Drawing from notions of "bad poetry" as the critical undoing of normative taste, Antilogy brings together works by the Brazilian artist and poet Alex Hamburger.

The third solo album by Paris-based Japanese experimental musician and sound artist Tomoko Sauvage, recorded in a former water tank in Berlin, a building with a special architecture and acoustics.

Presenting the first perfomance of Hermann Nitsch's grand and large-scale “Traubenfleisch” symphony.

Conceived as a children's book, Stories of Little and Big Blossoms is a collection of illustrated short stories about Elham, a little Iranian girl exiled in Germany, and her difficulties to fit in this new environment. A poetic work on exile, friendship, courage and open-mindedness, inspired by the childhood of author and illustrator, Shirin Azari.

Photographer Mihai Barabancea portrays the underworld of post-Soviet Romania and Moldova: a set of subjects and scenes revealing the crude reality of the streets, zeroing in on moments of ruthless rawness and keen poignancy.

A photographic journey in contemporary Turkey, looking for traces of the protean presence of Mustafa Kemal Atatürk, the founder of the Republic, in more than 600 pages.

Agricultural landscapes and portraits of the Swiss Alps: a fascinating visual study of the relationship between humans, animals and topography in the context of a rapidly changing agriculture and dairy industry.

Female identity through the images of five Italian women photographers, 1965-1985: a reflection on identity and its representation in recent history.

A body of essays and visual contributions by radical theorists around the prosthesis and the "augmented body" issues.

Monograph / artist's book.

Retrospective monograph.

This book is dedicated to the work of Roberto Sironi, as part of a series of monographs on the thought and work of young contemporary designers. The activity of the Italian designer unfolds through highly symbolic projects, based on his personal interest in anthropology and ethnology.

The series of photographs plastered by Alessio Bolzoni over twenty six billboards in sixteen different locations across the city of Milan.

Ian Kiaer's new monograph is based on a project that the artist began several years ago and whose configuration changes with the circumstances. Drawing on the notion of marginal endnotes in books, it references the utopian concepts of the Austrian American architect Frederick Kiesler (1890-1965).

Curating performing arts (a research project by Reykjavik-based curators Alexander Roberts and Ásgerður G. Gunnarsdóttir).

Catalogue dedicated to contemporary artists whose production concentrate on the reuse of existing images (new expanded edition). This publication investigates the various practices of these iconographer artists through documentation, illustrations, essays, and interviews (with Haris Epaminonda, Wade Guyton, Camille Henrot, Thomas Hirschhorn, Jonathan Monk, Linder Sterling…).

The unpublished story, reproduced in facsimile, of the journey to Paris of Frédéric Bruly Bouabré (1923-2014), Ivorian poet and artist, "prophet", creator and inventor of the Bété alphabet, who writes a "report" of his encounter with the Western world on his return from the opening of the mythical exhibition "Magiciens de la Terre".

Set alongside guest contributions, this catalogue offers, from the works of the two Dutch artists Nicky Assmann and Jan Robert Leegte, a fresh take on the fundamental concept of nature, in an age when science and technology are capable of replicating its phenomena.

Thulani Davis' collection of poetry about music.

Alter Architecture Research Collective's manifesto (contributions by Andreas Rumpfhuber, Tiqqun, Mariapaola Michelotto, Giorgio Agamben and Julian Siravo).

A phenomenology of voice and hearing.

Entonnoir de Nous: a machine misunderstands two humans over several years, and unwittingly writes a book of poetry.

Book / sonic sculpture.

Sébastien Roux pushes Max Neuhaus' concept of succession of timbres to a new height in a drastically systematic composition.

The collected reviews and interviews of art critic, curator, and artist Christian Egger.

Karbe Dinel creates a complex work of sound that shifts through diverse moods and seamlessly dovetailed sections, using synthesizer and effects to create deep resonating tones and high pitched complements, mysterious grainy ambience, haunting chambers of drifting electronics; a mysterious and compelling journey in the electronic realm.

A piece composed by Phill Niblock, performed live by Ensemble IRE trio: Kasper T. Toeplitz (ebass), Franck Vigroux (eguitar), Hélène Breschand (e harp) on side A / a piece composed and performed by Kasper T.Toeplitz (ebass) and Franck Vigroux (guitar, electronics) on side B.

Drawings and texts by Olivier Bringer (series of 30 drawings and 12 unpublished texts printed on Munken paper).

Denis Lavant reads/says the poem Vents by Saint-John Perse (1946), accompanied by Quentin Rollet (saxophones) and Patrick Müller (electrosonic). With the participation of Romain Perrot (guitar).

A book produced in conjunction with Bauer Verlag's eponymous series of screenings at the Studio/Cinema in Brooklyn, with about 25 contributions.

Stéphane Vigny's first monograph, conceived as an object with several levels of reading, as well as the sculptures of the artist.

The first ever anthology of feminist poetry from Russia.

Come Closer: The Biennale Reader, published on the occasion of the inaugural Prague biennale, considers the present via counter-hegemonic readings of the past. The book explores various perspectives of class, race, and gender differences in post-socialist states, past and present.

The essays of this book transverse the vqrious dimensions of standstill as an in-between of time (with essays by Georges Didi-Huberman, David Lapoujade, Peter Osborne, Jacques Rancière, Christine Ross, and others as well as conversations with Via Lewandowsky, Aernout Mik and Marcel Odenbach).

Art as a specific and autonomous form of energy (publication arising from the 2019 activities of the MA Fine Arts program at the Zurich University of the Arts, directed by Donatella Bernardi).

This book merges memoir and social critique in an original fashion. By combining personal observations with a general systemic analysis, it thereby seeks to propose a new genre of writing.

A selection of drawings from the Belgian artist's extensive corpus.

This comprehensive publication by the art foundation Thyssen-Bornemisza Art Contemporary (TBA21) engages with more than 100 works of art in over 1,300 pages, proposing a speculative topography that organizes and weaves together sequences of potential narratives and interrogations along with close examinations of different works of art and a collective archive of images.

A collaboration between artists Musquiqui Chihying (Taipei, Taiwan/Berlin) and Gregor Kasper (Berlin) together with rapper Elom 20ce (Lomé, Togo).

This collection of texts—with many unpublished—spans over half a century of the conceptual artist's radical engagement with art education and its institutions.

American production designer Hannah Beachler engages in a conversation with Jacqueline Stewart and Toni L. Griffin about set building and curation, urban design, location scouting, Afrofuturism, fictional histories, and Black feminist narratives, and elucidates her role.

In the form of a conversation with filmmaker and artist John Akomfrah, this book sets out to explore how his work with montage can be understood to articulate contemporaneity in sensuous ways.

In Exhibition-ism, theorist and artist Mieke Bal develops the idea that exhibiting is a significant form of the contemporary.