A sort of anti-monograph in several episodes proposed by the artist Simon Nicaise around his project of Tour de France of trades and practices.

First monograph.

A political and aesthetic critique of racial capitalism and modes of social experimentation in the form of resistance to the colonial commons.

A reflection on the aesthetics of the fragment as a paradigm of memory, from the works of six women artists.

New monograph.

A hybrid edition (a vinyl record with a newspaper and an insert) extending the artist's research on the links between sound, architecture and the history of spiritism.

For its 20th anniversary, Keplar presents an absolute milestone in the history of IDM and ambient music for the first time in its definite form.

The story of a therapeutic experience with paper mache initiated in a Geneva shelter and which ended up "outside the walls", illustrating how another psychiatry is possible.

A collection of biographical and musical essays about composer-performer Julius Eastman—a compelling portrait of Eastman's enigmatic and intriguing life and music.

Collective and individual artistic practices from a gender perspective.

A series of in situ improvisations on Mount Tamborine in Australia.

An investigation of dubplate decay and the tactile relationship to the disc.

The definitive edition of Fennesz's breakthrough album, newly mixed by himself.

Klara Lewis returns to Editions Mego with a surprising live set recorded in 2018. Expanding her exploratory vision into haunted realms of unheimlich sound, Live in Montreal consists of a single piece with three distinct discernible sections.

Editions Mego welcomes Powell to its roster with a bizarre and strangely emotive new album of synthetic computer works entitled Piano Music 1-7.

Editions Mego welcomes Powell to its roster with a bizarre and strangely emotive new album of synthetic computer works entitled Piano Music 1-7.

Autobiography by Jonathan Monk is the first attempt of display of the artist's collection of "Crackers" copies by Ed Ruscha.

The first vinyl LP release from Fluxus pioneer Alison Knowles (remastered edition transferred from original tapes, with an expansive 20-page booklet).

First retrospective monograph.

99% Darkness is a compilation of recent collaborative paintings and drawings, featuring the night sky. Short scattered texts take inspiration from the cold vast emptiness of space, with applied human longings and hopes.

Ronan Bouroullec's ceramic bas-reliefs.

New series of paintings by the Swiss artist, that examine the role of humankind in nature and within its social fabric on a philosophical-anthropological level.

A series of collages by Edie Fake.

A series of new semi-abstract oil paintings by the American artist.

This small volume features drawings created by by the famous Swiss illustrator for Basler Rabattmarke BKG Liga.

Peter Piller's peripheral excursions around Bremen.

Training for the Future is a training camp where audiences are turned into trainees to "pre-enact" alternative scenarios and reclaim the means of production of the future. This handbook gathers training manuals, interviews, and documentation of the various training camps that took place from 2018 to 2021.

An unconventional invocation of Michael Stevenson's practice over the past 35 years.

A visionary analysis of what Terry Smith identifies as the "visual arts exhibitionary complex."

Various approaches (historical, philosophical, psychoanalytical, but also artistic) on the experience of confinement, from incarceration to sanitary lockdown.

ORLAN hybridizes fragments of her face with portraits of Dora Maar, Picasso's companion.

A collection of three films on rock art, in America, Brazil, and China, proposed by Jean-Luc Bouvret.

A performative publication by author and choreographer Sara Gebran aiming to immerse readers in a world of social intimacy.

The 2020 edition of the Tour de France was canceled before being eventually postponed. Tour is a series of 101 photographs shot by Louis Canadas on the race's official route, during this period of uncertainty. Words are from Fanny Taillandier.

An essay on the climate crisis by Erri De Luca.

Bringing together contributions from North America, France and Italy, texts by dancers and texts by historians, anthropologists and philosophers of dance, this book offers a contemporary look at Contact Improvisation, the dance form created by Steve Paxton (1939-2024) in 1972 and which is celebrating its 50th anniversary.

Two pieces based on Milan Knízak's canonical text Aktual University, dating from 1967, containing ten short lectures outlining the university's character—On Conflict, On Dreams, On Revolutions, On Love, On Belief, On Art, etc. These lectures were to serve as inspirational schemes for lectures, seminars and discussions held at an ideal university.

A long form composition of six movements from Maurice Louca, with the Lebanese improvisational group A Trio, featuring Anthea Caddy, Khaled Yassine, and Christina Kazaryan, between Arabic music and psychedelic folk.

A long form composition of six movements from Maurice Louca, with the Lebanese improvisational group A Trio, featuring Anthea Caddy, Khaled Yassine, and Christina Kazaryan, between Arabic music and psychedelic folk.

Following Palo Alto's previous Difference and Repetition – A Musical Evocation Of Gilles Deleuze 2LP/CD this limited 7'' edition features The Tears of Nietszche on side A with Richard Pinhas as guest musician and Vecteur d'abolition on side B with the voice of Gilles Deleuze.

Three pieces for speaking pianist by the American avant-garde musician, politically committed composer and virtuoso pianist Frederic Rzewski (1938-2021), performed by Stephane Ginsburgh (for whom two of the pieces were composed).

A set of photographs of the back covers of Jonathan Monk's books presented turned over. A play of transparency reveals the captions written on the back of each page.

A book-exhibition that brings together the practice of three artists from the contemporary publishing scene around the figure of Mary Ellen Solt (1920-2007), an American artist whose works of concrete poetry enter into graphic and conceptual resonance with the three artists' own publications.