New edition of the Belgian band's third album from 1981: inspired by H.P. Lovecraft's universe, Ceux du Dehors is a key release for the band. It sometimes suggests a darker and more complex version of the motorik minimalism of classical music contemporaries Philip Glass and Steve Reich.

Nearly 20 years after the publication of his first inventory, Éric Watier has collected 100 new examples of artworks deliberately destroyed by their creators. This new edition combines 200 destruction cases in one volume.

A conversation with French artist Céline Ahond whose work—from video and objects to performance and collaborative acts—questions the place of the individual, power relations, the territory, and the eventuality of freedom.

Oslo Pilot is a two-year research-based project that has laid the groundwork for the Oslo Biennial's first edition in May 2019. It aims to explore art in public spaces and spheres. This publication gathers a collection of commissioned and previously published essays on the subject, and includes a selected transcription of the eponymous symposium.

This catalogue pays homage to the American artist, whose radical language played a significant role in the birth of a new conception of sculpture. Spanning almost six decades of works, The richly-illustrated publication collects several essays and a full-length interview with Kuehn.

For his first record in 6 years, Thomas Ankersmit pays homage to the late legendary Dutch composer, electronic and tape music pioneer, and multimedia artist Dick Raaijmakers. Inspired by Raaijmakers's composition and recording techniques, Ankersmit exclusively used analogue devices, creating three-dimensional and holophonic sound fields.

Summary by Swiss artist Manuel Burgener is a companion piece to his 2018 Manor Prize show at the Kunsthaus Pasquart in Biel, Switzerland. The idea behind this artist's book is to undertake a fundamental examination of the purpose of an exhibition catalogue. It asks whether an artwork, especially a sculpture, can be documented at all in the form of a readable depiction.

Monograph by artist Athene Galiciadis gathering unpublished artworks, specially created for this publication: inspired by Emma Kunz, Swiss artist and healer, whose work draws on geometric abstraction, Galiciadis produced a series of drawings—figures, spirals, patterns and vases—printed on graph paper, accompanied by photographic documentation.

This publication presents an overview of the Zurich photographer's work as well as a very personal record of the Swiss and European arts scene of the past sixty years. Edited by Barbara Stauss, it's also a daughter's tribute to her father on his 80th birthday.

Elizabeth Lebon writes poems, stories and performances, usually with the help of a typewriter. The choice of paper, as well as its format, is centrally important to the conceptualization and experimentation of this artist. This new book-object of concrete poetry plays with the transparency of its leaflets.

This illustrated essay creates a dialogue between the works of Fluxus artist Jean Dupuy and dadaist Marcel Duchamp around their shared interest with eroticism.

This catalogue looks back at Hartung's artistic production and life during the Second World War.

This LP presents two sound works from the German composer's project “the O. theorem,” which focuses on Nikolai Obouhow's revolutionary concept of “total harmony”. Liner notes by Volker Straebel and Hans W. Koch.

3 vinyl LP edition presenting solely unreleased recordings of Panhuysen's famous long string installations. It documents the period 1982-2012, and includes a posthumous track from 2017. With liner notes by Rolf Sachsse and Stephan Wunderlich, and richly illustrated inner sleeves.

LP featuring a recording of the search for a lost tape by musician Ben Patterson, with the help of editor Stefan Fricke and composer hans w. koch. This 1960 lost tape acts a symbolical archive, since it documents Patterson's pre-Fluxus period. Having failed to find it, tehy decided to recreate the recording with a score from this period. The reconstructed track is on the record's B side. This edition includes liner notes, and selected documents chronicling the search.

The itinerary as an artistic, architectural, territorial and social experience.

Forty contributors share their perspectives on photography in Lebanon, evoking its equally numerous forms of existence. Examining techniques, practices, uses, objects, images, histories, and artistic approaches, this publication presents 380 photographs produced between the end of the 19th century and the present day.

In a rapidly changing Beirut, neglected dwellings are condemned to disappear as a result of land speculation. This multi-layered transdisciplinary project aims at examining the transformations that these obsolete architectures undergo. The study, carried on site, based on archives, testimonies and oral history, also proposes new artistic perspectives towards the city.

A comprehensive publication of Rifat Chadirji's photographic folio, which records and analyses the development of his architectural practice in Baghdad, from 1952 until the early 1980s. It provides a unique insight into a collection of photographic sheets that reflect how an architect documented his own work, and coded, organized and referenced his projects using photography.

Forty contributors share their perspectives on photography in Lebanon, evoking its equally numerous forms of existence. Examining techniques, practices, uses, objects, images, histories, and artistic approaches, this publication presents 380 photographs produced between the end of the 19th century and the present day.

In a rapidly changing Beirut, neglected dwellings are condemned to disappear as a result of land speculation. This multi-layered transdisciplinary project aims at examining the transformations that these obsolete architectures undergo. The study, carried on site, based on archives, testimonies and oral history, also proposes new artistic perspectives towards the city.

The first volume of Peter Kurzeck's great autobiographical and poetic chronicle in 12 volumes: the opening of a colossal literary project which portrays the city of Frankfurt and Germany in the early 1980s. A must read, often compared to Proust, Joyce, and Döblin.

