The young Albert Einstein has a very important job: he must deliver electricity to the big Oktoberfest celebration in Munich. As he hurries from one merry-go-round to another, nothing seems to be going as planned. With his sister, Maja, Heinrich the dog, and Niels Bohr, a qualified dwarf-thrower, can he win a battle against the laws of the universe? The key just may lie in the question of whether a dumpling can fly faster than light (an illustrated philosophy book for children).

Diogenes as a dog (an illustrated philosophy book for children).

New monograph of one of the most important artists rooted in Eastern Europe.

First comprehensive monograph dedicated to the work of Yael Bartana: a comprehensive overview of the artist's films, installations, performative projects, photographs, and sound works of the past 15 years. The publication highlights her fascination with the ways in which social rituals shape both individual identities and collective memory.

Since 2008, Walead Beshty photographs the art people he works with at every stage of his projects. This first volume features a gallery of black and white portraits spanning from 2008 to 2012.

Art Basel's 2016 official annual publication.

A both intimate and political account of the links between artistic practices and activism during the AIDS epidemic of the 1980s and 1990s in France and the United States—featuring monographic texts, interviews, and thematic essays.

An historical survey of globalization in contemporary art.

Artist Sara van der Heide converted the German Library in Guangzhou, China, into a restaging of the Goethe-Institut's German Library and Information Centre of Pyongyang, which operated from 2004 to 2009. The publication features the original multilingual booklets, a documentation on the exhibition and a critical reader.

First monograph by French artist Claire Dantzer, featuring a selection of works from 2005 to present, and an introductory text by Jean-Christophe Arcos. The publication highlights the cross-disciplinary artist's main interests, including subjectsrelated to body and food, as well as literature and children's tales.

First performance of the original 60-minute composition for string quartet in 4 parts, recorded at the Nitsch Foundation in Vienna in 2016. With Anne Harvey-Nagl and Diane Pascal on violins, Marta Potulska on viola, and Mara Achleitner on cello.

A new electro-acoustic composition by Berlin-based artist Stefan Roigk. The radio play like combination of poetic lectures, vocals treatments, concrete sounds and deep vocal drones is based on several live recordings and performances made between 2012 and 2015.

Fifth part in the Selten Gehörte Musik reissue series: recordings by Dieter Roth and Oswald Wiener, at Mosfellssveit, Iceland, from May 28 to 30, 1976.

11 pop songs inspired by artworks from the Frac Île-de-France's collection.

Companion book / reader to the eponymous exhibition at MAAT, Lisbon. It features previously unpublished essays on the ongoing transition from the notion of utopia toward its mirror image: dystopia.

Atkinson's most ambitious musical work to date, Hand In Hand combines 80's sci-fi anxious aethetics with today's transparency of digital sounds. Placing the voice at the epicenter of the recording, the French artist and musician convokes fiction, composition and abstraction in the manner of Joan La Barbara, Robert Ashley, or Delia Derbyshire.

This publication, edited by Enzo Cucchi, gathers drawings by Alex Katz and words by his son Vincent. It is a project that takes shape through the intimate relationship between the three subjects.

This catalogue presents the projects of artists, designers, writers, directors, musicians, performers, philosophers and researchers in residence at theVilla Medici – French Academy in Rome during the year 2015-2016.

A “man” tells his fabulous past as an ape, from his capture to his adaptation to the world of men, to the members of an Academy of Sciences. This edition of A Report to an Academy, a short story by the great Kafka, is accompanied by a musical piece especially written by Nurse With Wound (here, Steven Stapleton, Colin Potter, Andrew Liles, Matt Waldron, Quentin Rollet, and It could be Worse).

Set in a grotesque and colorful decorum, the new kaleidoscopic visions of Keiichi Tanaami intertwine the obsessional patterns of the great Japanese master—eyes, military aircraft, eroticized flesh, and pop culture icons.

Inspired by Beirut's urbanism and cultural history, Rechmaoui's sculptures and installations reflect themes of urbanization and contemporary social and behavioral demographics. Including documentation, essays, and interviews, this illustrated monograph takes a look back at twenty years of work by one of the most important post­war contemporary artists from Lebanon and the region.

This publication covers the discursive outcome of the project “Black Hyperbox”—a frame for performance and text based on the alienation between practice and conceptualization.

For two years, Eric La Casa has been recording the urban sonic environment of Paris from the windows of his own apartment. Between a temporary inventory and a musical documentary, Paris Quotidien is the result of this long experiment. Includes a 60-page documentation booklet with photographs.

