An overview of the Israeli artist's photographic production.

An exhaustive documentation on ZimmerFrei's eponymous trilogy of short films.

A new essay by curator and publisher Mathieu Copeland about Arnaud Labelle-Rojoux's reinvention of Allan Kaprow's environment The Apple Shrine and considering, more generally, the themes of reinvention in art and the exhibition form.

A photographic series that portrays details of the clothes of passers-by glimpsed along the streets of Manhattan (artist's book).

A look back at social and intimate history of the automotive industry in the 1960s and 1970s, between the USSR and Italy.

Cemetery. Journeys to the Elephant Graveyard and Beyond compiles a selection of the visual and research materials accumulated during the development of the film and project Cemetery (2009–2019).

The early work of the doyen of Italian photography paint a striking portrait of Italy in the 1950s.

First monograph on French designer Noé Duchaufour-Lawrance, whose practice, deeply rooted in natural forms and fine craftsmanship, ranges from objects or furniture design to architecture working for majors industry leaders, as well as many private projects.

First monograph on French designer Noé Duchaufour-Lawrance, whose practice, deeply rooted in natural forms and fine craftsmanship, ranges from objects or furniture design to architecture working for majors industry leaders, as well as many private projects.

An encounter between Gilles Clément, botanist, landscape gardener and writer, and Thierry Fontaine, photographer, both globetrotters and fascinated by the evolution of living things and mutant landscapes.

The encounter between international artist Gary Hill and Martin Cothren, an Amerindian fisherman from the Yakama reserve, thrown in prison and died homeless shortly after his release: conceived by Gary Hill, this singular book alternates the story of their common history over twenty years, touching and tragic (an opportunity for Hill to look back on his own trajectory) and Cothren's letters, interspersed with his extraordinary naive drawings.

An encounter between Gilles Clément, botanist, landscape gardener and writer, and Thierry Fontaine, photographer, both globetrotters and fascinated by the evolution of living things and mutant landscapes.

The encounter between international artist Gary Hill and Martin Cothren, an Amerindian fisherman from the Yakama reserve, thrown in prison and died homeless shortly after his release: conceived by Gary Hill, this singular book alternates the story of their common history over twenty years, touching and tragic (an opportunity for Hill to look back on his own trajectory) and Cothren's letters, interspersed with his extraordinary naive drawings.

An unpublished tale by Raoul Ruiz.

An unpublished tale by Raoul Ruiz.

A project developed by American artist Marianne Vitale around the history of an American hospital built in France during the First World War (with an essay by Rachel Valinsky).

The first edition of the Rabat Contemporary Art Biennial— the first all-female Biennial of Contemporary Art—, held in the Moroccan capital and devised by Abdelkader Damani, director of the Frac Centre-Val de Loire, from September to December 2019.

“Just painting, without any pattern-pretext nor anecdote”: the first monograph of Moroccan abstract painter Fouad Bellamine.

Artist's book.

A protean project embracing a reflection around the photographic medium and modes of understanding the world (artist's book).

Ahmed Bouanani's book on the history of Moroccan cinema from 1907 to 1986, published for the first time 33 years after it was written: a hybrid text with prodigious inspiration.

The first book written by Pierre Escot at the beginning of the 1980s, never published before, intertwines several stories in poetic and narrative fragments.

A collection of narrative texts articulated around the narrowness of a Parisian dwelling and the daily life of its occupant.

Collection of poems influenced by experimental poetry (Tarkos, Pennequin, Quintane...).

An anthology of the artists' zine.

The efficiency of art in common.

Valentin Husson overturns the traditional hierarchy between being and having, rehabilitating the latter as an ecological imperative, in order to rethink our relationship to the environment, in an innovative re-reading of the history of philosophy.

An illustrated portrait of Laurent Le Deunff through interviews with various personalities, artists, filmmaker, philosopher and art critics.

A book about art, publishing and collaboration.

First monograph.

Oh mio cagnetto is the artist's first book of writings, conceived as an artwork. It is a collection of 81 little poems that revolve around the missed and mourned figure of a puppy.

A publication project about listening and sound relations.

Italian composer Mauro Lanza delivers a masterful and radical work of electroacoustic artistry with his contribution to Matière Mémoire's MMXX Series, between electronic and acoustic tactics, pushing the boundaries of experimental and avant-garde music.

With touchstones in electronic dance music, and forward-thinking, synthesizer based abstraction, Hampus Lindwall’s contribution to Matière Mémoire's MMXX Series weaves a singularly striking world of pulsing, organized sound.

A piece made with materials from four artists (Arne Deforce and Deborah Walker, cello; Erik Drescher, flute; Dafne Vicent Sandoval, bassoon), recorded in Marcus Schmickler's studio in Koln, with a Brauner microphone.

A vast expanse of intricate ambience, texture, and tone that encounters Stephen O'Malley exploring quiet, introspective depths.

A history of the concept of data.

The never released before piece Un Monde Lacéré by electroacoustic music pioneer Pierre Henry, a stunning special tribute to Jacques Villeglé and his work, recorded in 2008 in studio Son/Ré.

Special offer for the purchase of the 6 books / DVDs.

For his Spike edition, the artist Seth Price created an 8-track LP. The LP's back cover features a photo of the artist's last-minute Halloween costume from 2018, when he dressed as the Marciano Museum, his spooky masked persona foreshadowing the grisly detail that the museum would close, after laying off its entire staff for their attempt to unionise, almost exactly one year later.

An conversation around the question of time and the links between the short and long term, the present, the past and the possible futures in the artistic practice of Marie Velardi.

Compositions and epistolary improvisations, in tribute to the writer François Augiéras.