New large-scale paintings and site-specific floor poster installation relating to youth culture movements, revolving around the states of bewilderment, uncertainty, and alienation, as well as enthusiasm and hope, that accompany the process of growing up.

Retrospective monograph.

The Roman period (1974-1976) of the Swiss artist Hannah Villiger (1951-1997), some decisive years where she developed the sculptural approach to photography that would shape all of her later work.

A photographic project about the history and repercussions of the life of German botanist and gardener Georg August Zenker.

A sculptor's life: on the career and innovations of Makoto Fujiwara.

The facsimile edition of the visionary sketches and notes of the surrealist master for Brian Gibson's horror film Poltergeist II.

Michele Sibiloni photographs the harvest of bush crickets in Uganda, between local traditions and questions about a global future.

A series of over 1200 close-ups of advertising posters in Zürich photographed by Anna Stüdeli.

A critical analysis of the format of the curatorial residency as a research model.

The history of Soviet and post-Soviet art from 1970 to the present through the essays of thirty authors and the works of more than fifty artists.

A bucolic pictorial / photographic project by Julien Carreyn around a French watermill.

A reference book containing all the transcripts of Simone Forti's News Animations.

The report of the third edition of The Experimental Education Protocol, an alternative educational model imagined by the artist Angelo Plessas, organized in the form of a sailboat cruise in the Aegean Sea.

Marialba Russo's collection of photographs of Italian porno film posters from the 1970s, questioning both the view of the original images and their later exhibition.

The history of Arabic calligraphy.

The catalogue of the 12th edition of Sonsbeek, centered around labour, and its sonicities, connects a millenary history crossing times and geographies to the present moment, through a multitude of voices, sounds, and ripples.

This reader is a culmination of direct and tangential deliberations on notions of labour, appreciated across geographies and mediums. Newly commissioned textual manifestations in a multilogue with historical positions.

Mediterranea 19 – School of Waters imagines a Biennale as a temporary school inspired by radical and experimental pedagogies and the way they challenge artistic, curatorial, and research formats.

A new set of sculptures created by Daniel Arsham from the vast collection of molds produced by the Ateliers d'Art du RMN - Grand Palais.

The masterpieces of classical antiquity revisited by Daniel Arsham: pursuing his fictitious archaeological approach, the American artist offers through his reappropriation of the Venus de Milo or Michelangelo's Moses a reflection on our relationship to time.

This monograph dedicated to the sculptor Klara Kristalova is a tribute to her whole work, revealings on the one hand her drawings and on the other hand her sculptures, sometimes in various exhibition places.

French designer Gregory Granados imagines the ideal shape of a vase/flower pot for a dancing plant. His discreet and subtle research questions the connection between the shaping of a given material and the sound it emits, investigating the acoustic properties of glass.

A poem first published in 1975 by Bern Porter, presented in alphabetical order, with the same number of acts for each letter. This new edition presents an additional introduction, transcribed from a reading given by Bern Porter on May 19, 1985, in Madison, Maine.

Exhibition catalogue.

A collection of Michaël La Chance's observations and reflections on performance art in Quebec and on the international scene.

Written in one night, at the age of 21 by Pierre Escot, Piotr is the possible inner monologue of an actor, struggling with the omnipresence of his character, alternately heroic or cruel. A fight with himself, with his double, both inspiring and paralyzing. A text that Denis Lavant created in a reading at the Théâtre Ouvert in 1989 and who signs the afterword here.

An album created as a loosely structured piece for live performance in 2018-2019, commissioned by CTM in Berlin and Sonic Acts in Amsterdam, and premiered there on the GRM Acousmonium. The music is inspired by—and dedicated to—the pioneering research of American composer and installation artist Maryanne Amacher (1938-2009), and created entirely on the Serge Modular analog synthesizer.

The new solo work for concrete sounds, electronics and instruments from Australian composer-performer James Rushford: a shimmering and skittering piece inspired by the play of light and shadow on water.

Mahalla – The Survey offers a scientific investigation and an artistic statement which aims at a critical reading and a tentative exploration of a fascinating Uzbek cultural heritage: the mahalla (luxury box set including numerous documents, a 7" vinyl record by Carlos Casas and exclusive art prints by Bas Princen).

Gabriele Basilico's previoulsy unpublished photographs in the strip-tease theaters and nightclubs of Milan in the 1970s reveal a new dimension of his oeuvre.

The architectural images of the famous photographer on the island of Procida off Naples in 1972, presented for the first time.

A journey in the land of absurdity made by weird and often futile heroines, YouTubers who are losers and extremely unproductive manageresses...

A crazed narrative of entasy, a free-fall plunge into the vortex of digital introspection and poetic-cum-militant blackness.

A history of dance in Lyon and in France over the last 40 years through the story of the various lives of Guy Darmet, director for 30 years of the Maison de la Danse and initiator of the first International Dance Biennale.

The collection of previously unpublished interviews and extended versions of Alan Licht's famous conversations with figures in the American art and music scene (Vito Acconci, Matthew Barney, Rhys Chatham, Tony Conrad, Henry Flynt, Milford Graves, Christian Marclay, Phill Niblock, Suicide, Michael Snow, Tom Verlaine, Yo La Tengo...).

You Got to Get In to Get Out. The Never-ending Sound Continuum is one of the elements that integrate an homonymous curatorial research project that takes place at La Casa Encendida (Madrid) based on the vision of techno as a cultural, social, historical and material entity by curators Sonia Fernández Pan and Carolina Jiménez.

First monograph on the work of the French artist Marine Pagès' expanded drawing practice.

A new edition of Thomas Köner's album inspired by the capital of Greenland and the wide open spaces of the Arctic region, an ideal gateway into the world of the German musician and sound artist.

A new edition of Thomas Köner's album inspired by the capital of Greenland and the wide open spaces of the Arctic region, an ideal gateway into the world of the German musician and sound artist.

An critical exploration of the public role of cultural institutions in times of global crisis.

Retrospective monograph.

A series of essays conncerned with the ethics of writing (about people and art), as well as a reflection on the identity politics of the early 2000s.

This book is a documented and illustrated manual of the turntablism practices developed by Maria Chávez over many years. It encourages experimentation and personal research through numerous examples and detailed instructions.

Unholy Movie is an edition inspired by the films of Vincent Epplay, associated with an original fiction of Daniel Foucard. An audio K7 is included.

Fantas Variations features eight reworks of Caterina Barbieri's composition Fantas (Ecstatic Computation, 2019) by a diverse mix of artists lending to a wide spectrum of new works extrapolated from the original work.

Cylene Suisse Redux documents François J. Bonnet and Stephen O'Malley's Switzerland tour in December 2019, following the release of their first album, Cylene, whose material is re-worked by Jim O'Rourke and Ryoji Ikeda.

The first publication of a lost 1978 text by Peter Gidal—one of the most influential experimental filmmakers ever.

Binding a deep social and political conscious with rigorous musical experimentation, the Brussels based, Italian pianist, performer, composer, Giovanni Di Domenico, delivers Downtown Ethnic Music, the 4th instalment of Die Schachtel's Decay Music series, focused on inspired contemporary experimental efforts in the ambient, ethereal, and emotively abstract music.