Catalogue documenting the Canadian artist's most important works to date and a specially commissionned installation. Her steel structures and ceramic works represent menacing hybrid-species engaged in a role play of predator and prey. Includes an essay by Golberg, texts by critics and curators, and a conversation between art historian Leah Pires and neuroscientist Sara Constantino.

An unconventional catalogue gathering a rich iconography and the main text by curator Giacinto Di Pietrantonio, alongside a series of brief testimonies from seventy international artists, telling the alternative story of an icon and his corpus (includes texts by Cory Arcangel, Maurizio Cattelan, Enzo Cucchi, Jan Fabre, Victor Man, Alessandro Mendini, Tim Rollins, Marinella Senatore, Ian Tweedy…).

New monograph: a collection of 352 watercolors made since 2006 by the painter on the theme of industrial landscapes.

Publication gathering an extensive selection of drawings produced by the German artist since the mid-nineties.

The Force of Listening explores the role of listening in the contemporary intersection of art and activism and asks what potential for transformation it might facilitate.

The hundred or so drawings gathered in this monograph provide an intimate glance into the work of Martial Raysse, making available for the general public a body of work that has been little known until now. With an introduction by Anaël Pigeat.

Fanzine-like artist's book gathering historical anecdotes on modern print culture.

Photographic series dedicated to pareidolia—the phenomenon of perceiving non-existing things in inanimate objects, such as human faces or animal heads in rocks (artist's book).

7759 – Bodies, Logistics, and Labor is a collective collection of essays which also includes two photographic works by Stefan Burger. The publication examines the notions of surplus value, logistics and globalization, in the framework of a case study on the self-managed dockers from Genoa.

Catalogue of the 16th Art Quadriennale—the exhibition that brings together in an in-depth and articulated manner, the artistic and cultural production of Italy after 2000. The publication includes a photographic documentation revealing the 150 works on display, a glossary, and bibliographical notes.

Photographic appendix to the eponymous catalogue covering the 16th Art Quadriennale. It completes the documentation with images of the installed works and performances.

Catalogue dedicated to the Polish painter and conceptual artist, featuring his most recent works, an essay by Maria Brewińska, and an interview. The publication reviews some of Bujnowski's key concepts, such as painting as a physical object and its concomitant deconstruction, the centrality of time and the question of futurology, and the randomness of existence.

Paperback tribute guide to the work of Italian artist Salvatore Mangione (Salvo).

Providing an important platform for new and ambitious work from the Middle East, North Africa, and South Asia, the ninth installment of the Abraaj Group Art Prize features "seepage/ritual," an exhibition with the work of winner Rana Begum and the three short-listed artists: Sarah Abu Abdallah, Doa Aly, and Raha Raissnia.

Providing a selection of tracks produced during Arel's American years, this compilation puts to the fore a work which occupies a special place in the history of electronic music because of its groundbreaking role and everlasting freshness.

The 4th album of Babils—an atypical six members Brussels underground band, mixing rock, new wave, psyche, kraut, experimental and repetitive music. Ji Ameeto is the first recording without the late Michel Duyck.

The music of Swedish-Australian duo Native Instrument graciously mixes vocal experimentations and wildlife field recordings. Their debut release compiles four sound collages moving between tropical ambience, club inspired bug beats and amphibian trance.

This large-format artist's book (40 x 40 cm open) brings together graphic works by Claudia Comte. Mathematically structured like a Cartesian coordinate system, the publication folds and unfolds so that it can be read in four different ways. The book becomes a geometric play space in which to discover the many facets of Comte's visual identity.

Photographic account of the two photographers's automobile trip from Switzerland to Mongolia, through the mystical realms of the East.

Founded by Marinella Senatore, the School of Narrative Dance is an international initiative which proposes an alternative system of education, based on emancipation, inclusion, and self-cultivation. The School implements multidisciplinary projects focusing on storytelling and choreography. This publication documents a workshop at MAXXI, Roma, involving more than 300 people for five months.

In this publication, artist Gianfranco Baruchello and writer Michele Mari join forces to provide descriptions of their own dreams. Baruchello's illustrations and Mari's written notes unveil oneiric worlds made of symbols, recurring images, and obsessions, and address the question: just what are dreams made of?

Artist and researcher Riccardo Giacconi investigates the relationship between a range of narrative forms (puppetry, street storytellers, flyers and pamphlets) and a series of pre-political acts of revolt staged between Italy and South America. This publication documents his research project and features a series of texts, notes, archives, illustrations, and interviews.