The extravagant villas designed between the 1960s and 1980s by Italian architect Mario Galvagni (1928-2020) for prosperous Lombard families.

The glass as a listening device.

The facsimile and English-language reprint of the volume published in 1721 by Austrian architect and historian Johann Bernhard Fischer von Erlach, a historical and theoretical work covering all architectural periods and styles, from Stonehenge to Chinese imperial arches, which had a considerable influence throughout Europe.

The volume "Spaziale. Everyone belongs to everyone else" brings together the voices of all the protagonists involved in the Italian Pavilion at the 18th International Architecture Exhibition – La Biennale di Venezia.

A journey through the history of the pioneering Italian science fiction magazine Urania since the early 1950s.

A project by architects Hamed Bukhamseen and Ali Karimi questioning geopolitical strategies related to the development of Kuwait's global oil distribution.

The return to Lithuania of Francesco Cataluccio.

Dixit Algorizmi. The Garden of Knowledge sets out to question the origin myths and narratives surrounding modern technologies, using the lens of contemporary artistic practices to explore their forgotten roots and overlooked resonances with distant places, times and cultures (catalogue of the Uzbekistan's pavilion at the 59th International Art Exhibition, Venice Biennale, 2022).

Ten contemporary Italian writers dialogue with the works displayed in the exhibition inaugurating Luca Lo Pinto's program at the Museum of Contemporary Art in Rome.

A singular history of cultural encounters between Italy and Denmark.

Three multidisciplinary essays—from cultural anthropology to photography analysis—based on visual archives documenting the visit of writer, painter and politician Carlo Levi to an Albanian community in Southern Italy (second volume in the series “Archivi della Basilicata”).

The first in a series of publications dedicated to the exploration of the archives of the Italian region of Basilicata from an artistic perspective. This volume focuses on areas affected by the reclamation of the water system.

Aesthetics and politics of architecture of logistics.

The catalogue of the Italian Pavilion at the 58th Venice Biennale investigates and develops the theme chosen by the curator Milovan Farronato for the exhibition: the labyrinth.

Catalogue documenting an eponymous exhibition project which interprets contemporary issues such as migration, nationalism, populism and identity, using the symbolism in the Flemish painting of 1570 by Simon de Myle entitled Noah's Ark on Mount Ararat.

Through a series of scientific contributions and archives, this publication recounts the extraordinary character that was Hercule Florence—an explorer, an inventor and an artist, considered one of the inventors of photography.

A contemporary narrative, an artist's book, a surprising journey into a place that we thought we knew.

A photographic inventory.

A compilation of Lina Bo Bardi's tenure as director of Habitat, a publication self-dubbed “the magazine of the arts in Brazil”. Between 1950 and 1954, Habitat documented Bo Bardi's early thoughts on Brazilian culture, as well as reflecting her very personal take on modernism. Edited and designed by Julia, with contributions by Tamar Guimarães, Claudia Leisinger, Tony de Marco, Lara Viana and Tuca Vieira.

Through a series of scientific contributions and archives, this publication recounts the extraordinary character that was Hercule Florence—an explorer, an inventor and an artist, considered one of the inventors of photography.

A decade (1969-1978) of observation, classification and illustration of the abusive vegetation infesting the grounds of the international railway station in Chiasso, Switzerland, by botanist Ernesto Schick.

The decay of Detroit and its people's resistance in words and photographs (photographs by Antonio Rovaldi).