Fictionalized biography of Anita Berber, the sulphurous expressionist icon, dancer, actress, and muse.

This first novel tells the story of performing art producers who travel around the world looking for new artists. The protagonists will be confronted with the realities of globalization, its promises, its violence and its lures. An enlightening reflection on the role and limits of creation in the transformation of the world.

Originally conceived for live context employing high volume playback and extended duration, Conduit pushes the parameters of musical composition and perception. Minimal in construction, applying high frequency staccatissimo that gradually turns in on itself, Kaori Suzuki's latest output delivers a striking twenty-six minutes of intoxicating computer music. A remarkable statement.

Footnotes from the Centre for Research Architecture brings together short contributions by students and staff of the MA 2017-18 programme. This publication provides a conceptual framework to compile a series of visual and textual footnotes by each of CRA's students. It enables each student to make visible a crucial fragment of the research process that fits neither within the dissertation's narrative or within the exhibition's format.

A raw extraction from the email inbox of an aerobics teacher.

A collaboration between Andrea Neumann (composer, inside piano, mixer) and Mads Emil Nielsen (composer, electronics).

A 7" vinyl based on an music/audio made by Mads Emil Nielsen made for a dance performance.

Five writers respond to Clare Goodwin's painting Dennis and Denise (2018), offering narrative foils to Goodwin's visual language. Dennis and Denise is neither described nor explained, but serves as a catalyst for literary experimentation. The texts, in turn, illustrate the painting's wealth of implicit meaning (texts by Tony Grisoni, Rebecca Geldard, Chris Fite-Wassilak, Frances Loeffler, Aoife Rosenmeyer, J. Emil Sennewald).

Affiliated with Vaporwave—a sub-genre of electric music and art which criticizes and mocks 1990s internet imagery—artist Chloe Feinberg takes a new turn with this series of black & white erotic illustrations.

A game of cards and strategy whose goal is to bring out his or her rival from the Hospital, a place of freedom without boundaries. Players will have to use alternative medicine, electroshock, trade union struggle and occult forces to succeed.

Visual documentation on Jonathan Monk's eponymous exhibition, commissioned by curator Marc-Olivier Wahler on the occasion of the twenty-year anniversary of the CAN Centre d'art Neuchâtel. The British artist revisits an iconic exhibition he did during the first years of the CAN in 1997. The publication confronts the images of the two events.

First monograph.

Cicoria is a visual essay conceived as a stream of images of the Alessandro Cicoria's past and current artworks, put together with apparently no visual coherence by Cicoria himself. A dialogue between the artist and curator Luca Lo Pinto is the map to understand the peculiar attitude behind his work and vision.

This charming volume stages a dialogue between an ink-drawn character named Little SomeOne, and her creator, illustrator and writer Perrine Rouillon.

This publication features academic and literary contributions, interviews, songs and photos which explores the impact of labor migration on the notion of motherhood from the perspectives of women migrant workers and children left-behind.

The scripts of Romy Rüegger's performances: a constellation of texts, largely written to be spoken. The scripts as they are printed do not document the performances primarily. They are indications of spacial and temporal layering, juxtapositions of aesthetic and poetic elements and bodies. Overlapping every day observations with archival material, confronting, jumping.

This first monograph accompanies a series of videos inspired by the Metabolist utopist architecture movement, created in 1959 in Japan. The videos bring together several portraits of Japanese towns, combining digital images with filmed or photographed images of social and urban reality.

This film documents the struggle for the preservation of the prehistoric rock art sites in the Côa valley in Portugal in the early 1990s.

Limited edition, numbered from 1 to 50, signed, and accompanied by a multiple by Benoit Maire.

Opened to the public since 2005, Codalunga is a section of Nico Vascellari's studio in Vittorio Veneto devoted to experiments in visual and sound art. This publication documents a project which has been going on for a decade now, gathering artists from all around the world.

This publication reflects on the education and mediation programs at documenta 14. Organized as a lexicon, it gathers contributions by members of the programs, curators, artists, and educators.

This publication offers a narrative of artist Alex Martinis Roe's research into a genealogy of feminist political practices in Europe and Australia from the seventies until today.

Limited edition box set including a divinatory tarot game designed by filmmakers Silvia Maglioni and Graeme Thomson. The usual cards are replaced by a selection of 78 photograms from the history of cinema (numbered and signed copies).

Stemming from a Public Art Zurich project, this publication gathers texts and international artists contributions exploring the condition of 21st-century cities in relation with contemporary art.

This comprehensive monograph on Teresa Burga acknowledges the recent reassessment of the multidisciplinary artist's work as a pioneering voice in Peruvian contemporary art.

Drawing relations between the works of Claude Lévêque and quotes from contemporary writers (Don de Lillo, Pierre Michon, Giorgio Agamben, Gilles Deleuze…), modern writers (Charles Baudelaire, Arthur Rimbaud, Jean Giono, Marcel Proust, Paul Valéry…), and classics (Shakespeare, Dante, Aristote…).