as a social material.

This issue surveys the second edition of the Dirty Ear Forum at Bergen Academy of Art and Design in Norway, centered around the sound as the basis for a new discursive paradigm.

4-volume box set gathering six of the artist's most iconic photographic series. This special publication brings an end to a research on the notion of document that started in 1999 (limited edition of 700 signed copies).

A musical essay exploring complex variety of digital rhythms patterns.

A musical essay exploring complex variety of digital rhythms patterns.

A fragmentary reference volume that explores the chronology of architecture-relevant legislation, focusing on Zurich, but looking at controversial legislation across Switzerland.

The Open Hide offers a concise overview of the diverse accomplishments of Danish artist Asger Jorn. The volume comprises over 75 images of Jorn's work, each with complete provenance, exhibition and literature history. A comprehensive biography of the artist is also included, along with photographs and other archival material.