A split LP featuring two complementary experimental sound performances.

A collective publication implementing the itinerant project of the School of non-work developed by the Geneva-based Argentinian artist Patricio Gil Flood, developed in always different forms, depending on the context where it settles and acts.

An investigation into the history of Tunisian filmmaker Habib Masrouki (1950-1980).

How film may be a constructive tool to examine the state of the world and its cruelties, and how to form a more stable and supportive culture of film production and distribution.

A curatorial and research project that aims to move beyond insanity as the opposite of sanity, and imagine a space beyond what is understood as sane, i.e. ultrasanity—not a romanticization of madness or mental illness, but an effort to reconsider and challenge the notion of madness and the stigmas labelled on the so-called mad.

A collection of essays, librettos, lyrics, memories, photos, personal anecdotes by musicians, visual artists, researchers and archivers that pays homage to the work and life of African-American composer, musician, performer, activist Julius Eastman.

Stefan Römer's second deconceptual album: six gun shots and an algorithm.

A selection of recently exhibited works of the Californian artist.

A series of cutouts from drawings made in graphite on 46 by 61 cm size paper, and which are part of the Fumées Sombres series (2020).

A reflection on the stakes of the analysis of dance works and the education of the gaze.

A manifesto for the right of exile: the foreigner is the future of the citizen.

Published on the occasion of the forty-year anniversary of Chantal Crousel Gallery, this extensive publication (more than 700 pages) traces the history of the gallery, a major actor on the contemporary art scene, in France and abroad.

First English translation of the seminal essay on type in architecture by Spanish architect Carlos Martí Arís.

First French translation of the seminal essay on type in architecture by Spanish architect Carlos Martí Arís.

This major monographic publication is the first in-depth study of the oeuvre of Swedish artist Ann Böttcher.

A retrospective of Anne Van der Linden's paintings and drawings from 2015 to 2020.

19 poems and 23 chronicles of improvised music concerts (Albert Ayler, Sophie Agnel, Raymond Boni, Hélène Breschand, Steve Dalechinsky, Joëlle Léandre, Seijiro Murayama, Jean-François Pauvros, Barre Phillips, and many others).

An extensive overview of Olivier Mosset's six-decade painting practice.

New monograph / catalogue.

This monograph showcases Elisabeth Wild's kaleidoscopic and vibrantly colored collages titled Fantasías.

In this provocative intellectual biography, architectural historian Mark Wigley makes the surprising claim that the thinking behind modernist architect Konrad Wachsmann's legendary projects was dominated by the idea of television.

The General's Stork explores historical accounts of biblical prophecies, colonial narratives, and the politics of technological warfare in the Middle East from a bird's eye view.

Since 2015, Yann Toma and Antoine Mandel have been bringing artists and mathematicians together at the Sorbonne. From these encounters between the two extremes of the conceptual were born the texts presented here which highlight new forms of creation, representation and action on the real.

A kaleidoscopic peek into the traditional circus of Riga.

This publication tells of the journey of a photographic research of the origins of cumbia music along the lower Magdalena river in Colombia.

"1 Million Roses for Angela Davis" traces Davis' immense influence and legacy as activist and scholar on contemporary artists today, while simultaneously teasing out the contradictions her presence and agenda posed to the GDR's interpretation and application of Marxism.

The radical feminist practice of the Italian art historian, art critic, poet, and feminist Carla Lonzi (1931–1982) and its potential relationship to both historical and contemporary art practices offers the contextual framework for the publication Deculturalize.

First comprehensive monograph.

New monograph, documenting a large-scale installation that reflects the artist's dreamlike aesthetic, his ongoing exploration of notions of movement, transition and vulnerability, and mythological narratives, offering a rare glimpse into Clemente's forays into the field of sculpture.

The first comprehensive publication to cover the artist's output from the last ten years.

An unusual vantage on the history of cinematic production in the twentieth century.

This catalogue demonstrates the complexity of Diego Perrone's practice with a thorough analysis of his work from the beginning to the present day.

An in-depth introduction to the artistic practice of Lea Porsager.

An artistic research on the political construction of representations of socialist and capitalist modernity during the Cold War, through a history of exhibitions.

First comprehensive monograph.

A rich selection of archival material along with critical essays and the series of paintings and spatial intervention that Fredrik Værslev especially produced for his exhibition at the Kunstnerforbundet in Oslo.

Dieter Roelstraete deciphers the series of national flags painted by Norwegian artist Fredrik Værslev.

An overview of the Israeli artist's photographic production.

An exhaustive documentation on ZimmerFrei's eponymous trilogy of short films.

A new essay by curator and publisher Mathieu Copeland about Arnaud Labelle-Rojoux's reinvention of Allan Kaprow's environment The Apple Shrine and considering, more generally, the themes of reinvention in art and the exhibition form.

A photographic series that portrays details of the clothes of passers-by glimpsed along the streets of Manhattan (artist's book).

A look back at social and intimate history of the automotive industry in the 1960s and 1970s, between the USSR and Italy.

Cemetery. Journeys to the Elephant Graveyard and Beyond compiles a selection of the visual and research materials accumulated during the development of the film and project Cemetery (2009–2019).

The early work of the doyen of Italian photography paint a striking portrait of Italy in the 1950s.

First monograph on French designer Noé Duchaufour-Lawrance, whose practice, deeply rooted in natural forms and fine craftsmanship, ranges from objects or furniture design to architecture working for majors industry leaders, as well as many private projects.

First monograph on French designer Noé Duchaufour-Lawrance, whose practice, deeply rooted in natural forms and fine craftsmanship, ranges from objects or furniture design to architecture working for majors industry leaders, as well as many private projects.

An encounter between Gilles Clément, botanist, landscape gardener and writer, and Thierry Fontaine, photographer, both globetrotters and fascinated by the evolution of living things and mutant landscapes.