Rite of the End is composed of six musical pieces by Polish composer, producer and violinist Stefan Wesołowski. Between romanticism and modernism, going from Richard Wagner to Ben Frost, this celestial pastoral work resembles the soundtrack of our civilization and the witness of our mutation.

This catalogue documents two exhibitions by Xavier Antin inspired by William Morris' anticipation novel News from Nowhere. The French artist draws from the thinking of The Arts & Crafts movement's inspirer to provide a reflection on the mutations of craftsmanship and design.

This book is the first compilation of the history of the Mamco; it offers a diachronic path through the institution's first 22 years of existence, from its foundation in 1994 up to 2016, and presents some one hundred exhibitions via illustrations, as well as a brief introductory text describing the characteristics and formats of the shows, and some of traces they have left in the collection.

A large collection of drawings (nearly 500 pages) documenting the artist's trip from Zurich to Japan through Siberia—with a special focus on books and trees.

This book offers a first report on the activities of the Congolese Plantation Workers Art League (CATPC), an association for the development of an independent thought on postcolonial power relations within the global art world.

Featuring new and previous works by Sophie Dubosc, this catalogue gives a complete overview of her aesthetic reflection. Working primarily with three-dimensional forms, sculpture, raw materials, and reflecting on historical issues, the French artist's complex practice is covered by two essays, and a full-color photographic documentation section.

Series of collages based on guitar patterns found in album covers.

Eight slogans from the May 68 events in France, in duplex printing (artist's book).

A series of four geometrical and minimalist patterns drawn in red, blue, and black, inspired by a cognitive ability test, a quote from Guy Debord and the publications of Fluxus artist Emmett Williams. This artist's book is printed on light paper sheets so the patterns can be traced and used as a decoration for elbow pads and knee pads.

Sur #03 takes as its starting point the connections between architectural critic Esther McCoy and the city of Mexico. This edition features issues 56 and 57 of BLESS collective lookbooks.

Quoting excerpts from Keller Easterling's 2014 essay Extrastatecraft: The Power of Infrastructure Space, this coloring book tells the story of two characters, a fox (the artist) and a cat, and their special relationship, made of exotic travels, dreams and nightmares, struggles and desires.

2-volume set bringing together a visual catalogue of the 2016 Dhaka Art Summit and a conjunct reader addressing the themes that informed the Critical Writing Ensembles—an international platform dedicated to art writing—which gathered during the South Asian art festival.

This catalogue gives an overview of the works by German painter Matthias Dornfeld, who depicts traditional subjects of classical paintings—landscapes, portraits, still lifes—with a style inherited from naïve expressive painting.

This is the first monograph detailing the practice of the German artist Jan Peter Hammer. The two essays and the conversation between the artist and Adam Kleinmann address the economic, social and historical tones that characterize Hammer's video installations, as well as his sculptures and neon pieces, which are chronicled from 1993 to 2015.

Hopf's multidisciplinary practice addresses the paradoxes and ridicule that spill form high-minded attitudes toward art making and the faith in technology, professionalism, and efficiency. This catalogue gathers a significant sampling of her works, as well as two essays and an interview.

Following the artists' previous series of life-size puppets in Die Schmutzigen Puppen von Pommern, this new publication presents a collection of one hundred sixty-four small puppets, each having a unique look.

Among Portugal's most interesting young filmmakers, Salomé Lamas explores the boundaries and circumstances of documentary filmmaking, working at the intersection of ethnography, history, storytelling, memory, and fiction. This publication documents her work since 2010, through contributions, video stills, and interviews.

First survey of the Canadian artist's writings, including a series of new and recent poems, scripts from his videos, and four fictocriticism texts published in IMPULSE magazine between 1980 and 1989.

Hallucinogenetic experiments and Persan lycanthropy.

A collective survey on the current conditions of art and culture in Central and Eastern Europe.

This monograph offers a sweeping vision of the work of Lebanese artist Gebran Tarazi, whose paintings combine geometrical abstraction with oriental identity. The publication gathers reproductions of paintings, multidisciplinary projects, a selection of writings by the artist—log books, novel excerpts, correspondences—interviews, and critical texts.

Monograph gathering most of the artists's recent works—ceramic and faience sculptures, watercolors and gouaches, drawings, collages, and installations—divided into three thematic chapters. The publication includes an interview of several voices (with special guest Mathieu Mercier), and a text by Annabela Tournon.

The daily routine of a dropout in the city of Marseille.

A poetic and philosophical text investigating the use of the sentence.

This collective publication questions the literary strategies at stake in the work of visual artist Yoan Mudry.

