First monograph.

Exhibition catalogue with twenty color illustrations of paintings by the British painter Prunella Clough (1919–1999), focusing on the artist's late-career departure from the industrial figuration for which she was known into a wry, quietly influential approach to abstraction.

A tribute to Cecil Taylor's Akisakila, re-imagined & arranged by Pat Thomas piano & XT: Paul Abbott (drums, synthetic sounds) and Seymour Wright (actual & potential saxophone).

Flanger Magazine's second album integrates strings, wind instruments, percussion, and synthesizers, and subtly blends folk, Americana, chamber music, electronica, and jazz in a suite of pastoral, ethereal, and kaleidoscopic pieces.

"Out of Our Hands" brings together Alvin Lucier and Jordan Dykstra who, through the hands of Ordinary Affects, have created debut recordings of two new compositions.

Designed in the form of a "women's magazine", this catalogue is devoted to the representation of the female body in the innovative, feminist and avant-garde work of Niki de Saint Phalle.

The deluxe reissue of Fennesz's first LP of 1997 (also including the 1995 first EP), remastered by Stephan Mathieu.

Autobiography by Claude Closky is a question about identity and social media. On a dark mode theme colored background, tens of "Claude" of different genres and identities are displayed in sequence. What is the real "Autobiography"?

A remix collaboration by Mads Emil Nielsen and Chromacolor, a project from the German sound artist and producer Hanno Leichtmann.

An exhibition by Matthew Burbidge scattered and reconfigured by its visitors turned collectors.

At the time of Russia's invasion of Ukraine, Yevgenia Belorusets, Nikita Kadan, and Lesia Khomenko answer an age-old question: what is art to do in the face of war? (the culmination of Yevgenia Belorusets's war diary, alongside monumental work by Nikita Kadan, and Lesia Khomenko).

The eminent art historian and curator Jean-Hubert Martin takes a singular look at the collection of the Musée d'art et d'histoire de la Ville de Genève by abolishing hierarchies and thus encouraging to return to the primary relationship between the artwork and the viewer.

The eminent art historian and curator Jean-Hubert Martin takes a singular look at the collection of the Musée d'art et d'histoire de la Ville de Genève by abolishing hierarchies and thus encouraging to return to the primary relationship between the artwork and the viewer.

Retrospective monograph.

Variations on the face: downtown legend Kenny Scharf's permutational exploration of character.

A series of drawings created by Cornelissen after a stay in Svalbard, where he resided in 2018 at the invitation of the Arctic Center of the University of Groningen, and during which the focus of his work slowly shifted from political mythology to ecology.

A "story-poem", forming one of the parts of a project by Jean-Guy Coulange that also includes two radio plays and an exhibition.

Pauline Oliveros and György Ligeti revisited by Ensemble 0.

Released in Sub Rosas Early Electronic series, Reinhold Weber's Complete Electronic & Phonetic Works 1968-1974.

Alexandre Leger's drawings-poems.

The catalogue of ARS22, the tenth edition in the series of major international contemporary art exhibitions originally launched in 1961 in Helsinki.

The role of masks throughout history, materialized in the works of twenty-one artists: a look into the ongoing radical reshaping of our multiple historical, sociopolitical, sexual and transcendental identities, inquiring about the current processes in which we shape-shift from one to the other.

A resource book for curatorial studies and exhibition history, based on the case of the Göteborg International Biennial for Contemporary Art.

New monograph, highlighting the topicality of the issues that run through all of Ericka Beckman's work over some forty years.

This monograph spans two decades of the internationally acclaimed American artist Ellen Gallagher's career, including paintings, works on paper as well as three film installations created in collaboration with Dutch artist Edgar Cleijne.

With this book, Swiss artist Judith Kakon extends her artistic practice by relating her works to her working materials in a nonhierarchical and nonlinear manner.

First monograph of the Kenyan artist.

A multi-format (a vinyl record, a publication and an installation) and multidisciplinary project with an approach between science, technology and the arts, in dialogue with contemporary thinkers. The vinyl LP gathers a set of sound pieces made by twelve musicians with whom Lamas collaborated.

First monograph.

Forty-Nine Exhibitions survey Bernhard Rüdiger's work over thirty-five years, organized in reverse chronological order.

A colorful and lively journey through Tyra Tingleff's artistic practice.

Luxurious retrospective monograph of the Swiss painter (1939-1998): 250 works on paper (ink, pencil, pen and watercolor drawings) covering more than three decades of exploration of the graphic potential of the line.

Lush monograph dedicated to the series "Orlando" inspired by Virginia Woolf's novel: more than 200 portraits in which the Swiss painter explores gender roles and identity as well a her own identity as an artist, and the temporality of art history.

A sound collage composed from 400 hours of recordings the artists made during the 2-year renovation of their house in the Prenzlauer Berg district of Berlin. The work has been previously presented as an installation of which photos are included on 3 inserts.

A composition in two continuous parts of 30' and 19' which melts two antagonistic and complementary dimensions: a data-text read by the French artist ORLAN and a virtual orchestra, composed of four singers (Loré Lixenberg, Joan La Barbara, Wills Morgan and Jacques Lizène) and 124 different instruments.

New monograph.

Published on the occasion of the 59th International Art Exhibition, La Biennale di Venezia, in 2022, this retrospective monograph is the official catalog of the National Pavilion of the United Arab Emirates, which has chosen the Emirati artist Mohamed Ahmed Ibrahim to represent them.

The first retrospective on design in Lebanon, from the 1920s until today, includes works by over 50 designers, uncovering this major design scene in the Middle-East.

The first published fiction text by art critic and author Camille Azaïs, which questions the return to the home of American women since the 2010s.

A newspaper format publication by artist and curator Mathew Hale, derived from an exhibition of 24 LA and Berlin-based artists.

A collective research on the memory of the places to the test of wars and conflicts through representations of landscapes, as they are reworked by means of contemporary art, cinema or literature.

The ecologies of experimental cinema in the Anthropocene age.

A project conceived by Julie Crenn around the interactions and interdependencies inherent to life, with ecofeminist thoughts and texts by Julie Crenn, Emmanuelle Coccia, Gilles Clément and Marie Thiann-Bo Morel.

The new solo work of the French musician Pascal Battus: four pieces composed exclusively with cymbals, producing different types of resonances and as many sound expanses.

A remake of Pieter Brueghel the Elder in the form of an artist's poster/book to unfold (and perform).