A collective reflection on cooperative and co-creation artistic practices engaged in the social field.

During Spring 2015, Eamon Sprod (Tarab) and Eric La Casa spent one week to record on waste grounds, at the north east of Paris, and along the canal Ourcq. Spaces which are somehow both inside yet apart from the city; waiting spaces from which to listen to the threshold of the city.

Following Skins (1994) and Skins & Punks (2008), hailed as modern classics, Gavin Watson's new monograph is an intimate selection of photographs disrupts the notion of skinheads and council estate residents as problematic figures in an almost endearing manner while still preserving the subversive character of the cult of youth.

New monograph, focusing on the ephemeral sculptures made by French artist Arnaud Vasseux in the context of recent exhibitions, at the end of which the works are destroyed.

The first English translation of Hubert Fichte's investigation on New York's African diaspora in the late 1970s. Contesting the stylistic norms of ethnographic studies, Fichte offers an experimental, poetic, and radical reflection on the living conditions, struggles and cultural heritage of New York Africans.

Prints by Jennifer Bornstein gathers together a body of work encompassing her latest projects in printmaking during a recent fellowship at the Radcliffe Institute for Advanced Study at Harvard University. These works are contextualized by earlier projects in drawing, film, and artist books that span the 1990s to the present.

This first monograph on Aslan Gaisumov borrows its title from a video work focusing on the traumatic aftermaths of post-World War II for the Chechen people under Soviet control. The publication documents in text and images this both historical and intimate project.

Giving Voices features documentation on four of Erkan Özgen's video works dealing with war, violence, and trauma—beyond the boundaries of the political, within the dimension of the private and the human. It includes essays and an interview with the artist lead by Hans Ulrich Obrist and Hilde Teerlinck.

This catalogue accompanies three solo exhibitions in which two threads in Amelia Pica's practice are brought together: communication between humans and exchange between species. It includes a series of essays on animal rights and the artistic practice of the Argentine artist, as well as documents and an iconographic ensemble.

This catalogue accompanies the group exhibition curated by Meg O'Rourke at Eykyn Maclean gallery in New York. With Viennese architect Adolf Loos's eponymous 1908 diatribe against excessive ornamentation as its guide, the exhibition draws on the tenets set forth by Loos—simplicity, purity, freedom—with particular attention to their philosophical implications and their persistence into the latter twentieth century.

Perhaps It Is High Time for a Xeno-architecture to Match is a Brussels-based curatorial and research project that seeks to examine the possibilities for re-radicalizing architecture. This publication documents a conversation series from January to March 2017 that sums up their reflections.

Artist's book, based on Peter Voigt and Arno Fischer's project developed for the Marx-Engels-Forum in Berlin.

Ascending from the Liquid Horizon focuses on the possibilities and potentials once proposed by speculative narratives about the future, and reflects on the realm that is currently emerging from the intersection of science, corporate interests, and ecology. Vast developments in technology, advancing hand in hand with rapid climate change, predict a situation far more complex than the current one, defined by an environment where technology levels nature and notions of the biological, natural and terrestrial need to be revised.

Published in collaboration with the Nouveau Musée National de Monaco, this book guides the reader through the discovery of Latifa Echakhch's jardin mécanique, her latest exhibition at the Monegasque institution. A collection of visual and written essays, the publication explores the artist's take on the museum's collection of automatons and set models, as well as on the historical representations of the Exotic Garden of Monaco, through the form of a flipbook, translating on the page the motion of the five video works specifically produced for the exhibition.

An exploration of the absence and presence of the (red) color.

This catalogue accompanies the exhibition by Florence Lazar at the Jeu de Paume. It is also her first monograph.

First English translation of Antonin Artaud's writings from his apocalyptic journey to Ireland in 1937.

Revised and expanded edition of the“Color notebooks” published by the National School of Decorative Arts, a synthesis of a series of in-depth studies initiated by Jacques Fillacier on the characteristics of color perception. A reference pictorial manual, for pedagogical as well as professional purposes, for all practitioners of color—painters, architects, designers, stylists, etc.

Chronotopic Traverses brings together unexpected arrangements of Haegue Yang's versatile sculptures of various materials against a backdrop of a panoramic and dramatic wallpaper Incubation and Exhaustion (2018).

A panorama of the world of do-it-yourself fanzines.

An expanded reflection around the optical principles, the light and the visual perception that constitute the main axes of Flavien Théry's artistic research.

An anthology of critical texts and essays on art and literature written and published by Alexandre Mare during the last ten years: Proust, Man Ray, Oppenheim and Crevel; Bataille, Rivière, Oates and Guyotat; Mallet-Stevens and Breuer; Schulz and von Stroheim; Mansour, Hugnet, Caillois and Duprat; Pynchon, Exley, Robbins, Huncke and Kerouac&hellip

A novel.

