winter break: we are closed from December 23rd to January 3rd (orders will be processed in priority as soon as we are back)—many thanks for your patience & happy new year!
Artist choreographer Myriam Lefkowitz talking to Susan Gibb and Julie Pellegrin about the evolution of her practice, and its turn to dance as a sensory trigger for relations between bodies and places.
Artist and teacher-researcher Marie Preston speaks with Nora Sternfeld and Julie Pellegrin about her practice as a crossroads for art, education and cooperative working.
The extension and finalization of a commission given to the artist Eulàlia Valldosera by the members of the association Les amis de la maison de la Mémoire du Royans, a community museum that they founded in Rochechinard (Isère, France) in 1979.
A notebook based on Ursula Biemann's latest film, Acoustic Ocean, an expedition to the depths of the Arctic Ocean in search of interspecies communications.
This publication offers a feminist
and queer interpretation of
artistic practices of the last forty years. It gathers a selection of works
and texts from the late 1960s to the present, newly commissioned essays and
an anthology of artists's texts.
Stemming from a series of works by Sidsel Meineche Hansen, this
monographic catalogue offers a range of perspectives on urgent issues around
gender, sexuality and labour in the digital age.
This anthology gives voice to seven curators who discuss the conception
of shows they organized that marked curatorial history thanks
to their structural innovation in terms of exhibition siting.
The catalogue of the 33rd Ljubljana Biennial of Graphic Arts, curated by
art collective Slavs and Tatars,
examines the relationship between graphic arts and satire.
Second volume of a publication dedicated to the artist's novel, this
metafiction follows a detective investigating the conditions of production
of a novel within an artistic framework.
This catalogue documents a project for which Steegmann Mangrané intends to reframe the history of abstraction, inviting us to re-evaluate the traditional division between nature and culture. It features a selection of works inspired by the artist's readings, from Roger Caillois to Merleau-Ponty.
Another pictureless, pocket-size book by Beni Bischof in his series. It is Bischof's personal presentation of his rich collection of catchy headlines and slogans, absurd comments and off-the-wall remarks. His text archives are a trove of inspiration for his pictures and titles.
The content of this book is the result of a series of solo exhibitions; staged outside of any gallery space, visually undocumented, and taking place without visitors.
Around 1999, artist Becky Beasley began writing to her former tutor, Claire Scanlon, who kept her letters but never replied. Years later, in 2016, the two began to intermittently record their conversations, now as friends.
This book tiptoes between aesthetics and ethics; it proposes to rethink trauma in its necessity as well as impossibility to be represented and understood.
In this course, Reiner Schürmann develops the idea of a distinctive
Medieval Renaissance, connected with the rediscovery of Aristotle. His
analysis is drawn from readings of St. Thomas Aquinas, William of Ockham
and Meister Eckhart's works.
This volume of Reiner Schürmann's lectures unpacks Nietzsche's ambivalence towards Kant, in particular positioning Nietzsche's claim to have brought an end to German idealism against the backdrop of the Kantian transcendental-critical tradition.
The pleonectic comes from a neologism that means: have-more. The challenge of this major book by Mehdi Belhaj Kacem is to identify the ontological principle from which to question the afflictions in which our world is struggling.
Revised and expanded edition of the playful fanzine-manifesto for a rebellious art, presenting 66 more or less subversive artistic movements, to become a rebellious artist in less than a year...
An in-depth history of the landmark situationist
international periodical edited by artist Jacqueline de Jong from 1962–67.
This lavishly illustrated publication features many previously unseen
archival material, historical texts and new commissioned contributions.
This catalogue presents the artist's recent works, tackling issues related
to the plasticity of space and the creation of gaze. It brings together
exhibition views and photographs, an essay by Florian Gaité and an interview
with Marion Guilmot.
The Canadian artist's second album features two immersive pieces that
explore ideas of compositional drift: The Nonsuch is inspired by
nocturnal hallucinations while In Praise of Blandness builds on
sinologist François Jullien's concept of “blandness”.
A book of photographs and texts showing young people in their precarious work uniforms, drawing up a sensitive social chronicle of the precariousness of work among this generation.
A detailed analysis of Franz Erhard Walther's pioneering Werksatz series of wearable fabric sculptures by Erik Verhargen, accompanied by a history of the piece by Thierry Davila.
A political view of international contemporary creation seen from the Gulf region, where wars and diplomatic tensions have constantly determined the history of the early 21st century (exhibition catalogue).
The first of a two-volume publication dedicated to the artist's novel,
this theoretical essay aims to elucidate the pressing questions posed by
the emergence of this new artistic medium with a number of key case
studies and interviews.
LP plus DVD with full-length movie (125 minutes) of Balafon music of the
Lobi people, recorded in and around Gaoua, Burkina Faso, on a two-week
journey in June 2014, by Dirk Dresselhaus (alias Schneider TM), Julian
Kamphausen and Arved Schultze. Packaged in a full-colour gatefold sleeve
with DVD tray, with numerous photos and an extensive interview with
Dresselhaus.
Presented as a work-in-progress, this text on American artist Rindon
Johnson's video practice offers a reflection on the widening creative
possibilities in the multimodal digital landscape, while discussing the
political and personal aspirations of a new generation of artists and
critics.