A massive anthology of photographs made by Ari Marcopoulos between 2009 and 2018, featuring an introduction text by the artist as well as an essay by art critic, curator, and New York figure Bob Nickas..

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

New monograph, based on Saskia Holmkvist's film Margaret (Back Translation), weaving together staged scenes, documentary elements and archival footage, exploring the recent history of Belfast through a series of tonally diverse scenes, by turns comic, elegiac and speculative.

Weekly Planner I & II by Silje Iversen Kristiansen is two individual pocket-books filled with drawings. The drawings records in a fragmented way her subjective experience of life in time and space. Each book covers the span of a year, always starting in May and ending in April. In addition to the drawings, the books contain a text by Jan Verwoert that reflects upon the subject at hand.

This edition by Walter and Jan Verwoert pairs an 7" record featuring 6 pieces of sound poetry with facsimiles of the 6 collages used as scores for the recordings.

This volume revisits Alain Badiou's renunciation of his postulate that mathematics is ontology, and questions the legacy of French epistemology.

Invited by Erik Verhagen, a group of artists from both sides of the Atlantic share their views on François Morellet's work.

Three texts by the Marxist theorist from the Czechoslovak avant-garde of the interwar period, Karel Teige, translated into English for the first time.

This extensive monographic publication offers a comprehensive examination of Rómulo Macció's painting, situating his work within the development of modern and contemporary Latin American art.

Catalogue.

A call-to-arms for creatives to make their work widely accessible as a political and communal act.

Eyal and Ines Weizman explore the history of the before-and-after image, from its origins in 19th-century Paris to today's satellite surveillance.

In this essay, Thierry de Duve leaves the aesthetics and history of the art to approach, under the religious prism, two anthropological questions that the mutation of the symbolic order in progress makes pressing: the difference of the sexes and the future of the politics of emancipation.

The Heideggerien deconstruction of metaphysics by Reiner Schürmann.

Moondog's poetic autobiography.

Published several years after the fact, "Exposure" is a catalogue for Patricia L. Boyd's solo exhibition "Hold" at Kunstverein München in 2021.

Based on the relationship between the visible and the invisible in the development of Antoni Muntadas' projects, this publication examines the five series of works that bring together significant projects reflecting Muntadas's artistic approach since 1999.