Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

Actualising the concert of Archie Shepp–Bill Dixon Quartet at the 8th World Festival of Youth and Students in Helsinki 1962, Free Jazz Communism contextualizes the politics of free jazz music in light of global decolonisation movements, anti-war activism, structures of racial capitalism, and forms of avant-garde music (new augmented edition).

A major addition to the body of carefully hewn solo work Crys Cole has released over the last decade, offering up two side-long suites of her radically intimate approach to sound.

Black Truffle continues its documentation of the work of Berlin-based Italian singer Amelia Cuni, one of the great contemporary exponents of dhrupad, the oldest surviving style of North Indian classical vocal music.

An anthology introducing the first of a series of albums based on the concept of "aquapelago", with Sugai Kei, Andrew Pekler, Mike Cooper, The Dead Mauriacs, Babau, Vica Pacheco, Yannick Dauby, Sculpture, Franceso Cavaliere and Tomoko Sauvage.

2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist and composer Jeff Parker and his ETA IVtet.

The sixth volume in Jack Pierson's famed Tomorrow's Man series associates archival material and works by contemporary artists in a collage-like design to produce an exploded vision of the current visual landscape, draped in vintage homoeroticism and glamour.

A retrospective monograph, La Gricole et ses dérives brings together fifty years (1970-2020) of Daniel Nadaud's pathways, loops, advances, drawings, sculptures, installations and notebooks, shaped by the presence of the agricultural world, by history and fragments of childhood.

Chronicles Vol. 3 combines Kim Gordon's Real Estate Paintings with staged canvases photographed by Josephine Pryde in vacant apartments and offices in and around Kriens and Lucerne. The photos, which were taken using purely analog technology, create a disturbing and enraptured atmosphere.

Avenues for engaged pedagogies, collective learning, and artistic ecologies that can engender new institutionalities.

Art critical essays focusing on artworks that, in various ways, convey a sense of unheroic "trouble."

The 1982 debut album of the fictional and conceptual girl band comprising Colin Lloyd-Tucker and Simon Fisher Turner is a series of musical vignettes, blending processed guitars, sheets of synthesizers, echoey pianos, and washed-out vocal snippets to surprisingly varied effect, like the score of an unrealized arthouse film.

The second album of the fictional and conceptual girl band comprising Colin Lloyd-Tucker and Simon Fisher Turner, originally released in 1983 on their own imprint, Papier Maché, full of meandering guitar, technically tighter and more refined, and with a more ominous tone, than the debut Silence & Wisdom.

A perspective on the challenges related to training, professionalization, social rights and aesthetic and theoretical concerns of young artists, through the assessment of the activities of GENERATOR, a unique program of experimentation, professional training and international residency for curators.

Reference publication dedicated to the practice of Lubaina Himid, one of the leading figures of British Black Art since the 1980s.

Dark-folk songwriter Chantal Acda and beyond drums-percussion musician extraordinaire Eric Thielemans propose, after Phillip Glass, a new score for Koyaanisqatsi, re-actualising the incredibly beautiful, raw, rhythmic and touching images of this 80-ties cinematographic masterpiece.

Six unreleased piano pieces by Milan Knízák, written between 1991 and 2021, played by Czech piano virtuoso Miroslav Beinhauer.

This release highlights Leo Kupper's earliest compositions with his GAME machine - Générateur Automatique de Musique Electronique (Automatic Generatorof Electronic Music) constructed during the 1960's. Purely electronic sounds into new structures, Leo Kupper shows through his 4 tracks a real spirit of renewal.

A series of drawings by Valérie du Chéné inspired by press articles, to which Arlette Farge's texts respond.

X Museum 2020–2021 is the first chapter in a series of annual publications dedicated to the activity of the newly opened museum in Beijing.

A critical anthology on the spatial mediation of art consumption through digital technology.

Published in conjunction with the exhibition Uncombed, Unforeseen, Unconstrained, a Collateral Event of the 59th International Art Exhibition | La Biennale di Venezia, 2022, this book documents the deeply thoughtful responses of eleven international contemporary visual artists to the state of the world in the early twenty-first century.

A bilingual text by Alessandro De Francesco that blurs the boundaries between art and poetry.

