Antonin Veyrac's third collection of poetry: delirium, contemplation and the child as a perpetual horizon.

The engaged spatial protocols of the collaborative studio for research and design Forty five degrees.

This monograph dedicated to sculptor Genesis Belanger looks back at the beginnings of her practice and offers an analysis of her work.

293 new digital drawings by the Swiss artist.

First monograph of the artist, poet, and filmmaker Sky Hopinka whose work embraces Native American perspectivism and reverses the primacy of representation of non-Western identities.

Wesley Brown narrates the day when trumpeter Miles Davis was assaulted by the New York Police Department. A dramatic and humorous story, told from multiple perspectives including that of Frances Taylor, Davis's wife, and the musicians in Davis's bands: a timely meditation on the psychological impact of police brutality, through the lens of a day in the life of Miles Davis.

The French musician and producer transforms the layering of different times into a free-flowing pulse that sounds both nostalgic and mysteriously ahistorical.

Austrian artist and curator Anna-Sophie Berger here assembles a group of works, from Arakawa and Gins to Lyle Ashton Harris, that register the body as a habitat that can be imaginatively stretched, altered, modified, adorned, replicated or destroyed.

The catalogue of the 17th Geneva Biennial, dedicated to artists' film and video, curated by the New York-based collective DIS and Andrea Bellini.

This publication brings together the work of Cristian Frosi with the human and artistic vicissitudes of other famous dropouts over the last 50 years: from Marcel Duchamp to Agnes Martin, and from Lee Lozano to Charlotte Posenenske.

Tarot deck of 78 cards drawn by Vincent Corpet from a series of paintings made in 2010.

This dense 11 disc retrospective of Pauline Oliveros' early and unreleased electronic work includes her very first piece made for tape in 1959.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

Actualising the concert of Archie Shepp–Bill Dixon Quartet at the 8th World Festival of Youth and Students in Helsinki 1962, Free Jazz Communism contextualizes the politics of free jazz music in light of global decolonisation movements, anti-war activism, structures of racial capitalism, and forms of avant-garde music (new augmented edition).

A major addition to the body of carefully hewn solo work Crys Cole has released over the last decade, offering up two side-long suites of her radically intimate approach to sound.

Black Truffle continues its documentation of the work of Berlin-based Italian singer Amelia Cuni, one of the great contemporary exponents of dhrupad, the oldest surviving style of North Indian classical vocal music.

An anthology introducing the first of a series of albums based on the concept of "aquapelago", with Sugai Kei, Andrew Pekler, Mike Cooper, The Dead Mauriacs, Babau, Vica Pacheco, Yannick Dauby, Sculpture, Francesco Cavaliere and Tomoko Sauvage.

2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist and composer Jeff Parker and his ETA IVtet.

The sixth volume in Jack Pierson's famed Tomorrow's Man series associates archival material and works by contemporary artists in a collage-like design to produce an exploded vision of the current visual landscape, draped in vintage homoeroticism and glamour.

A retrospective monograph, La Gricole et ses dérives brings together fifty years (1970-2020) of Daniel Nadaud's pathways, loops, advances, drawings, sculptures, installations and notebooks, shaped by the presence of the agricultural world, by history and fragments of childhood.

A dialogue between the visual artist Margherita Morgantin and two musicians and sound makers.

Chronicles Vol. 3 combines Kim Gordon's Real Estate Paintings with staged canvases photographed by Josephine Pryde in vacant apartments and offices in and around Kriens and Lucerne. The photos, which were taken using purely analog technology, create a disturbing and enraptured atmosphere.

Art critical essays focusing on artworks that, in various ways, convey a sense of unheroic "trouble."

The 1982 debut album of the fictional and conceptual girl band comprising Colin Lloyd-Tucker and Simon Fisher Turner is a series of musical vignettes, blending processed guitars, sheets of synthesizers, echoey pianos, and washed-out vocal snippets to surprisingly varied effect, like the score of an unrealized arthouse film.

The second album of the fictional and conceptual girl band comprising Colin Lloyd-Tucker and Simon Fisher Turner, originally released in 1983 on their own imprint, Papier Maché, full of meandering guitar, technically tighter and more refined, and with a more ominous tone, than the debut Silence & Wisdom.

Reference publication dedicated to the practice of Lubaina Himid, one of the leading figures of British Black Art since the 1980s.

Dark-folk songwriter Chantal Acda and beyond drums-percussion musician extraordinaire Eric Thielemans propose, after Phillip Glass, a new score for Koyaanisqatsi, re-actualising the incredibly beautiful, raw, rhythmic and touching images of this 80-ties cinematographic masterpiece.

Six unreleased piano pieces by Milan Knízák, written between 1991 and 2021, played by Czech piano virtuoso Miroslav Beinhauer.

This release highlights Leo Kupper's earliest compositions with his GAME machine - Générateur Automatique de Musique Electronique (Automatic Generatorof Electronic Music) constructed during the 1960's. Purely electronic sounds into new structures, Leo Kupper shows through his 4 tracks a real spirit of renewal.

A series of drawings by Valérie du Chéné inspired by press articles, to which Arlette Farge's texts respond.

X Museum 2020–2021 is the first chapter in a series of annual publications dedicated to the activity of the newly opened museum in Beijing.

A critical anthology on the spatial mediation of art consumption through digital technology.

Published in conjunction with the exhibition Uncombed, Unforeseen, Unconstrained, a Collateral Event of the 59th International Art Exhibition | La Biennale di Venezia, 2022, this book documents the deeply thoughtful responses of eleven international contemporary visual artists to the state of the world in the early twenty-first century.

A bilingual text by Alessandro De Francesco that blurs the boundaries between art and poetry.

Fabien Giraud and Raphaël Siboni echo the fictional world of their films and the real world of their objects and sculptures, at the end of an exhibition-series developed over a decade.

An overview of Dawit L. Petros's expansive suite of works reflecting the lingering effects of colonial brutality and revealing the links between the contemporary resurgence of nationalism and a suppressed colonial past.

First monograph.

Fabien Giraud and Raphaël Siboni echo the fictional world of their films and the real world of their objects and sculptures, at the end of an exhibition-series developed over a decade.

Two previously unreleased recordings of Peter Rehberg (1968-2021), live performances given at the GRM which, each in their own way, vividly illustrate the extent of his sonic palette.

A masterstroke of contemporary musique concrète and auditory conceptualism, dense with metaphor, allegory and meaning.

The album of breathtaking images of wrestling matches made in the US in the late 1960s by a little Swiss boy who will become a photographer.

This artist's book by the American artist, musician (Destroy All Monsters), writer and bookseller intertwines Polaroids of 1970s Detroit with photographs of painterly collages made of TV stills and print ephemera combining Christian iconography, Classical Hollywood cinema, pop and b-movie culture.

Combining art and activism, semiotics and capitalism, art and finance, control and subversion, Monitoring Control by Paolo Cirio represents a critique of the social manipulation imposed by new technologies, while examining the counter-control that individuals can implement to dismantle these forces, sabotage them, and protect themselves.

This book is dedicated to the work of Destroyers/Builders (Linde Freya Tangelder), as part of a series of monographs on the thought and work of young contemporary designers.

This book is dedicated to the spectacular and baroque work of Kostas Lambridis, as part of a series of monographs on the thought and work of young contemporary designers.