The second title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by Emma Dusong, an artist who works with her own voice.

Intersubjectivity is a collection of writings on the presence of language in the visual arts: this second volume investigates the relationship between performance, subjectivity, and human agency within a more global reflection on transhumanism.

How did autonomous art become such an effective tool of the capitalist state? A thorough analysis of the connection between contemporary art and modern biopower.

Since the 1990s, artist Rainer Ganahl has been inspired by Karl Marx's writings. In over 700 pages, this publication brings together essays, photographs and other documentation from dozens of Ganahl's projects adapted from Marx's theories.

Catalogue of Francis Alÿs' exhibition at Beirut Art Center.

First major catalogue/monograph on the French artist: an overview of Molinero's dual work, which both reflects on the academic history of sculpture and refers to pop culture, especially science fiction, splatter films, and crime news.

Piano always had a central role in the discography of French composer Sylvain Chauveau. This selection of unreleased and out-of-print short pieces—mostly soundtracks—showcases what might be Chauveau's musical signature: quietness, slow pace, long resonances, a close as possible to silence. Music to be played at night.

Third chapter in the Sufi Word's series by Belgian composer Jean-Luc Fafchamps, featuring Ensemble Musiques Nouvelles and Centre Henri Pousseur, conducted by Jean-Paul Dessy.

Belgian composer Gobert presents a chisselled and chaotic form of “Chamber Electronic Music”, for piano and laptop, in duos with pianist Nao Momitani and his [KNAPP] bandmate, Gilles Doneux, for Sub Rosa: a subtle mix of electronic composition and contemporary touches.

The first (and the last) concert of mythic Kosmiche Belgian band Kosmose (1973-78): unreleased songs recorded and mixed in March 1975, something undoubtedly cosmic but with a DIY, home-made edge, dirtier than clean, noisier than technology-based.

The first (and the last) concert of mythic Kosmiche Belgian band Kosmose (1973-78): unreleased songs recorded and mixed in March 1975, something undoubtedly cosmic but with a DIY, home-made edge, dirtier than clean, noisier than technology-based.

On Elephantine, his new Northern Spy/Sub Rosa album, Cairo-based Maurice Louca guides a 12-piece ensemble through a panoramic 38-minute odyssey, which he describes as his most ambitious project yet. Elements of free improvisation, Sun Ra's cosmic jazz, gorgeous Arabic melody, trancelike African and Yemeni music and minimalism meet in his wholly unique compositional vision. Louca also makes vital contributions on guitar and piano, and inspires stirring performances from a global lineup.

A previously unheard masterpiece of Israeli multimedia artist Ami Shavit, inspired by the Yom Kippur war, in Sub Rosa's Early Electronic Music series.

Designed under the direction of the artist, this monograph is devoted to Danh Vo's in situ installation at the CAPC museum, through which the conceptual artist explores the relationship between individual and collective history, and the notions of power and masculinity.

The first book by Elena Reygadas, Latin America's Best Female Chef, is more than a cookbook.

Artist's book with which Lauren Huret looks at the question of erasing images on the Internet.

Publication devoted to the only statement the Belgian artist has ever published about his own work.

A publication conceived by Portugese artist Francisco Tropa in collaboration with writer Thomas Boutoux and graphic designer Pedro Falcão, which adopts the form of magazine one flips  through in bars or in waiting rooms. A true/false weekly style magazine with refined imagery printed on glossy paper, The Mustache Hidden in the Beard is dedicated to cultural and scientific topics, design, life styles but also real estate through a series of cutting, quirky articles, investigations, portraits and reports.

The reference monograph deepens, for the first time in an exhaustive way, the pioneering installations created by Fontana since the late 1940s.

Reference monograph.

First major monograph devoted to the “Icarus of Lautertal”, a key figure of outsider art, flying machines inventor Gustav Mesmer. This publication looks back at his path through essays by Lucienne Peiry, Juliane Stiegele and Franz Xaver Ott, as well as photographs by Franco Zehnder and Stefan Hartmaier.

New monograph: a retrospective of Cécile Bart's main projects since fifteen years, from the multiple configurations of her painting/screen to her most recent immersive works, with three interviews.

A composition for improvising sextet by Austrian double bassist, composer and improviser Werner Dafeldecker, providing a structure that doesn't curtail the qualities of the musicians, yet forces them to listen very closely to each other and make focused decisions about parameters that are often overlooked in completely free improvisation.

A set of pieces written by sound artist William Engelen for a 18th century organ, exploring and pushing the sonic boundaries and possibilities of the instrument.

A composition for brass chamber ensemble that explores the origins of language and its relationship with music.

Recordings made between 2005 and 2014 by the experimental German band.