An extended drone work performed on organ, building from a peaceful single note to a harmonically rich and subtile combination of tones.

Between 2017 and 2020, researchers in the fields of art, design, computer science, psychology, sociology, digital humanities and mathematics explored the historical publication of the artist Paul Klee, which appeared in 1925 at the Bauhaus. The research work led to the project being part of a logic of patrimonialisation and transmission of knowledge based on digital technologies.

The latest instalment in Mads Emil Nielsen's sequence of graphic scores and recordings, including the Danish composer's own subjective translations of visual materials and sound pieces accompanied by visual notations: published as a limited edition art print folder, Framework 3 consists of risographed scores and recordings on 10" vinyl and CD—with recordings by Nielsen, along with graphic scores by Katja Gretzinger and contributions by Nicola Ratti.

A clothbound companion to Marina Abramovic's tribute to Maria Callas, a performance that recreates the iconic opera diva's famous onstage death scenes.

Salmon: A Red Herring questions what colours we expect in our "natural" environment. It asks us to examine how our perception of colour is changing as much as we are changing the planet. Adapted into the eponymous Turner Prize-nominated exhibition at Tate Britain, this book launched an international campaign against salmon farming.

Theorists, historians, and artists address the precarious futurity of the notion of the future itself.

Drawing on original documents, photographs and detainee artwork, this book offers a unique insight into the experience of immigration detention in the UK.

A study on the role of research and knowledge production in today's contemporary art, and the growing relevance of art as conduit of knowledge.

A comprehensive look at the unique artistic work of German photographer Annette Kelm and the visual idiom she has developed over the course of her career.

This catalogue stems from an exhibition program which investigated the heritage of the 1968 project The Model, for which Stockholm's Moderna Museet was transformed into an adventure playground for children.

Through “Experimental & Parametric Music 1976-2017,” more than 40 years of Joris de Laet's work are unveiled. We discover here for the first time the great coherence of this work: from “Signalisations” (1976) to “Mnemosyne pour une acousmaman” (2017). The twelve compositions are annotated and explained in detail by the composer, as well as a kind of wild autobiography.

The composition Radio Music Extended, performed by Opening Performance Orchestra, draws upon the concept John Cage brought to bear in his piece Radio Music from 1956.

Silk Saw's 12th album, blending sweet and bitter in languorous and enigmatic melodies that float on intriguing pounding polyrhythms.

A painter and an inventor, Eugène Frey (1863-1930) pioneered techniques of animated sets for the theatre at the same time period as the cinema was invented. While he is contextualized beside the creations of Loie Fuller, Georges Méliès or Lotte Reiniger, he is reinterpreted by the artist João Maria Gusmão. First publication devoted to the work of Eugène Frey, the luxurious catalogue of the exhibition at the New National Museum of Monaco presents texts by Stéphane Tralongo (University of Lausanne) and Laurent Mannoni (Cinémathèque française), as well as a work of fiction by João Maria Gusmão.

Reference monograph: the most comprehensive introduction to the Korean artist's postcolonial and feminist approach.

Publication including the films Transformation Scenario, 70.001, and Faux Terrain, as well as a visual essay, a glossary and texts by Heike Geißler, Fanni Fetzer, and Franciska Zólyom.

It is a form of spiritual revolt that Spanish architect Carlos Martí Arís highlights through a transversal analysis of different artistic expressions that combine to enrich his reflection.

Reissue of a classic example of Masayuki Takayanagi's “non section music” from 1975.

Reissue of a classic example of Masayuki Takayanagi's “non section music” from 1975.

Reissue of a classic example of Masayuki Takayanagi's “non section music” from 1975.

Monograph dedicated to the set of 70 pieces by Arnulf Rainer constituting the Fonds Michel Foëx, of which Rainer Michael Mason presents the first study.

This collective book devoted to the work of Sammy Baloji explores how the artist, born in the DRC in 1978, attempts to “restore defeated connections”. How to think about the memory sifted through colonial violence? What effects does the mining of yesterday and today in Katanga and elsewhere have on the project of a common future? How does form make history beyond erasure?

The transcription of a lecture by Fanny Drugeon on three installations by Japanese artist Shimabuku.

An observation on evolution of material plasticity, a story about plastic whose native land is Mesoamerica (artists' book).

Artist's book / catalogue

Artist's book.

A journey through Western artistic culture with thirty-nine ancient and contemporary works from the Fabrizio Moretti collection, from the Gothic period to the experiments of the last ten years, passing through Mannerism and the Baroque.

A research and artistic experimentation project based on the observation of the evolution of landscapes and the consequences of climate change.

A collection of commissionned translations of a selection of key texts about Intermedia and Expanded Cinema in Japan.

The collection of essays on art by the philosopher and critic Boris Buden constitutes a history of post-communism studied through that of works of art.

This collection of writings from Bonaventure Soh Bejeng Ndikung presents, for the first time in one volume, essays and proposals edited anew.

Of plants and men.

Stefan Banz has brought together and evaluated all the relevant documents and sources relating to Fountain by Richard Mutt alias Marcel Duchamp. At least one thing is certain after reading them: Elsa von Freytag-Loringhoven had definitively nothing to do with the creation of Fountain. In addition, Banz has succeeded in writing a highly inspiring book containing many new and revealing ideas that present this work of the century in a much more differentiated light.

Choosing Venice as the most suitable place to describe natural and social complexities, this publication sets the outcomes produced by a group of scholars and artists during their residencies in the Venetian lagoon. The contributions, in fact, from crossing the stimuli proposed by Altrove Project (2018-19) and from recognizing art and its narrations as a powerful tool to reach newer and more coherent disciplinary hybridizations.

This large monograph presents a new set of sculptures by the artist, installed in the lagoon facing the museum designed by Jean Nouvel in Doha, Qatar, and the different stages of their production.

Perrotin's large hardcover Yearbook presents the gallery's activities across its six international locations over the course of 2019, bringing together exhibition views, conversations with the artists, photographs of workshops and events, and additional exclusive content.

English translation of Artaud le Mômo, edited in the spatial format Artaud intended, for the first time since its original edition in 1947. Includes eight original drawings by the French poet.

Heterogeneous approaches to legal criticism.

An ensemble of essays on the multifarious forms of the critique, showing how these forms are determined by their study object, and how it translates into critical stances.

Oracular Transmissions weaves together three of the most recent collaborative projects Etel Adnan and Lynn Marie Kirby have completed through processes of exchange and translation: Back, Back Again to Paris (2013), The Alhambra (2016), and Transmissions (2017).

The first published collection of the work of playwright and artist Asher Hartman and his Gawdafful National Theater company.

Thomas Köner's new album, marking the relaunch of the lengendary Mille Plateaux label.

This vinyl record brings together three pieces that play mischievously with the voice as a sound source, narrative source or diverted object: "Huellas Entreveradas" (2018), "La Baballe du Chien Chien à la Mé-Mère" (2001) and "Deux Dents Dehors" (2007).

Eiko Ishibashi"s first album for Black Truffle, produced for the 'Japan Supernatural' exhibition at The Art Gallery of New South Wales, Sydney, focusing on ghost stories and folklore from the Edo period onwards.