Julien Carreyn captures the singularity and strangeness of a cultural center during a residency.

Dixit Algorizmi. The Garden of Knowledge sets out to question the origin myths and narratives surrounding modern technologies, using the lens of contemporary artistic practices to explore their forgotten roots and overlooked resonances with distant places, times and cultures (catalogue of the Uzbekistan's pavilion at the 59th International Art Exhibition, Venice Biennale, 2022).

"Stories of Paper" traces the history of paper as a thousand-year-old material used from antiquity to the present day, and provides an original perspective on the history of graphic arts.

First monograph.

Two contemporaneous bodies of artworks, which demonstrate the parallel tendencies of art in state socialist Hungary in the early 1970s.

Hyperrealist photographer of California skateparks Amir Zaki's new monograph covers twenty-plus years of photographic work, including an essay and interview.

First monograph, presenting four perennial works created by Christine Maigne as part of public and private commissions and which are organically articulated to the ground.

In this writing, French architect Bernard Quirot carries a reflection on his theoretical foundations and evokes, through his architectural journey, a critical vision of the increasing complexity of the world.

A wide-ranging photographic survey of contemporary and modern sacred architectural constructions in the Puglia region of Italy through nearly 200 cataloged brutalist, modernist or simply eccentric buildings.

Artist's edition (poster).

A collective reflection on the imperatives of sustainability and reversibility to which architecture must respond today, in connection with contemporary societal and environmental issues.

The fourth issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the figure of the Fortune Teller.

Richly illustrated, this book provides for the first time a visual overview of Lawrence Abu Hamdan's works of more than a decade, and elaborates on a formal vocabulary characterized by the aesthetics of sound and language.

This catalogue explores some of the pivotal themes of the artist's research, from her interest in crossing and redefining the border between interior and exterior to the relationship between the aesthetic object and its institutional context.

This first monograph dedicated to Paloma Bosquê addresses the Brazilian artist's frustration with the visual as key to understanding of what lies beyond language, of that matter that can be perceived, but not rationalized.

An experimental noise project that synchronises sound with image and takes the form of a durational solo performance as installation (the publication accompanying Marco Fusinato's immersive project for the Australia Pavilion at the 59th International Art Exhibition of La Biennale di Venezia, with texts by Branden W. Joseph, Elizabeth Povinelli, Chus Martínez, Thurston Moore, Stephen O'Malley, Bruce Russell, etc.).

First monograph.

Exhibition catalogue with twenty color illustrations of paintings by the British painter Prunella Clough (1919–1999), focusing on the artist's late-career departure from the industrial figuration for which she was known into a wry, quietly influential approach to abstraction.

A tribute to Cecil Taylor's Akisakila, re-imagined & arranged by Pat Thomas piano & XT: Paul Abbott (drums, synthetic sounds) and Seymour Wright (actual & potential saxophone).

Flanger Magazine's second album integrates strings, wind instruments, percussion, and synthesizers, and subtly blends folk, Americana, chamber music, electronica, and jazz in a suite of pastoral, ethereal, and kaleidoscopic pieces.

"Out of Our Hands" brings together Alvin Lucier and Jordan Dykstra who, through the hands of Ordinary Affects, have created debut recordings of two new compositions.

Designed in the form of a "women's magazine", this catalogue is devoted to the representation of the female body in the innovative, feminist and avant-garde work of Niki de Saint Phalle.

The deluxe reissue of Fennesz's first LP of 1997 (also including the 1995 first EP), remastered by Stephan Mathieu.

Autobiography by Claude Closky is a question about identity and social media. On a dark mode theme colored background, tens of "Claude" of different genres and identities are displayed in sequence. What is the real "Autobiography"?

A remix collaboration by Mads Emil Nielsen and Chromacolor, a project from the German sound artist and producer Hanno Leichtmann.

An exhibition by Matthew Burbidge scattered and reconfigured by its visitors turned collectors.

At the time of Russia's invasion of Ukraine, Yevgenia Belorusets, Nikita Kadan, and Lesia Khomenko answer an age-old question: what is art to do in the face of war? (the culmination of Yevgenia Belorusets's war diary, alongside monumental work by Nikita Kadan, and Lesia Khomenko).

The eminent art historian and curator Jean-Hubert Martin takes a singular look at the collection of the Musée d'art et d'histoire de la Ville de Genève by abolishing hierarchies and thus encouraging to return to the primary relationship between the artwork and the viewer.

The eminent art historian and curator Jean-Hubert Martin takes a singular look at the collection of the Musée d'art et d'histoire de la Ville de Genève by abolishing hierarchies and thus encouraging to return to the primary relationship between the artwork and the viewer.

Retrospective monograph.

Variations on the face: downtown legend Kenny Scharf's permutational exploration of character.

A "story-poem", forming one of the parts of a project by Jean-Guy Coulange that also includes two radio plays and an exhibition.

Pauline Oliveros and György Ligeti revisited by Ensemble 0.

Released in Sub Rosas Early Electronic series, Reinhold Weber's Complete Electronic & Phonetic Works 1968-1974.

Alexandre Leger's drawings-poems.

The catalogue of ARS22, the tenth edition in the series of major international contemporary art exhibitions originally launched in 1961 in Helsinki.

The role of masks throughout history, materialized in the works of twenty-one artists: a look into the ongoing radical reshaping of our multiple historical, sociopolitical, sexual and transcendental identities, inquiring about the current processes in which we shape-shift from one to the other.

A resource book for curatorial studies and exhibition history, based on the case of the Göteborg International Biennial for Contemporary Art.

New monograph, highlighting the topicality of the issues that run through all of Ericka Beckman's work over some forty years.

This monograph spans two decades of the internationally acclaimed American artist Ellen Gallagher's career, including paintings, works on paper as well as three film installations created in collaboration with Dutch artist Edgar Cleijne.

With this book, Swiss artist Judith Kakon extends her artistic practice by relating her works to her working materials in a nonhierarchical and nonlinear manner.

First monograph of the Kenyan artist.

A multi-format (a vinyl record, a publication and an installation) and multidisciplinary project with an approach between science, technology and the arts, in dialogue with contemporary thinkers. The vinyl LP gathers a set of sound pieces made by twelve musicians with whom Lamas collaborated.

First monograph.

Forty-Nine Exhibitions survey Bernhard Rüdiger's work over thirty-five years, organized in reverse chronological order.