Silent Blocks considers two point of views on the Covid-19 pandemic and the way it is dealt by Western countries during the lockdowns of spring 2020. First, Myr Muratet's photographs in a silent Paris. Then, the thoughts of Canadian science journalist David Cayley, based on the work of philosopher Ivan Illich.

A polyphonic genealogy of the concept of contemporary African art.

Digital and data technologies are actively transforming the archives of contemporary warfare. Bringing together a range of scholarly perspectives and artistic practices, (W)archives investigates digital archiving as an integral technology of warfare and how artists respond to these changes.

Can objects be traumatized? How does the commercial value of an art object relate to its aesthetic qualities? How do objects interact? These are some of the questions addressed by Graham Harman, the originator of object-oriented philosophy and a central figure of the Speculative Realism school of thought in contemporary philosophy.

This book takes as its starting point artist Ilona Németh's extensive research into the history of sugar production in Central Europe, from its beginnings in the early nineteenth century.

The script for, and conversations around, artist Jesse Ash's multi-dimensional project built around a play about a bitter argument between two ex-lovers.

G for Gong looks at the artistic practice of Singaporean video artist and theater director Ho Tzu Nyen. An extension of the artist's large-scale solo exhibition in 2019, this book not only explores Ho's distinctive artistic approach but also dives deeper into the themes of his work.

Artist and writer Jenny Odell speaks about the role of design and observation in a fully virtual commencement ceremony for Harvard University Graduate School of Design.

In response to recent discussions about the value assigned to artworks, art critic and theorist Isabelle Graw introduces the term "value reflection", focusing on the artistic production of three individuals—Francis Ponge, Jack Whitten and Banksy.

Socialist realism and the relationship between the visual culture of the 1950s and the geopolitical "climate" of the time.

The intersection of walking and collecting.

Mario Pfeifer's most extensive monograph to date.

New monograph.

Copies, appropriations, quotations in the collections of the Centre national des arts plastiques (also available in English).

The volume New England brings together a series of portraits by Liu Xiaodong of homonymous subjects. The project represents the artist's search to portray a generation of young Chinese professionals who have moved to London to try and follow their dreams.

The possible role of weaving as a transgressive practice, as a weapon of protest and sabotage.

Λ (Lambda) is an artist book by Micol Assaël which collects a series of 72 drawings made by the artist starting in 2011 as a reflection on light.

Publication based on the eponymous futuristic / dystopian project of the Italian artist and film-maker.

The series of works developed by Sara Enrico around the concept of the textile jumpsuit.

Unpublished photographs taken by Josef Albers during his travels to Mexico with Anni in the 1930s and 50s.

The publication studies four aspects of the practice turn in media studies: Media history from a praxeological perspective, the practice turn in religion and media studies, the connecting and dividing lines of media theories concerning gender and post-colonial agencies, and a historical and theoretical examination of the current relationship of media theory and practice theory.

The deep political and moral ambiguity attributed to the maritimeelement in Western philosophical and literary imaginaries.

A philological and theoretical rereading of the late work of Johann Georg Hamann (1730-1788).

Children and childhood in modern literature.

David Graeber's interviews (with Mehdi Belhaj Kacem, Nika Dubrovsky, and Assia Turquier-Zauberman) redefine the contours of what an anarchist morality could be today.

A comparative analysis of the poetic creation of the second half of the 20th century, under the aegis of the notion of non-dualism, redefining the epistemologies of action peculiar to the poetry of the 1960-80s but also, in perspective, of the extreme contemporary.

The writings of the artist Marcel Alocco, painter, writer and poet, presented in the chronological order of their writing, from 1963 to 2001.

The first “Cahier Enseigne des Oudin” (Enseigne des Oudin's booklet) highlights three periods of Marcel Alocco's work in two volumes, emphasizing the scale of a mythological tale printed in every image the artist and poet has offered over a fifty-year period, through his Patchwork Painting and the ornamented unweaving on the canvas surface.

The consideration of flowers as an object of contemporary design (a curatorial exploration).

Monographic catalogue based on the project specifically created by Stéphanie Brossard for her native island of La Réunion: a deconstruction of common narratives and a creolisation of forms and thoughts, in a poetic gesture made up of skilful appropriations and wild reimaginings.

By means of photographs, videos, installations and sound pieces, Esther Hoareau depicts phantasmagorical landscapes which nevertheless share certain appearances and appeal to a truly collective imagination (monograph).

An analysis of the exhibition pavilions (universal exhibitions and bienniales) from the point of view of their architecture, crossing the contributions of designers and architects, historians, philosophers and aestheticians.

A new kind of queer art writing.

First vinyl release of the classic album of 2001, remastered by Stephan Mathieu.

This biography of a fictitious artist constitutes a critical analysis of the professionalization of arts education as well as a support for reflection in favor of the socio-economic responsibilities of artistic practices.

The seventy-three sonnets, unpublished in French, written by Walter Benjamin in memory of his friend Fritz Heinle, a poet who committed suicide at the age of 19, in despair or in protest against the advance of the First World War (bilingual edition).

Two improvised concerts where are woven between the piano and the saxophone subtle games of harmonic textures, appearances of differential sounds, resonances and sometimes some more noisy sequences.

A subtle expanse of delicate ambiences and long tones, meticulously constructed into an immersive sonorous world.

The 2020 remaster & vinyl reissue of PM016 by Danish musician Mads Emil Nielsen, re-mastered and cut by Kassian Troyer, with cover artwork by visual artist Dane Patterson.

The 2020 remaster & CD reissue of PM016 by Danish musician Mads Emil Nielsen, re-mastered by Kassian Troyer, with cover artwork by visual artist Dane Patterson.

Snapshots of a photographer's inner life.

A complete study of Sylvie Fleury's installation, a tribute to Claes Oldenburg.

The first study of all the archives and documents relating to the artist's museum created by Martin Kippenberger.

The first systematic and exhaustive study of the company named Readymades belong to everyone® with which Philippe Thomas radically questioned the author's figure.

An extensive overview of Olivier Mosset's six-decade painting practice.

An exploration of the synesthetic phenomenon, where language and perception interweave in poetical ways.

Ted Dodson's thoughtful and experiential second collection of poems.