Fabien Giraud and Raphaël Siboni echo the fictional world of their films and the real world of their objects and sculptures, at the end of an exhibition-series developed over a decade.

An overview of Dawit L. Petros's expansive suite of works reflecting the lingering effects of colonial brutality and revealing the links between the contemporary resurgence of nationalism and a suppressed colonial past.

First monograph.

Fabien Giraud and Raphaël Siboni echo the fictional world of their films and the real world of their objects and sculptures, at the end of an exhibition-series developed over a decade.

Two previously unreleased recordings of Peter Rehberg (1968-2021), live performances given at the GRM which, each in their own way, vividly illustrate the extent of his sonic palette.

A masterstroke of contemporary musique concrète and auditory conceptualism, dense with metaphor, allegory and meaning.

The album of breathtaking images of wrestling matches made in the US in the late 1960s by a little Swiss boy who will become a photographer.

This artist's book by the American artist, musician (Destroy All Monsters), writer and bookseller intertwines Polaroids of 1970s Detroit with photographs of painterly collages made of TV stills and print ephemera combining Christian iconography, Classical Hollywood cinema, pop and b-movie culture.

Combining art and activism, semiotics and capitalism, art and finance, control and subversion, Monitoring Control by Paolo Cirio represents a critique of the social manipulation imposed by new technologies, while examining the counter-control that individuals can implement to dismantle these forces, sabotage them, and protect themselves.

This book is dedicated to the work of Destroyers/Builders (Linde Freya Tangelder), as part of a series of monographs on the thought and work of young contemporary designers.

This book is dedicated to the spectacular and baroque work of Kostas Lambridis, as part of a series of monographs on the thought and work of young contemporary designers.

A complete overview of the vast cinematographic project of the Italian artist and director around the "Arab Spring".

A political anthropology of music that is resolutely critical, reflective and accessible, based on a study of the world of Burkinabe rap.

Publication based on a film by Stephen Loye about the micro-stories that emanate from the territory where the Germanwings A320 crash took place on March 24, 2015.

This monograph dedicated to Ivan Argote presents the richness of the Colombian artist's work. Using photography, film, sculpture, as well as painting, he invites us to rethink the links between the intimate and the political and to question the proponents of dominant ideologies.

By defining a concept of architecture based on the tactile experience and not on construction, this book allows us to explore both discursive practice as the study of architectural art and the integration of architectural art as a discourse of spatial practice.

Zoran Terzić's wide-ranging and sharply detailed essay takes up the cultural-historical figure of the idiot and follows its numerous appearances throughout intellectual history in an examination of the art of idiocy that extends outside the hypertrophic present.

The hypothesis of a genuine cultural logic of environmentalization, at the intersection of art, media and cultural studies as well as economic theory.

This artist newspaper, edited by Asad Raza and Mathew Hale, accompanies a new work by Raza of the same name, which redirects the river through Portikus and invites the public to interact with and dip in the waters of the Main (contributions by Keren Cytter, Emily Dickinson, Dan Graham, Rufus Hale, Catalina Imizcoz, Wolfram Lotz...).

A collective work resulting from an exhibition of Dominique De Beir at the ADAC Amiens which explores the notion of piercing, digging the matter.

A series of reflections on major contemporary issues in the framework of feminism, individual and collective emancipation and self-organization, based on the film Scuola senza fine (1983) by Adriana Monti, figurehead of Italian feminist cinema.

A philosophical manifesto for a "minor thought of design", as a vector of intensification and problematization of our relationship to the world.

Through a careful reading and etymology of architectural treatises, from Vitruvius to Vittone, Bruno Queysanne reveals a little-known aspect of these "classical" texts, in which architects leave aside their learned and dogmatic rhetoric to give us pragmatic advice about the realization of the architectural work.

The first French edition of the theoretical dialogue of the Italian architect and engraver Giovanni Battista Piranesi (1720-1778), one of the most radical texts in the history of modern architectural theory.

Complete facsimile of The Cricket, an important but underknown music magazine edited by poets and writers Amiri Baraka, A. B. Spellman, and Larry Neal in 1968–69—a rare document of the Black Arts Movement.