Discover Richard Tuttle as story teller and writer: first publication of 44 short stories by the artist paired with 22 sculptural works from the "Stories" Series.

Italian pianist, performer and composer Giovanni Di Domenico presents 4 new pieces in collaboration with Eiko Ishibashi, Jim O'Rourke, Joe Talia and Tatsuhisa Yamamoto.

Catalogue bringing together four virtuoso artists in excess, overflow and debauchery.

A collection of works, documents, testimonies, recollections and analyses that offers an exceptional overview of the history and life of the New Realist group.

Two essentiel works of musique concrète commissioned for and and realised at the GRM by Lionel Marchetti during the mid ‘90s.

Monograph dedicated to Jim Shaw's “Paperback Covers” key series.

The first comprehensive monograph of the highly accomplished Albanian artist Edi Hila.

The catalogue of the Belgian-American artist's architectural and video installation, at the crossroads of different disciplines, conceived by Cécile B. Evans herself.

The latest album by Iranian-American electronic music producer Sote is an all electronic affair, harmonically maximalist, predominantly symphonic-synthetic, requiring active listening.

A poem written by the artist for the space of the book composed only of punctuation marks.

In a series of essays the artist Edith Brunette and François Lemieux outline collectively a few proposals on the question of inhabiting as put forward from their multiple and tenuous attachements to the land.

This book furthers the reflection that was given form in the exhibition Blues Klair, a site to test History in terms of the present. A series of essays probes the enduring presence of colonialism as well as of alliances and cultural crossovers across time and space through the filter of the colour blue.

The text and photo diary of a forty-day journey on foot from Venice to L'Aquila, following the subterranean fracture where the European and African tectonic plates meet, in search of the symbolic dimension and the real effects of seismic waves.

Stronger than Bone draws upon the embodied strength, intuitive desires, and collective wisdom of feminists and non-binary protagonists to foreground the manifold dimensions of feminist politics and commitments.

A dive into the world of fantastic realism through the works of some twenty contemporary artists.

Three three pinhole photographic series by the Venetian artist who explores the possible interactions between artistic and scientific languages.

Schürmann's lecture on Marx emphasizes the philosophical axis of the German theoretician's work and reads it as a transcendental materialism.

Aesthetic practices and human rights in the global south.

A nonsense opera (artist's book).

Nine interviews with the artists exhibited in the Geneva art space Forde between 2018 and 2020.

This publication brings together photographs taken by Marion Scemama during a trip through the American desert with David Wojnarowicz, shortly before his death. It features documents from Scemama's personal archives and notes from Wojnarowicz's diary, along with texts by Thibault Boulvain and Elisabeth Lebovici.

First publication of the essay of the Spanish architect Elisa Valero Ramos.

A book that documents/closes the Oslo-based queer-feminist plattform FRANK, with a rich contributions list and many illustrations.

A fascinating journey into the experimental filmmaker's universe.

Seven American artists share their invaluable perspectives on the decisive work of Simon Hantaï.

First comprehensive monograph on Swiss artist Raphael Hefti (book printed by the artist himself with a specific technique making each copy a unique object).

This monograph deals with Diego Marcon's overall practice through the analysis of three works.

A split LP from two leading voices in electroacoustic music.

Silent Blocks considers two point of views on the Covid-19 pandemic and the way it is dealt by Western countries during the lockdowns of spring 2020. First, Myr Muratet's photographs in a silent Paris. Then, the thoughts of Canadian science journalist David Cayley, based on the work of philosopher Ivan Illich.

A total musical and visual performance.

A collection of the writings, in the form of slogans, which have accompanied Marcello Maloberti in almost thirty years of poetics.

A polyphonic genealogy of the concept of contemporary African art.

Digital and data technologies are actively transforming the archives of contemporary warfare. Bringing together a range of scholarly perspectives and artistic practices, (W)archives investigates digital archiving as an integral technology of warfare and how artists respond to these changes.

This book takes as its starting point artist Ilona Németh's extensive research into the history of sugar production in Central Europe, from its beginnings in the early nineteenth century.

The script for, and conversations around, artist Jesse Ash's multi-dimensional project built around a play about a bitter argument between two ex-lovers.

G for Gong looks at the artistic practice of Singaporean video artist and theater director Ho Tzu Nyen. An extension of the artist's large-scale solo exhibition in 2019, this book not only explores Ho's distinctive artistic approach but also dives deeper into the themes of his work.

Artist and writer Jenny Odell speaks about the role of design and observation in a fully virtual commencement ceremony for Harvard University Graduate School of Design.

In response to recent discussions about the value assigned to artworks, art critic and theorist Isabelle Graw introduces the term "value reflection", focusing on the artistic production of three individuals—Francis Ponge, Jack Whitten and Banksy.

Can objects be traumatized? How does the commercial value of an art object relate to its aesthetic qualities? How do objects interact? These are some of the questions addressed by Graham Harman, the originator of object-oriented philosophy and a central figure of the Speculative Realism school of thought in contemporary philosophy.

Socialist realism and the relationship between the visual culture of the 1950s and the geopolitical "climate" of the time.