A three-part fiction relating the daily lives of characters at the beginning of our century: the artist alternates reality and fiction, developing themes at work in his visual practice. As usual, the author involves a series of contributors.

A collection of texts by artist and designer Olivier Peyricot, documenting his research and experiments since 1997. For twenty years, Peyricot has been questioning the political and social dimensions of design.The publication also features a rich iconographic documentation.

A collection of poems describing a post-human Earth. 2018 Swiss Literature Award winner.

In the intimacy of France's 1980s underground: the life and time of art collective Frigo.

A literary portrait of Giacomo Casanova.

Published to celebrates the 30-year anniversary of transmediale, this reader aims to use the critical and artistic knowledge gained at the festival over the years to reframe the question of the role of media today. In a world where technology increasingly operates independently of humans, where does the power to act and mediate lie?

Catalogue dedicated to the artistic exploration of the cosmic space (in the framework of the 8th edition of the Triennial of Contemporary Art U3 in Ljubljana).

A multidisciplinary investigation dedicated to the cultural representations of coal mining, gathering contemporary artworks, poetry, essays, literature, folk songs, and archival images.

First monographic catalogue dedicated to the works of multidisciplinary artist Darja Bajagić who culls her imagery from fan-gore magazines, true-crime TV shows, fetish websites, obscure online forums, and hidden chat rooms tucked away in the darker reaches of the Web.

Since 1991, Robert Milin has created artworks with guests invited to participate because of a practice they adopted in their daily life—as gardeners, cyclists, inhabitants of a village… In 2015, he decided to meet again with these people to give them the floor about this experience. The booklet features an interview with Robert & Delphine Milin and a chronology of the artist's works.

This book presents proposals for the transformation of Ernst-Reuter-Platz, a city square in Berlin. They are the results of a process of auditory artistic research and design developed according to a new radical approach on the relationships between aural activity and environment.

This catalogue brings together a selection of early paintings by the american artist, accompanied by an essay illustrated with archival images.

Catalogue of works by Chinese painter Yan Pei-Ming, gathering a series of landscapes, portraits, and historical scenes exposing the tragedy of our contemporary world. Featuring exhibition views, a text by Xavier Douroux, and an interview with the artist by Pascal Pique (catalogue of the eponymous exhibition at Centre Régional d'Art Contemporain in Sète, France).

10th anniversary box set gathering the complete collection of Sans niveau ni mètre (43 issues), the newspaper dedicated to the exhibitions showcased at Le Cabinet du livre d'artiste, a French-based space dedicated to artist's books since 2007.

The transcription of a lecture by Marjorie Micucci on the connections between two installations by Italian artist Rosa Barba.

Most comprehensive monograph on the work of Nina Beier to date, Cash for Gold brings together eight essays drawing on the Danish's artistic practice and her investigation on the status of images in our contemporary reality.

Belgian artist Carsten Höller has risen to the fore of the international scene with a practice that revolves around the search for new ways of inhabiting our world. This catalogue features 20 large-scale works––installations, videos, and photographs that play with optics and space.

Following the experimental format of the Maljković's eponymous exhibition, A Retrospective by Appointment deconstructs the traditional format of a retrospective catalogue. Adopting a nonhierarchical presentation, the publication introduces the artist's key concerns, methods, and works, and proves to be a relevant critic of Zagreb's institutional landscape.

Triple vinyl LP featuring a collection of recordings by by renowned visual artists (with Rita Ackermann, Gerard Byrne, Valentin Carron, Claire Fontaine, Jason Dodge, Giulia Essyad, Sylvie Fleury, Gilles Furtwängler, Mathis Gasser, Marcus Geiger & Heimo Zobernig, Vivienne Griffin & Kaspars Groshevs, Thomas Hirschhorn, Tobias Kaspar et Jan Vorisek, Anne Le Troter, Beat Lippert, Tobias Madison, Fabian Marti, Jonathan Monk, Damián Navarro, James Richards, Emanuel Rossetti, Ryan Conrad Sawyer, Ramaya Tegegne, and Ricardo Valentim).

Artist's book divided in two series of works elaborated from Gasser's own archives: an explosive combination of images drawn from art history, pop culture and current events, building up a retrofuturistic universe facing financial, ecological, religious and political distress.

Halfway between the catalogue and the artist's book, this publication introduces the work of Cindy Coutant. The French artist focuses on issues involving poetics and semantics, in connection with the new technologies and the Internet imagery.

Penghu Experimental Sound Studio Vol.2 uses interviews, field recordings, found objects and subtle electronic manipulation to transpose Yannick Dauby's impressions of Penghu island's natural beauty.